It is a book on how not to write historical fiction.If you love history and you’re hard at work on your first historical novel, but you’re wondering if your medieval Irishmen would live on potatoes, if your 17th-century pirate would use a revolver, or if your hero would be able to offer Marie-Antoinette a box of chocolate bonbons...(The answer to all these is “Absolutely not!”)...then Medieval Underpants and Other Blunders is the book for you.Medieval Underpants will guide you through the factual mistakes that writers of historical fiction—-both beginners and professionals—-most often make, and show you how to avoid them. From fictional characters crossing streets that wouldn’t exist for another sixty years, to the pitfalls of the Columbian Exchange (when plants and foods native to the Americas first began to appear in Europe, Asia, and Africa, and vice versa), to 1990s slang in the mouths of 1940s characters, Susanne Alleyn exposes the often hilarious, always painful goofs that turn up most frequently in fiction set in the past.Alleyn stresses the hazards to writers of assuming too much about details of life in past centuries, providing numerous examples of mistakes that could easily have been avoided. She also explores commonly-confused topics such as the important difference between the British titles “Lord John Smith” and “John, Lord Smith” and why they’re not interchangeable, and provides simple guidelines for getting them right. In a wide assortment of chapters including Food and Plants; Travel; Dialogue, Expressions, and Slang; Guns; Money; and, of course, Underpants, she offers tips on how to avoid errors and anachronisms while continually reminding writers of the necessity of meticulous historical research.

    When Charles Dickens died in 1870, The Times of London successfully campaigned for his burial in Westminster Abbey, the final resting place of England's kings and heroes. Thousands flocked to mourn the best recognized and loved man of nineteenth-century England. His books had made them laugh, shown them the squalor and greed of English life, and also the power of personal virtue and the strength of ordinary people. In his last years Dickens drew adoring crowds to his public appearances, had met presidents and princes, and had amassed a fortune.Like a hero from his novels, Dickens trod a hard path to greatness. Born into a modest middle-class family, his young life was overturned when his profligate father was sent to debtors' prison and Dickens was forced into harsh and humiliating factory work. Yet through these early setbacks he developed his remarkable eye for all that was absurd, tragic, and redemptive in London life. He set out to succeed, and with extraordinary speed and energy made himself into the greatest English novelist of the century.Years later Dickens's daughter wrote to the author George Bernard Shaw, "If you could make the public understand that my father was not a joyous, jocose gentleman walking about the world with a plum pudding and a bowl of punch, you would greatly oblige me." Seen as the public champion of household harmony, Dickens tore his own life apart, betraying, deceiving, and breaking with friends and family while he pursued an obsessive love affair.Charles Dickens: A Life gives full measure to Dickens's heroic stature-his huge virtues both as a writer and as a human being- while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great-his indomitable energy, boldness, imagination, and showmanship-finally destroyed him. The man who emerges is one of extraordinary contradictions, whose vices and virtues were intertwined as surely as his life and his art.

    Packed with detail, and anecdotes, this is an intimate exploration of how the middle and upper classes lived from 1775, the year of Austen’s birth, to the coronation of George IV in 1820. Sue Wilkes skilfully conjures up all aspects of daily life within the period, drawing on contemporary diaries, illustrations, letters, novels, travel literature and archives. •Were all unmarried affluent men really 'in want of a wife'?•Where would a young lady seek adventures?•Would ‘taking the waters’ at Bath and other spas kill or cure you?•Was Lizzy Bennet bitten by bed-bugs while travelling?•What would you wear to a country ball, or a dance at Almack’s?•Would Mr Darcy have worn a corset?•What hidden horrors lurked in elegant Regency houses?Put on your dancing gloves and embrace a lost era of corsets and courtship!

    Headstrong and beautiful, in 1905 Rosetta escaped her safe Melbourne life, deserting her respectable husband and five-year-old daughter to run away with Zeno the Magnificent, a half-Chinese fortune teller and seducer of souls. The pair reinvented themselves in London, where they beguiled European society and risked everything for a life of glamour and desire. Rosetta said she was American; Zeno claimed to be a brilliant Japanese professor. Together they attracted the patronage of famous writers, inventors and scientists, lords and ladies, dukes and duchesses. Empress Eugenie, the widow of Napoleon III, and Princess Charlotte, sister of Germany’s last Kaiser, were among their greatest devotees. Rosetta revelled in a life few women of her time would have dared to embrace, yet all the while she hid her secret shame: the daughter she had left behind. This is the compelling story of Alexandra Joel’s quest to uncover the truth about her scandalous great-grandmother, and the shocking century-old secret she would discover at the heart of her family.

