When Ray Kelly woke up in the hospital, it was a month later, he was missing an eye, and his father was dead. Then things started to get bad.From the mind of the incomparable Donald E. Westlake - Mystery Writers of America Grandmaster and Academy Award nominee for the screenplay of The Grifters - comes a devastating story of betrayal and revenge, an exploration of the limits of family loyalty and how far a man will go when everything he loves is taken from him.

    Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word.From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City.Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

    Ripley: "Her best novel" (The New Yorker). Set in Tunisia in the mid-1960s, this is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool toward the girlfriend he left behind in New York-but his feelings start to change when she doesn't answer his increasingly aggravated letters, and the filmmaker who hired Ingham fails to show in Tunisia. Amid the tea shops and alleys of the souk, the sun-blasted architecture, and the beaches and hotels frequented by international tourists, Ingham tries to pass the time by working on a writing project. But a series of peculiar events-a hushed-up murder, a vanished corpse, secret broadcasts to the Soviet Union-will pull him in, and may finally put his increasingly fragile sense of morality to the test.

    That’s the mantra behind HR, Inc., an elite "placement agency" that doubles as a network of assassins-for-hire, taking down high-profile executives who wouldn't be able to remember an intern’s name if their lives depended on it.At the ripe old age of twenty-five, John Lago is already New York City’s most successful hit man. He’s also an intern at a prestigious Manhattan law firm, clocking eighty hours a week getting coffee, answering phones, and doing all the grunt work no one else wants to do. But he isn't trying to claw his way to the top of the corporate food chain. He was hired to assassinate one of the firm’s heavily guarded partners. His internship is the perfect cover, enabling him to gather intel and gain access in order to pull off a clean, untraceable hit.The Intern’s Handbook is John Lago's unofficial survival guide for new recruits at HR, Inc. (Rule #4: "Learn how to make the perfect cup of coffee: you make an exec the best coffee he’s ever had, and he will make sure you’re at his desk every morning for a repeat performance. That’s repetitive exposure, which begets access and trust. 44% of my kills came from my superior coffee-making abilities.")Part confessional, part how-to, the handbook chronicles John’s final assignment, a twisted thrill ride in which he is pitted against the toughest—and sexiest—adversary he’s ever faced: Alice, an FBI agent assigned to take down the same law partner he’s been assigned to kill.

    A woman who remembers nothing—except the distant past. Visiting Sarah Tolley seemed a small enough sacrifice to make.But Laura's promise results in another death. Her husband's. And after their five-year-old daughter, Emma, witnesses her father's suicide, Emma refuses to talk about it…to talk at all.Frantic and guilt ridden, Laura contacts the only person who may be able to help. A man she's met only once—six years before. A man who doesn't know he's Emma's real father.Guided only by a child's silence and an old woman's fading memories, the two unravel a tale of love and despair, of bravery and unspeakable evil. A tale that's shrouded in silence…and that unbelievably links them all.

    He lives in a small brick Tudor close to campus with his art buyer wife, Diane. His life is quiet, ordinary even. And he likes it that way. But it wasn't always quiet. Jake's distant past was a life on the streets, inflicting damage and suffering on more people than he can count. And now someone from his past, it seems, has come looking for him.A raw, gripping thriller about the price paid for past sins, John Rector's third novel is a live wire that crackles with the intensity of a man with nothing left to lose. When two men attack Jake in a parking lot and cut off his finger, he tries to dismiss it as an unlucky case of being in the wrong place at the wrong time. But when events take a more sinister turn and Diane goes missing, Jake knows he can no longer hide from the truth. As he embarks on a mission to find his wife, he realizes his dark past is refusing to stay buried and that his future is about to unfold in ways he could never have imagined.

    In-the-know New Yorkers crawl over each other to apply for membership to this community that prides itself on mentorship and empowerment. Among the hopefuls is Katie Bradley, who's just returned from the Midwest after a stint of book research blew up in her face. Luckily, Katie has an in, thanks to her sister Hana, an original Herder and the best friend of Eleanor Walsh, its charismatic founder.As head of PR, Hana is working around the clock in preparation for a huge announcement from Eleanor—one that would change the trajectory of The Herd forever.Then, on the night of the glitzy Herd news conference, Eleanor vanishes without a trace. Everybody has a theory about what made Eleanor run, but when the police suggest foul play, everyone is a suspect.

    The resulting media firestorm quickly ensnares television reporter Cassidy Shaw, Federal Prosecutor Allison Pierce, and FBI Special Agent Nicole Hedges. Together, these life-long friends call themselves The Triple Threat—a nickname derived from their favorite dessert as well as their uncanny ability to crack cases from their three unique positions of power.Together, they must find the one face of betrayal amidst a crowd of growing suspects—including a US Senator—before they become the next victims.Lis Wiehl's expertise in law, politics, and criminal investigation merges with April Henry's narrative genius to create a gripping mystery filled with rich characters, real danger, and a shocking yet satisfying final twist.

