In 1965, Martin Luther King, Jr., set the nation's sights on the city when he said, If we crack Chicago, then we crack the world. Black empowerment would take off like a prairie fire across the land. Here is the story of Harold Washington's election in 1983 as the city's first black mayor. Photographs.

    In If These Walls Could Talk: Chicago Blackhawks, Mark Lazerus chronicles the team's rise from the dark ages of the 2000s to the golden age of the 2010s through never-before-told stories from inside the dressing room, aboard the team plane, at the players' homes, and — especially in the case of the rowdy 2009-2010 team that started it all — in countless Chicago bars. If These Walls Could Talk: Chicago Blackhawks will bring readers closer to their favorite players than ever before. It's a book Hawks fans won't want to be without.

    When her boss, the repulsive Coddles, heaps another new project on her department -- with no additional remuneration naturally -- she decides she's had enough. She spends her days battling with her roommate, Val Wayne Newton, about whether Black Sabbath or Neil Diamond will occupy the turntable and her nights beating her overeager suitor, Martin Lemming, away from the door of her boudoir. When she discovers a piece of vile pornography in Coddles's dry cleaning, she has the means to retaliate. Meanwhile, Fat Bald Jeff, the tech-support guy who has to cope with her mechanical self-sabotage, turns out to be even more disaffected than she, and they hatch the ultimate plan to give the pigs some of their own medicine. With a surreal wit and a keen eye that bring to mind Lily Tomlin set loose in Dilbert-world, Fat Bald Jeff is a sharp satire and a paean to the petty humiliations of workers everywhere.

    Here we see the system through the eyes of the men and women who experience it, not only in the courtroom but in the lockup, the jury room, the judge's chambers, the spectators' gallery. From the daily grind of the court to the highest-profile case of the year, Steve Bogira's masterful investigation raises fundamental issues of race, civil rights, and justice in America.

    Underprivileged schools. Just plain bad schools.”   That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt.   But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together.   Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike?   Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

    Desire. Betrayal. Her choice could save a nation. Chicago, 1950. Rosalind Porter has always defied expectations--in her work as a physicist on the Manhattan Project and in her passionate love affair with colleague Thomas Weaver. Five years after the end of both, her guilt over the bomb and her heartbreak over Weaver are intertwined. She desperately misses her work in the lab, yet has almost resigned herself to a more conventional life. Then Weaver gets back in touch--and so does the FBI. Special Agent Charlie Szydlo wants Roz to spy on Weaver, whom the FBI suspects of passing nuclear secrets to Russia. Roz helped to develop these secrets and knows better than anyone the devastating power such knowledge holds. But can she spy on a man she still loves, despite her better instincts? At the same time, something about Charlie draws her in. He's a former prisoner of war haunted by his past, just as her past haunts her. As Rosalind's feelings for each man deepen, so too does the danger she finds herself in. She will have to choose: the man who taught her how to love . . . or the man her love might save?

    Chicago's change and growth over the last century is captured in this photographic history. Modern color photos sit side by side with black and white archival photographs. Every important building, avenue, neighborhood, and point of interest is documented. It covers all of Chicago's landmarks from Navy Pier to the Stockyards and from the Southside all the way up the Magnificent Mile. Take in a game at Wrigley Field, then take it all in from the top of the Sear's Tower. The Water Tower and all the other architectural features that make Chicago great are also included.

    DK's Eyewitness Travel Guides: Chicago set the standard for the balance of sightseeing, historical and practical information. Whether going to see the Cubs at Wrigley Field, looking for a Chagall at the Art Institute, or heading to the top of the John Hancock Building, there is no better guide to show you what the "Windy City" has to offer. Includes a spectacular bird's-eye view of the Magnificent Mile, floor plans of the major museums, with excellent coverage of the city's nightlife, shops and markets.

    One of the deadliest fires in American history, it took the lives of ninety-two children and three nuns at Our Lady of the Angels School, left many families physically and psychologically scarred for life, and destroyed a close-knit working-class neighborhood. This is the moving story of that fire and its consequences written by two journalists who have been obsessed with the events of that terrible day in December 1958. It is a story of ordinary people caught up in a disaster that shocked the nation. In gripping detail, those who were there-children, teachers, firefighters-describe the fear, desperation, and panic that prevailed in and around the stricken school building on that cold Monday afternoon. But beyond the flames, the story of the fire at Our Lady of the Angels became an enigma whose mystery has deepened with time: its cause was never officially explained despite evidence that it had been intentionally set by a troubled student at the school. The fire led to a complete overhaul of fire safety standards for American schools, but it left a community torn apart by grief and anger, and accusations that the Catholic church and city fathers had shielded the truth. Messrs. Cowan and Kuenster have recreated this tragedy in a powerful narrative with all the elements of a first-rate detective story.

    

    Algren tells us all we need to know about passion, heaven, hell. And a city. - From the introduction by Studs TerkelNelson Algren (1909 - 1981) won the National Book Award in 1950 for The Man with the Golden Arm. His other works include Walk on the Wild Side, and Conversations with Nelson Algren, the last available from the University of Chicago Press.David Schmittgens teaches English at New Trier High School in Northfield, Illinois.Bill Savage is a senior lecturer at Northwestern University and coeditor of the 50th Anniversary Critical Edition of The Man with the Golden Arm.Cover photograph: Robert McCullogh

    Here too are the famous convention halls, parks, and racetracks of a great American city whose architectural treasures have been, and continue to be, recklessly squandered.Rare photographs and prints, many of them published here for the first time, document the transformative architectural achievements of such giants as Dankmar Adler, Louis Sullivan, John Wellburn Root, Daniel Burnham, William Holabird, and Frank Lloyd Wright. But this remarkable book is much more than a portfolio of now-vanished buildings; within its pages are evocative sketches of scores of Chicago personalities, from the world-famous (Abraham Lincoln, Theodore Dreiser, Clarence Darrow, Ben Hecht, Jane Addams, Cyrus McCormick, George Pullman, and Gustavus Swift, to name just a few) to the locally notorious.

    Robert S. Abbott founded The Defender in 1905, smuggled hundreds of thousands of copies into the most isolated communities in the segregated South, and was dubbed a "Modern Moses," becoming one of the first black millionaires in the process. His successor wielded the newspaper’s clout to elect mayors and presidents, including Harry S. Truman and John F. Kennedy, who would have lost in 1960 if not for TheDefender’s support. Along the way, its pages were filled with columns by legends like Ida B. Wells, Langston Hughes, and Martin Luther King. Drawing on dozens of interviews and extensive archival research, Ethan Michaeli constructs a revelatory narrative of race in America and brings to life the reporters who braved lynch mobs and policemen’s clubs to do their jobs, from the age of Teddy Roosevelt to the age of Barack Obama.

    Frommer paints Shoeless Joe as a baseball natural ("Joe Jackson hit the ball harder than any man ever to play baseball"-Ty Cobb), an illiterate hick (his table untemsils consisted of knife and fingers), and an innocent man snared by the greatest scandal in baseball history.

    From a mother and son who migrated from Appalachia to a Native American boilerman, from a streetwise ex–gang leader to a liberal police officer, from the poorest African Americans to the richest socialites, these unique and often intimate first-person accounts form a multifaceted collage that defies any simple stereotype of America.As Terkel himself put it: “I was on the prowl for a cross–section of urban thought, using no one method or technique. . . I guess I was seeking some balance in the wildlife of the city as Rachel Carson sought it in nature. Revealing aspects of people’s lives that are normally invisible to most of us, Division Street is a fascinating survey of a city, and a society, at a pivotal moment of the twentieth century.