In the months before her suicide, she was hiding away in a remote mountainside village, but what, or whom, was she running from?Ryusei, a fellow student at Waseda who harbored unrequited feelings for Miwako, begs her best friend Chie to bring him to the remote village where she spent her final days. While they are away, his older sister, Fumi, who took Miwako on as an apprentice in her art studio, receives an unexpected guest at her apartment in Tokyo, distracting her from her fear that Miwako’s death may ruin what is left of her brother’s life.Expanding on the beautifully crafted world of Rainbirds, Clarissa Goenawan gradually pierces through a young woman’s careful façade, unmasking her most painful secrets.

    But her bone-deep aversion to math + a soul-deep desire to please her mother = her failing math grade + exploding food vlog ‘this masala life’.Enter her mother’s research intern and resident math genius Farah Ahmed. Tara makes a deal with Farah - help her pass the math course and she’ll welcome Farah into the local Bollywood Drama & Dance Society.Grumpy girl gets life lessons…After losing her mom to a heart attack, dumping her small-minded boyfriend (she’sbisexual, not confused) and reluctantly moving to the US to be near her dad - all in the span of eighteen months, twenty-three-year-old Farah has hit the full quota on LIFE. Two things keep her going - her internship with a brilliant statistics professor and the possibility of meeting her dancing idol through the Bollywood Drama & Dance Society. That is, if her new hot-mess housemate will let her.Soon Tara and Farah are bonding over chicken biryani, dancing to Bollywood Beats at midnight and kissing... against all the odds. And maybe beginning to realize that while life’s even more complicated than math, love is the one variable that changes everything!Will they realize that together they have the recipe for a Happily Ever After?

    As a pastry chef on the come up, when she arrives in Scotland, she has one goal in mind: win the Holiday Baking Challenge. Winning is her opportunity to prove to her family, her former boss, and most importantly herself, she can make it in the culinary world. Kiskeya will stop at nothing to win , that is, if she can keep her eyes on the prize and off her infuriating teammate's perfect lips.Sully Morales, home cooking hustler, and self-proclaimed baking brujita lands in Scotland on a quest to find her purpose after spending years as her family’s caregiver. But now, with her home life back on track, it's time for Sully to get reacquainted with her greatest love, baking. Winning the Holiday Baking Challenge is a no brainer if she can convince her grumpy AF baking partner that they make a great team both in and out of the kitchen before an unexpected betrayal ends their chance to attain culinary competition glory.

    In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

    Instead, she wants to soar, and her sights are set on securing passage aboard the smuggler airship Midnight Robber. Her ticket: earning Captain Ann-Marie’s trust using a secret about a kidnapped Haitian scientist and a mysterious weapon he calls The Black God’s Drums.But Creeper keeps another secret close to heart--Oya, the African orisha of the wind and storms, who speaks inside her head and grants her divine powers. And Oya has her own priorities concerning Creeper and Ann-Marie…

    Sure to inspire hope and solidarity to anyone who reads it, Our Stories, Our Voices belongs on every young woman’s shelf.This anthology features essays from Martha Brockenbrough, Jaye Robin Brown, Sona Charaipotra, Brandy Colbert, Somaiya Daud, Christine Day, Alexandra Duncan, Ilene Wong (I.W.) Gregorio, Maurene Goo, Ellen Hopkins, Stephanie Kuehnert, Nina LaCour, Anna-Marie McLemore, Sandhya Menon, Hannah Moskowitz, Julie Murphy, Aisha Saeed, Jenny Torres Sanchez, Amber Smith, and Tracy Walker.

    Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision.Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won't be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking.But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.

    This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”—Jose Antonio Vargas, from Dear America

    Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies.The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world--for us all.

    Just ask high school nobody, Jessica Tran. Despite her heroic lineage, Jess is resigned to a life without superpowers and is merely looking to beef-up her college applications when she stumbles upon the perfect (paid!) internship—only it turns out to be for the town’s most heinous supervillain. On the upside, she gets to work with her longtime secret crush, Abby, who Jess thinks may have a secret of her own. Then there’s the budding attraction to her fellow intern, the mysterious “M,” who never seems to be in the same place as Abby. But what starts as a fun way to spite her superhero parents takes a sudden and dangerous turn when she uncovers a plot larger than heroes and villains altogether.

    In a small set of friends, Baldwin imbues the best and worst intentions of liberal America in the early 1970s.

    But when a scandalous photo of Ghaz appears on a billboard in Times Square, Mariam and Umar come up with a plan to rescue her from her furious parents. And what better escape than New Orleans?The friends pile into Umar's car and start driving south, making all kinds of pit stops along the way--from a college drag party to a Muslim convention, from alarming encounters at roadside diners to honky-tonks and barbeque joints. Along with the adventures, the fun banter, and the gas station junk food, the friends have some hard questions to answer on the road. With her uncle's address in her pocket, Mariam hopes to learn the truth about her father (and to make sure she didn't inherit his talent for disappearing). But as each mile of the road trip brings them closer to their own truths, they know they can rely on each other, and laughter, to get them through.

    But Blythe spends her days pouring latte art at her family’s coffee shop, so why should she care about having apocalyptic abilities?She’s given a reason when magician anarchists crash into said coffee shop and kidnap her family.Heartbroken but determined, Blythe knows she can’t save them alone. A war is brewing between two magician governments and tensions are too high. So, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.

    Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots, not even in some place called Minneapolis. “America have dey spirits too, believe me,” she tells Audre.Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels–about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. Mabel’s reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it’s Audre who is caring for Mabel as she faces a deeply uncertain future.Junauda Petrus’s debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

    Here's a storyteller's tale of what they endured in a strange new land.