Power. Respect. All the things twenty-six-year-old self-made mogul Domino Black possesses, along with good looks and a huge dick to complement. As a young man who’s had to suffer more heartache than a little bit, the last thing he’s looking for is love. All Domino wants from women is what they’re good for – sex. Life has taught him that relationships aren’t worth the time or energy, and that in the words of Chris Brown, “these hoes ain’t loyal.” That is, until crossing paths with twenty-one-year-old Bailee Rodgers, who catches his eye from their first encounter. Will this bad boy turn good for the one girl who’s willing to show him that not all women are the same? Bailee Rodgers feels that life has dealt her some bad hands, starting with the death of a loved one. Coping with the loss she suffered led her to the arms of Tyler, who she soon realizes is not the man she wants or needs in her life. Bailee’s desire is to focus on healing her on broken heart, but when she meets the infamous Domino Black, she wonders if he could be the one to take her pain away. Bailee soon finds that Domino is two notches shy of crazy, but Domino may have met his match in her, because Bailee immediately proves to Domino that she’s not weak and insecure like the women he’s used to. Making good love to this bad boy is fun and exciting, but with lies, secrets, and drama lurking in the background, Bailee often wonders if it’s worth it… In this crazy, hood, love story, will Columbia’s biggest player be willing to change in order to win the heart of the sweet, innocent, broken-hearted girl, or will he add to her hurt and pain by being exactly who everybody makes him out to be?

    The couple finds themselves at a roadblock and both have families who will stop at nothing to tear them apart. Do they allow it or is love enough to keep them together against the odds? However, most importantly, was Dior helping her dad all along? A’Moya was hit with a truth she never saw coming - Legion killed his mom! Was he right when he said that he was a damaged monster? Does A’Moya run for the hills or is she ready for the heavy burden Legion dropped on her? Wrath and Kanada could no longer fight the inevitable - they belong together. After all that she’s been through, it seems that Kanada has finally found her knight in shining armor, and life starts to get better for her. But is her past really behind her? She soon finds out that it’s not, and one mistake may cost her everything. Her returning baby father doesn’t seem to help matters. These women had no idea what was going to happen when they crossed paths with the Ramsey men. In part two, secrets, lies and exes come out of the shadows. Which couples will survive? Plus, we find out who Guns’ love really is!

    They were the eldest of the James/Santos offspring who were all either siblings or cousins and ranged in age from infants to early teens. But, now that the three boys were older, they had to face real life issues and responsibility. Lil Q’s name had already been run through the system due to the parents of his first puppy love, Jyla. Now the majority of his summer vacation was spent going back and forth to the courthouse trying to clear his name. Cons’ vacation was spent on his new career, but he later finds himself walking the footsteps of his father. Cons was a go-getter and had been that way since he could comprehend that people catered to children. Once Cons’ career blew up, he also figured out how much it brought attention from his peers, be it good or bad. Now that Cee saw how much drama had come into his family from his little brother and cousin, he chose to keep his feelings for his best friend at bay, not knowing that she liked him too. Cee, Cons, and Lil Q all knew the rules of the James and Santos family. Now that they were older, their parents felt they needed a little more freedom, but would it all be taken away after their parents learned just how much chaos surrounded their children?

    Not being happy all the time makes them stressed out of their tights. Carol practises uninhibited sex which ends with her panty liner stuck to the bottom of someone's shoe. Donnie, after a mystery bite in a third world country, thinks he's incubating a nest of spiders up his bum. Daphne gets fat. She makes soup all the time and wonders if Woolworth's sell a hose pipe to fit a Vauxhall Vectra. Pierce is a poet; a fat balding womaniser who's only steady relationship is with a cup at the sperm bank. He's the only one not on anti-depressants, and he's the hero.

    With almost everything in place, he needs a woman who can handle his life, and sons to fulfil his plans for Detroit. Pam Jennings is a single mother, who has discovered her truth and is ready to live her life according to her rules. Her main job, however, is protecting her two sons, and raising them in a city currently plagued with crime. When Pam enters George’s business, he sees everything he wants and needs, but he must get past her reservations…and his secrets, to win her heart.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    The first play, Tughlaq, is a historical play in the manner of nineteenth-century Parsee theater. The second, Hayavadana was one of the first modern Indian plays to employ traditional theatrical techniques. In Naga-Mandala, the third play, Karnad turns to oral tales, usually narrated by women. This selected work of one of India's best known playwrights should attract the attention of students and scholars of comparative literature, or any reader interested in South Asian literature.

    She has no problem using anything or anyone to get what she wants. Whether it’s treating her sister, Celia, as her personal ATM or seducing unlikely, unsuspecting men, she will do whatever it takes to get ahead. Her daughter, Kendra, is a hardworking student who does a better job parenting her younger twin sisters than their mom does. She is determined to be nothing like her mother, and instead, strives to follow in her Aunt Celia’s footsteps to get the car, house, and career of her dreams. After meeting Bilal, a handsome, streetwise entrepreneur, she may just land the man of her dreams as well.When tragedy strikes one of the twins, instead of being there for her family, Diane sees it as one more opportunity to exploit for her own personal gain. And when a secret that both Diane and Kendra have been keeping comes out, the entire family is ripped apart. Will Kendra be able to hold on to everything that means the world to her, or will her mama’s drama snatch it all away?

    No one outside of his crew is safe from the death and destruction that ensues, and it isn't long before the streets bow to his will. On the other side of the city, as Chez's legend flourishes his longtime enemy Mann's hatred grows to explosive proportions. Unable to except what he sees as disrespect when one of his partners is murdered by a member of Chez's crew, Mann contacts his cousins in New York and enlists their help in his scheme to avenge his homie and steal Chez's shine in the process. When Supreme and his brother's arrive, the already deadly streets get even hotter. Not even Mann is prepared for the storm that he has begun, and when it is all over Chez's whole world will be turned upside down.

    Severely injured, he does not know if he will survive the night. Reflecting on the evening's dreadful events, wondering if he could have done anything to alter them, his thoughts begin to drift. He begins to contemplate his remarkable life, his dysfunctional family, and the unfortunate prospect that he may have to soon answer for his life to God. While vividly recalling the most amusing, distressing, bizarre, and disturbing events of his life, he soon comes to realize "the monster you know is far easier to deal with than the monster you don't!" Will he get the miracle he needs to make it through the night? If so, will he finally find peace? Author's Note: This book deals with sensitive topics, and is intended for mature audiences only.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to nineteenth-century Austria in this extraordinary American play about passion, parenthood and the moments of beauty that can transform a life.