The truth is, according to INTERPOL records, more than 20,000 stolen works of art are missing—including Rembrandts, Renoirs, van Goghs, and Picassos. Museum of the Missing offers an intriguing tour through the underworld of art theft, where the stakes are high and passions run strong. Not only is the volume beautifully written and lavishly illustrated—if all the paintings presented here could be gathered in one museum it would be one of the finest collections in existence—it tells a story as fascinating as any crime novel. This gripping page-turner features everything from wartime plundering to audacious modern-day heists, from an examination of the criminals’ motivations to a look at the professionals who spend their lives hunting down the wrongdoers. Most breathtaking of all, this invaluable resource offers a “Gallery of Missing Art,” an extensive section showcasing stolen paintings that remain lost—including information about the theft and estimated present-day value—and which may never be seen again.

    Set in 1507, when the author himself was an attaché to the Duke of Urbino, the book consists of a series of fictional conversations between members of the Duke's retinue. All aspects of leadership come under discussion, but the primary focus rests upon the relationship between advisors and those whom they counsel. Ever-relevant subjects include the decision-making process, maintaining an ethical stance, and the best ways of interacting with authority figures. Frequently assigned in university courses on literature, history, and Renaissance studies, the Dover edition of this classic work will be the lowest-priced edition available.

    The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East, the Ultimate Encyclopedia of Mythology is a comprehensive A to Z of the classic stories of gods and goddesses, heroes and mythical beasts, wizards and warriors.

    An orange café chair, bright blue bicycles against a fence, a weathered white door—Nichole Robertson's sumptuous photographs of the distinctive details of Paris, all arranged by color, evoke a sense of serendipitous discovery and celebrate the city as never before. At once a work of art and a window into the heart of the city, Paris in Color will surprise and delight those who love art, design, color, and, of course, Paris!

      As the nation’s iconic calendar, the 2020 edition will forecast cultural, culinary, and other life-changing trends; preview notable astronomical events; provide time- and money-saving tips for gardeners of all varieties; set the hook for best fishing days; forecast traditionally 80 percent–accurate weather; and cover a range of related topics, including anniversaries, folklore, husbandry, home remedies, recipes, amusement, contests, and more—too much more to mention—all in the inimitable way it has done since 1792.

    In June 1816, the flagship of a French expedition to repossess a colony in Senegal from the British set sail. She never arrived at her destination; her incompetent captain Hugo de Chaumareys, ignoring telltale signs of shallow waters, plowed the ship into a famously treacherous sandbar. A privileged few claimed the lifeboats while 146 men and one woman were herded aboard a makeshift raft and set adrift. Without a compass or many provisions, hit by a vicious storm the first night, and exposed to sweltering heat during the following days, the group set upon each other: mayhem, mutiny, and murder ensued. When rescue arrived thirteen days later only fifteen were alive. Meanwhile, those in the boats who made it to shore undertook a dangerous two-hundred-mile slog through the desert. Among the handful of survivors from the raft were two men whose written account of the fiasco became a bestseller that rocked France’s political foundations and provided graphic fodder for Géricault’s world-famous painting.

    Ross Dunn here recounts the great traveler's remarkable career, interpreting it within the cultural and social context of Islamic society and giving the reader both a biography of an extraordinary personality and a study of the hemispheric dimensions of human interchange in medieval times.

    Biography of the Roman military and political leader from the 19th Century American writer of history and biographies for children.

    Divided into more than seventy-five entries, All the Time in the World is brimming with witty bons mots, interesting etymologies, and arresting anecdotes encompassing an array of cultures and eras. Subjects covered include the daylong ceremony of laying a royal Elizabethan tablecloth; the radicalization of sartorial chic in 1890s Paris; Nostradamus's belief in the aphrodisiac power of jam; the sensuous practice of sniffing incense in fifteenth-century Japan; the American fascination with flaming desserts; the short-lived artistic discipline of “lumia,” or visual music; the evolution of coffee from a religious ritual to a forbidden delight in the Middle East; Henriette d'Angeville's fearless and wine-fueled ascent of Mont Blanc; the elaborate treasure hunts concocted by London's Bright Young Things; and the musical revolution known as bebop. An antidote to the contemporary cult of “getting things done,” All the Time in the World revives forgotten treasures of the past while inspiring a passion for good living in the present.

    At just twenty-three years of age, she is an invalid, overprotected and reclusive. Before it is too late, she must escape the fog of Victorian London for a place where she can breathe.Together with her devoted mother, Louisa, her god-fearing aunt, Yael, and a book of her own spells inspired by the Egyptian Book of the Dead, Harriet travels to a land where the air is tinged with rose and gold and for the first time begins to experience what it is to live. But a chance meeting on the voyage to Alexandria results in a dangerous friendship as Louisa’s long-buried past returns, in the form of someone determined to destroy her by preying on her daughter. As Harriet journeys towards a destiny no one could have foreseen, her Aunt Yael is caught up in an Egypt on the brink of revolt and Louisa must confront the ghosts of her own youth.The Sacred River is an indelible depiction of the power of women and the influence they can have when released from the confines of proper English society. In the tradition of Kate Chopin and Charlotte Perkins Gilman, writer Wendy Wallace spins a tale of three women caught between propriety and love on a journey of cultural awakening through an exquisitely drawn Egypt. Sumptuous and mesmerizing, this provocative novel about finding your rightful place in the world is a beautiful, tantalizing read.

    It is thousands of years old, and the same today as it has always been. The great traditional buildings of the past, the villages and tents and temples in which man feels at home, have always been made by people who were very close to the center of this way. It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form as the trees and hills, and as our faces are.”The Timeless Way of Building is the introductory volume to Alexander’s other works, A Pattern Language and The Oregon Experiment, in the Center for Environmental Structure series.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'

    Once an untouchable member of England's establishment-- a world-famous art historian and a man knighted by the Queen of England-- in a single stroke Anthony Blunt became an object of universal hatred when, in 1979, Margaret Thatcher exposed him as a Soviet spy. In "Anthony Blunt: His Lives," Miranda Carter shows how one man lived out opposing trends of his century-- first as a rebel against his class, then as its epitome-- and yet embodied a deeper paradox. In the 1920s, Blunt was a member of the Bloomsbury circle; in the 1930s he was a left-wing intellectual; in the 50s and 60s he became a camouflaged member of the Establishment. Until his treachery was made public, Blunt was a world-famous art historian, recognized for his ground-breaking work on Poussin, Italian art, and old master drawings; at the Courtauld Institute he trained a whole generation of academics and curators. And yet even as he ascended from rebellion into outward conformity, he was a homosexual when homosexuality was a crime, and a traitor when the penalty was death. How could one man contain so many contradictions? The layers of secrecy upon which Blunt's life depended are here stripped away for the first time, using testimony from those who knew Blunt well but have until now kept silent and documents from sealed Russian archives, including a secret autobiography Blunt wrote for his controllers. Miranda Carter's "Anthony Blunt" is the first full biography of the mythical Cold War warrior, and is at once an astonishing history of one the century's greatest deceits and adeeply nuanced account of fifty years in the British power elite, as experienced by one deep inside who wished to bring it down.