He is at his inimitable best as he tracks down the last known letter of Napoleon, or investigates a sinister crime that has to do with Tintoretto's painting of Jesus. In The Case of Apsara Theatre, Feluda foils the insidious plans of a clever murderer, and in The House of Death, he investigates the theft of a priceless manuscript. Maganlal Meghraj, Feluda's arch-enemy, reappears in The Criminals of Kathmandu as the kingpin in a case involving spurious drugs, and again in The Mystery of the Pink Pearl, but Feluda is equal to the challenge. Also included here are the two final Feluda cases, Robertson's Ruby and The Magical Mystery, both of which were published posthumously.

    A meeting is in progress to decide the fate of the establishment and its residents. And the zeitgeist of the 1990s appears to have touched everyone and everything around them.Ira is now a journalist on the civic beat, unearthing stories of corruption and indolence, and trying to push back memories of a lost love. Kartik works a corporate job with an MNC, and leads a secret, agonising, exhilarating second life. Between and around them throbs the living, beating heart of Mumbai, city of heaving inequities and limitless dreams.Milk Teeth is subtle, incisive, unputdownable.

    But the bridges Kenna burned are proving impossible to rebuild. Everyone in her daughter’s life is determined to shut Kenna out, no matter how hard she works to prove herself.The only person who hasn’t closed the door on her completely is Ledger Ward, a local bar owner and one of the few remaining links to Kenna’s daughter. But if anyone were to discover how Ledger is slowly becoming an important part of Kenna’s life, both would risk losing the trust of everyone important to them.The two form a connection despite the pressure surrounding them, but as their romance grows, so does the risk. Kenna must find a way to absolve the mistakes of her past in order to build a future out of hope and healing.

    When childhood sweethearts Justine (Sagittarius and serious skeptic) and Nick (Aquarius and true believer) bump into each other as adults, a life-changing love affair seems inevitable. To Justine, anyway. Especially when she learns Nick is an astrological devotee, whose decisions are guided by the stars, and more specifically, by the horoscopes in his favorite magazine. The same magazine Justine happens to write for. As Nick continues to not fall headlong in love with her, Justine decides to take Nick’s horoscope, and Fate itself, into her own hands. But, of course, Nick is not the only Aquarius making important life choices according to what is written in the stars.Charting the ripple effects of Justine’s astrological meddling, STAR-CROSSED is a delicious, intelligent, and affecting love story about friendship, chance, and how we all navigate the kinds of choices that are hard to face alone.

    After a series of disasters (losers, philanderers, leeches, mama's boys and possessive psychos), she is all too tempted to walk out on the prospect of ever finding love. Accompanied by her best friend and flat-mate Baani, she sets off for Goa, hoping to get away from her miserable love life and vowing to stay clear of the male species. Goa however, has a host of surprises in store for her. Ricky, her pesky ex-boyfriend, is busy painting the town red with his hot new girlfriend. Now what is poor Kay to do other than overdose on vodka, smoke pot, get an outrageous tattoo and fall off the hotel balcony? She wakes up in the hospital to the tender ministrations of Dr.Vivian D'Mello--young, suave and handsome as hell. Will Kay stick to her guns or will she fall for his ridiculously sexy charms? And what's up with the mixed signals he's giving out?

    They are the Hindi-Bindi Club, a nickname given by their American daughters to the mothers who left India to start anew—daughters now grown and facing struggles of their own.For Kiran, Preity, and Rani, adulthood bears the indelible stamp of their upbringing, from the ways they tweak their mothers’ cooking to suit their Western lifestyles to the ways they reject their mothers’ most fervent beliefs. Now, bearing the disappointments and successes of their chosen paths, these daughters are drawn inexorably home.Kiran, divorced, will seek a new beginning—this time requesting the aid of an ancient tradition she once dismissed. Preity will confront an old heartbreak—and a hidden shame. And Rani will face her demons as an artist and a wife. All will question whether they have the courage of the Hindi-Bindi Club, to hold on to their dreams—or to create new ones.An elegant tapestry of East and West, peppered with food and ceremony, wisdom and sensuality, this luminous novel breathes new life into timeless themes.

    The problem? Tony is her best friend's older brother. Lately Tony has started looking at her in a new way and he emails her all the time. Could it be possible that he is starting to see her as more than his kid sister's best friend? Tony knows Libby McKay is off limits. She's his sister's best friend for crying out loud! But she is also smart, funny, and seriously hot. Plus she's not afraid to get a little sweaty-- on the track that is. Tony can't seem to help himself, besides what's a few emails? The occasional phone call? He can keep things light and friendly-- Can't he?

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    You mean nothing to me. I never loved you. I turned my words into swords.And I cut her down. Shoved the blade in and watched her fall. I said I’d never hurt her, and I did. Years later, I’m faced with all the little lies, the untruths, the false realities, the damage I inflicted, when all I wanted was to indulge my obsession. Lavender Waters is the princess in the tower. Even her name is the thing fairy tales are made of. I used to be the one who saved her. Over and over again. But I don’t want to save her anymore. I just want to pretend the lies are still the truth.A standalone angsty new adult romance. Heroine: Lavender Waters (Alex and Violet Waters’ youngest daughter, PUCKED and FOREVER PUCKED couple origin, Pucked Series )Hero: Kodiak (Kody) Bowman (Rook and Lainey Bowman’s son, A LIE FOR A LIE couple origin, All In Series )

    That belief nearly destroyed her. Seventeen years later, when cleaning out her mother’s house, Jess unpacks a box of cards and letters hidden in the attic and makes a discovery that changes everything about life as she knows it.Shaken but empowered, Jess—and her two stalwart best friends—set out on a remarkable journey to follow a set of faded postmarks around the world. Is Joe still alive? Does he know that Jess never forgot him? Maybe their love story isn’t over.Maybe one day they’ll find each other again…

    As their paths collide, Kyra can’t help falling in love, not only with her little adventure but also with the man who’s probably all wrong for her.Irfan is stuck in LIFE. Kyra is stuck in a RUT.Only LOVE can get them un-stuck! They just don’t know it yet.Love Un-Stuck is a sweet romance novel about finding the love and the life of one’s dreams...Irfan and Kyra's story will leave you smiling and rooting for this mismatched pair.

    Mukherjee follows the diverging paths taken by three extraordinary Calcutta-born sisters as they come of age in a changing world. Moving effortlessly between generations, she weaves together fascinating stories of the sisters' ancestors, childhood memories, and dramatic scenes from India's history.

    Set in Bengal, it tells the story of a family of executioners with a long lineage, beginning in the fourth century BC. The protagonist of the novel, Chetna, is a strong and tenacious woman who struggles to inherit this profession.According to noted literary critic M. Leelavathy, Aarachaar is one of the best literary works produced in Malayalam and follows the legacy of O. V. Vijayan's classic work Khasakkinte Itihasam. The novel received the 2013 Kerala Sahitya Akademi Award. It was also awarded the prestigious Odakkuzhal Award in 2013 and Vayalar Award in 2014.

    Not just big stuff like world peace or a date with Brad Pitt, but little, everyday wishes, made without thinking. One day she buys some heather from a gypsy and suddenly her bad hair days stop, and a handsome American answers her ad for a housemate, and she starts seeing James.

    It is a story based on the life of famous Russian writer, Fyodor Dostoyevsky and his wife Anna.