frequently anthologized poem

    our darkest times are where we grow the most, so in this book, i share mine, and together, we learn how to heal.

    In her second book, Sierra DeMulder examines her childhood in a small town, heartache, loss, and the possibility of transcending suffering, aided by the voice of her own genius. His character appears throughout the book, providing charming commentary and biting insight on the young author's creative process and emotional path.

    The world she creates is suffused with surreal images and uncanny incidents. Unexplained violences and strange metamorphoses take shape in the 'glowering dusk'. And yet, all too clearly, we recognise life here on earth, its everyday griefs, dysfunctions and injustices. Where distinctions between murder and bloodletting, corruption and consumption are blurred. Where a pet tarantula or mimic octopus might find itself beside glands and processed meats. Landscapes shift and identities dissolve: 'the red bricks of the day' exist 'in a woman's chest', a human presence is 'embedded in the walls'. All appears changed, but familiar.Intercut with oblique verse fragments and a series of linked sequences, Allen blends elements of fiction and ekphrasis to create a haunting and unforgettable debut.

    Knox’s A Gringo Like Me contains poems at once raucous and sexy, tender and raw. Knox has collected dramatic monologues, personal lyrics, and even screenplays together in a single energetic volume for a genuinely surprising debut. In favorites such as “Hot Ass Poem,” “Cruising for Prostitutes,” and “Chicken Bucket,” Knox’s quirky characters appear ornery, hickish, misogynist, or worse, but each elucidates a truth worth knowing, even if it’s not always welcome. In poems like "A Common American Name" and "Freckles," Knox’s lyrical voice charms readers. Between the poles of her unique range, Knox straddles and tames what she may yet prove to be an artificial divide in American poetry: she's a former slam champion, but also a two-time contributor to The Best American Poetry; she's a hilarious performer on stage, but also a deeply intellectual and formally disciplined poet.

    Now, in Spring Comes to Chicago, McGrath pushes deeper into the jungle of American culture, exposing and celebrating our native hungers and dreams. In the centerpiece of the book, "The Bob Hope Poem," McGrath confronts the paradoxes that energize and confound us--examining his own avid affection for People magazine and contemplating such diverse subjects as Wittgenstein, meat packers, money, and, of course, Bob Hope himself. Whether viewing this life with existential gravity or consumerist glee, McGarth creates poetry that is at once public and profoundly personal.

    Although there is no evidence the letters were ever posted, they indicate a long relationship, geographically apart, in which correspondence would have been the primary means of communication. Dickinson did not write letters as a fictional genre, and these were surely part of a much larger correspondence yet unknown to us. In the week following Dickinson’s death on May 15, 1886, Lavinia Dickinson found what she described as a locked box containing seven hundred of her sister’s poems. The Master letters may have been among them, for they were clearly not with the correspondence, which Lavinia destroyed upon discovery. Of primary importance, the Master letters nevertheless have had an uncertain history of discovery, publication, dating, and transcription. This publication, issued at the centennial of Emily Dickinson’s death, presents the three letters in chronological order, based upon new dating of the manuscripts, and provides their texts in facsimile as well as in transcriptions that show stages in the composition of each letter.

    The characters in the work of Leticia Sala seek light in the chaos churned out by modern culture and are always treated by the author with compassion, regard, and respect for their unfolding desires.In Real Life captures our infatuation with technology and finding new ways of relating to one another, our fascination with travel and language, and our age-old obsession with that right to love and feel loved.

    Matthew Olzmann's poetry is that rare thing that embraces complication while, at every turn, fil....

    These are poets -- which include political activists, revolutionaries, guerilla combatants, and ordinary working people from around the world -- whose works are united in a desire for a world where human needs are met and justice is pursued.

    There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

    His first collection, set in the Midwest, alternately features a childhood Wisconsin farm, the record-breaking storm that destroyed it, and the turbulent marriage that recalls it. Love and wonder mingle in these lines.

    I haven't stolen anyone's place' A selection of poetry from the author of If this is a Man and The Periodic Table.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    In this capricious dreamlike collection, characters and scenes traverse states of airlessness, from suffocating relationships and institutions, to toxic environments and ecstatic asphyxiations. Both compassionate and ecologically nuanced, this innovative collection bridges poetry and prose to interrogate the conditions necessary for survival.Daisy Lafarge was born in Hastings and studied at the University of Edinburgh. Her debut novel, Paul, is forthcoming from Granta Books. She has published two pamphlets of poetry: understudies for air (Sad Press, 2017) and capriccio (SPAM Press, 2019), and her visual work has been exhibited in galleries such as Tate St. Ives and Talbot Rice Gallery. She has received an Eric Gregory Award and a Betty Trask Award, and was runner-up in the 2018 Edwin Morgan Poetry Award. Daisy is currently working on - a book about infection and intimacy - for a practice-based PhD at the University of Glasgow. Life Without Air is her first collection of poetry.

    Nicole Lyons' voice undulates from pain to ecstasy, at breakneck speed. Erotic, soulful and authentic, Nicole has written a raw memoir encapsulated in poems. Stepping off the cliff, delving into HUSH, readers will find themselves breathless and wanting more.