    Antoine dreamed of flying and grew up to be a pilot—and that was when his adventures began. He found a job delivering mail by plane, which had never been done before. He and his fellow pilots traveled to faraway places and discovered new ways of getting from one place to the next. Antoine flew over mountains and deserts. He battled winds and storms. He tried to break aviation records, and sometimes he even crashed. From his plane, Antoine looked down on the earth and was inspired to write about his life and his pilot-hero friends in memoirs and in fiction. Peter Sís's remarkable biography celebrates the author of The Little Prince, one of the most beloved books in the world. A Frances Foster Book.

    Hogwarts pupils ride an old-fashioned steam train to school, notes are taken on parchment with quill pens, and Muggle legends come to life in the form of werewolves, witches, and magical spells. This book is the first to explore the real history in which Harry's world is rooted.Did you know that bezoars and mandrakes were fashionable luxury items for centuries? Find out how Europeans first developed the potions, spells, and charms taught at Hogwarts, from Avada Kedavra to love charms. Learn how the European prosecution of witches led to the Statute of Secrecy, meet the real Nicholas Flamel, see how the Malfoys stack up against Muggle English aristocrats, and compare the history of the wizarding world to real-life history. Gives you the historical backdrop to Harry Potter's world Covers topics ranging from how real British boarding schools compare to Hogwarts to how parchment, quills, and scrolls used in the wizarding world were made Includes a timeline comparing the history of the wizarding world to Muggle "real" history Filled with fascinating facts and background, Harry Potter and History is an essential companion for every Harry Potter fan.

    Susan Cheever's latest work, however, brings new life to the well-known literary personages who produced such cherished works as "The Scarlet Letter, Moby-Dick, Walden," and "Little Women." Rendering in full color the tumultuous, often scandalous lives of these volatile and vulnerable geniuses, Cheever's dynamic narrative reminds us that, while these literary heroes now seem secure of their spots in the canon, they were once considered avant-garde, bohemian types, at odds with the establishment. These remarkable men and women were so improbably concentrated in placid Concord, Massachusetts, that Henry James referred to the town as the "biggest little place in America." Among the host of luminaries who floated in and out of Concord's "American Bloomsbury" as satellites of the venerable intellect and prodigious fortune of Ralph Waldo Emerson were Henry David Thoreau -- perpetual second to his mentor in both love and career; Louisa May Alcott -- dreamy girl and ambitious spinster; Nathaniel Hawthorne -- dilettante and cad; and Margaret Fuller -- glamorous editor and foreign correspondent.Perhaps inevitably, given the smallness of the place and the idiosyncrasies of its residents, the members of the prestigious circle became both intellectually and romantically entangled: Thoreau serenaded an infatuated Louisa on his flute. Vying with Hawthorne for Fuller's attention, Emerson wrote the fiery feminist love letters while she resided (yards away from his wife) in his guest room. Herman Melville was, according to some, ultimately driven mad by his consuming and unrequited affection for Hawthorne.Far from typically Victorian, this group of intellectuals, like their British Bloomsbury counterparts to whom the title refers, not only questioned established literary forms, but also resisted old moral and social strictures. Thoreau, of course, famously retreated to a plot of land on Walden Pond to escape capitalism, pick berries, and ponder nature. More shocking was the group's ambivalence toward the institution of marriage. Inclined to bend the rules of its bonds, many of its members spent time at the notorious commune, Brook Farm, and because liberal theories could not entirely guarantee against jealousy, the tension of real or imagined infidelities was always near the surface. Susan Cheever reacquaints us with the sexy, subversive side of Concord's nineteenth-century intellectuals, restoring in three dimensions the literary personalities whose work is at the heart of our national history and cultural identity.