    Stephen King's "dark half" may have saved the best for last.A fellow named Richard Bachman wrote Blaze in 1973 on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 ("cancer of the pseudonym"), but in late 2006 King found the original typescript of Blaze among his papers at the University of Maine's Fogler Library ("How did this get here?!"), and decided that with a little revision it ought to be published.Blaze is the story of Clayton Blaisdell, Jr. --of the crimes committed against him and the crimes he commits, including his last, the kidnapping of a baby heir worth millions. Blaze has been a slow thinker since childhood, when his father threw him down the stairs--and then threw him down again. After escaping an abusive institution for boys when he was a teenager, Blaze hooks up with George, a seasoned criminal who thinks he has all the answers. But then George is killed, and Blaze, though haunted by his partner, is on his own.He becomes one of the most sympathetic criminals of all of literature. This is a crime story of surprising strength and sadness, with a suspenseful current sustained by the classic workings of fate and character--as taut and riveting as Stephen King's The Girl Who Loved Tom Gordon.

    When a client confides in him that senior partner Jack Pierce sexually assaulted her, Robert breaks two of his mentor’s cardinal rules: Never let yourself get emotional about clients. And never make an enemy of Jack Pierce.Robert crosses Pierce and is fired on the spot, losing not only his job but also his reputation. Advised to go quietly, Robert vows revenge against the ruthless man who betrayed him. But his investigation uncovers a twisted shadow world of sex, infidelity, and deception, where nothing is as it seems and no one can be trusted. Only one thing is clear: Pierce will go the limit to keep his secrets.This straight shooter will need to use every angle if he hopes to win. But could victory come at too high a price?

    A white flour bag encased the little body. Three small faces watched from the window, eyes black with terror. The child in the middle spoke without turning his head. I wonder which one of us will be next?When a woman’s body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It’s clear the pair are connected, but how? The trail leads Lottie to St. Angela’s, a former children’s home, with a dark connection to her own family history. Suddenly the case just got personal. As Lottie begins to link the current victims to unsolved murders decades old, two teenage boys go missing. She must close in on the killer before they strike again, but in doing so is she putting her own children in terrifying danger? Lottie is about to come face to face with a twisted soul who has a very warped idea of justice. Fans of Rachel Abbott, Karin Slaughter and Robert Dugoni will be gripped by this page-turning serial killer thriller, guaranteed to keep you reading late into the night.

    A retired Suffolk County cop, Gus had everything a man could want: a great marriage, two kids, a nice house, and the rest of his life ahead of him. But when tragedy strikes, his life is thrown into complete disarray. In the course of a single deadly moment, his family is blown apart and he is transformed from a man who believes he understands everything into a man who understands nothing.Divorced and working as a courtesy van driver for the run-down hotel in which he has a room, Gus has settled into a mindless, soulless routine that barely keeps his grief at arm’s length. But Gus’s comfortable waking trance comes to an end when ex-con Tommy Delcamino asks him for help. Four months earlier, Tommy’s son T.J.’s battered body was discovered in a wooded lot, yet the Suffolk County PD doesn’t seem interested in pursuing the killers. In desperation, Tommy seeks out the only cop he ever trusted—Gus Murphy.Gus reluctantly agrees to see what he can uncover. As he begins to sweep away the layers of dust that have collected over the case during the intervening months, Gus finds that Tommy was telling the truth. It seems that everyone involved with the late T.J Delcamino—from his best friend, to a gang enforcer, to a mafia capo, and even the police—has something to hide, and all are willing to go to extreme lengths to keep it hidden. It’s a dangerous favor Gus has taken on as he claws his way back to take a place among the living, while searching through the sewers for a killer.

    After a summer-night swim with her best friend, Ainsley, Violet is found confused, wandering in the forest—and Ainsley’s never seen again. But without a body, murder charges won’t stick, so Violet is sent away.After more than a decade in a psychiatric ward, Violet returns to her broken-down hometown of Normal, Alabama, to claim her dead mother’s inheritance and help her overworked sister care for their unstable, alcoholic father. Violet, still haunted by that night eleven years ago, endures horrific flashbacks and twisted hallucinations while townsfolk spit accusations—and for all she knows, they’re right.As the summer heats up, details of Ainsley’s fate appear like a beast’s wild eyes, watching in the darkness, and grim revelations about Violet’s family threaten to devour her. Already on the edge of madness, Violet must fight to keep her sanity long enough for the terrible truth to burst from the cold, dark waters.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    But that was before his life unraveled. Transferred in disgrace to this rough-and-tumble fishing town on the shores of Bristol Bay, Liam knows Newenham is the end of the line. It's also his last shot at getting his life back.. He's about to come in for a very rough landing. Stepping onto the airstrip at Newenham, Liam walks into a crime scene: a body torn apart by the propeller of a Piper Super Cub. As if that isn't enough of a welcome, the woman bending over the corpse is Wyanet Chouinard, the only woman Liam ever truly loved - and soon to be his prime suspect. Next, a man is held hostage in the town's only decent burger joint--held for shooting out a jukebox that was playing Jimmy Buffet's Margaritaville. And Liam still doesn't have his uniform on.