Best of
Art

1956

Drawing the Head and Hands


Andrew Loomis - 1956
    Drawing the Head and Hands is the second in Titan's programme of facsimile editions, returning these classic titles to print for the first time in decades.

The Nude: A Study in Ideal Form


Kenneth Clark - 1956
    From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.

This Is the Hour: A Novel About Goya


Lion Feuchtwanger - 1956
    Goya was court painter to the Spanish Crown; throughout the Peninsular War he remained in Madrid, where he painted the portrait of Joseph Bonaparte, pretender to the Spanish throne, and documented the war in the masterpiece of studied ambiguity known as the Desastres de la Guerra. Through his works he was both a commentator on and chronicler of his era. The subversive imaginative element in his art, as well as his bold handling of paint, provided a model for the work of artists of later generations, notably Édouard Manet, Pablo Picasso and Francis Bacon. Feuchtwanger, famous for his historical novels tells the story of Goya's life and his transition from court painter for Charles IV to a painter with a political conscience who used his art to protest Spain's repressive policies.

The Reproduction of Colour


R.W.G. Hunt - 1956
    New illustrations, diagrams and photographs ensure that both students and practising engineers using colour images can gain a full understanding of the theory and practical applications behind the phenomena they encounter. Key features: Describes the fundamental principles of colour reproduction for photography, television, printing and electronic imaging. Provides detailed coverage of the physics of light and the property of colorants. Includes new chapters on digital printing and digital imaging, which discuss colour reproduction on HDTV and desktop publishing. Presents expanded coverage of the evaluation of colour appearance. The Reproduction of Colour is already used as a basis for lectures in universities and specialist institutions and continues to be an essential resource for scientists, engineers and developers needing to appreciate the technologies of colour perception.Reviews of the Fifth Edition: "The book is beautifully written and superbly presented. It is a credit to both author and publisher, and deserves to be on the shelves of anyone who has any concern with the reproduction of colour." The Journal of Photographic Science, Vol. 43 1995"Using his ability as a teacher, Dr Hunt has made potentially very difficult topics quite readable he brings the insight that leads the reader to a greater depth of understanding."Color Research and Application, Vol. 23 1998

The tao of painting,: A study of the ritual disposition of Chinese painting; with a translation of the Chieh tzu yüan hua chuan; or, Mustard Seed Garden ... of painting, 1679-1701, (Bollingen series)


Mai-mai Sze - 1956
    The Mustard Seed Garden Manual of Painting

Roman Mornings


James Lees-Milne - 1956
    That is the supreme moment to rhapsodize and pay homage, to make the final assault upon the hidden secret of Rome's eternal decay, and to be deliciously deceived... The early morning on the other hand is more to our purpose, for it is not at all romantic." The early morning serves to light for Lees-Milne the eight Roman buildings-from the somber Pantheon first built by Marcus Agrippa in 27 B.C. to the Trevi fountain, whose waters were brought to Rome via aqueduct by the same Agrippa, but whose completion had to await the eighteenth century-that are in the author's opinion the chef architectural monuments of the city. All of them, he says, are powerful archetypes, and two among them, the Pantheon and the Tempietto, have individual features that are reflected in practically every town in Europe, the British Commonwealth, and America.