    Now an Edgar Award Nominee!This is the first book about the Detection Club, the world’s most famous and most mysterious social network of crime writers. Drawing on years of in-depth research, it reveals the astonishing story of how members such as Agatha Christie and Dorothy L. Sayers reinvented detective fiction.Detective stories from the so-called “Golden Age” between the wars are often dismissed as cosily conventional. Nothing could be further from the truth: some explore forensic pathology and shocking serial murders, others delve into police brutality and miscarriages of justice; occasionally the innocent are hanged, or murderers get away scot-free. Their authors faced up to the Slump and the rise of Hitler during years of economic misery and political upheaval, and wrote books agonising over guilt and innocence, good and evil, and explored whether killing a fellow human being was ever justified. Though the stories included no graphic sex scenes, sexual passions of all kinds seethed just beneath the surface.Attracting feminists, gay and lesbian writers, Socialists and Marxist sympathisers, the Detection Club authors were young, ambitious and at the cutting edge of popular culture – some had sex lives as bizarre as their mystery plots. Fascinated by real life crimes, they cracked unsolved cases and threw down challenges to Scotland Yard, using their fiction to take revenge on people who hurt them, to conduct covert relationships, and even as an outlet for homicidal fantasy. Their books anticipated not only CSI, Jack Reacher and Gone Girl, but also Lord of the Flies. The Club occupies a unique place in Britain’s cultural history, and its influence on storytelling in fiction, film and television throughout the world continues to this day.The Golden Age of Murder rewrites the story of crime fiction with unique authority, transforming our understanding of detective stories and the brilliant but tormented men and women who wrote them.

    How to be a Writer is peppered with nuggets of practical advice for every person who is aspiring to write and be published, all told in Ruskin Bond's characteristic understated, tongue-in-cheek, humorous style.So, what is it that a person requires the most to become a writer? A love of books, of language, of life, an observant eye and a good memory along with enthusiasm, optimism and persistence.This book is an exclusive glimpse into the writing credo of Ruskin Bond, an author who has had an incredibly successful writing career spanning over seventy years.

    But the apparently pleasant town is not all it seems. Sylvia falls in love with an older man - but it's her connection to his precocious young daughter and her neighbours' son which will change her life and put them, the library and her job under threat.How does the library alter the young children's lives and how do the children fare as a result of the books Sylvia introduces them to?

    After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself.

    It brings to vibrant life the true story of Eliza Gilbert, the daughter of an obscure Ensign in the British Army and his cold Irish wife. When she grew up, Eliza changed her name to Lola Montez. She was a dancer, a courtesan, a bigamist, the mistress of a king and the nineteenth-century’s most notorious adventuress. Blazing like a female firecracker across the stages and courts of Europe and beyond, she was, for a while, second only to Queen Victoria in fame.

    For, in this stylish, erudite and frequently hilarious book, de Botton dips deeply into Proust’s life and work—his fiction, letter, and conversations—and distills from them that rare self-help manual: one that is actually helpful.Here, tendered in prose almost as luminous as it’s subject’s, is advice on cultivating friendships, suffering successfully, recognizing love and understanding why you should never sleep with someone on the first date. And here, too, is a generously perceptive literary biography that suggests that the master is as relevant today as he was in fin de siècle Paris. At once slyly ironic and genuinely wise, How Proust Can Change Your Life is an unqualified delight.

    This groundbreaking anthology includes 170 authors and illustrators of alphabets and animal fables, fairy tales and fantasy, picture books and nursery verse, among many other genres. Here readers will find beloved works by Charles Perrault, Lewis Carroll, J. M. Barrie, L. M. Montgomery, and Dr. Seuss along with historical classics—The New-England Primer and Robert Louis Stevenson's A Child's Garden of Verses—and major voices from the multicultural and global contemporary scene. Over 40 longer complete works and over 400 illustrations, including 60 in color, enhance this comprehensive and visually rich anthology.With introductions that offer fresh insights into the cultural contexts of children's literature and childhood itself over four centuries, author headnotes, annotations, bibliographies, and a timeline, The Norton Anthology of Children's Literature illuminates a literary tradition whose power to instruct and delight is both centuries old and startlingly new.

    solve it. The first of a unique set of true crime dramas. Each one tells the story of an unsolved crime in an evocative and compelling way, it presents fresh evidence, exposes the strengths and weaknesses of past theories and then asks the reader to decide on what happened. The series begins with the tragic case of Bella Wright. In a lonely lane running through rural Leicestershire in 1919, a solitary bicycle lies on its side, its metal frame catching the glow of the fading evening light. The back wheel slowly turns about its axle, producing a soft clicking; a rhythmic sound, soothing like the ticking of a study clock. Next to the bicycle, lying at an angle across the road, is a young woman. She is partly on her back, partly on her left side, with her right hand almost touching the mudguard of the rear wheel. Her legs rest on the roadside verge, where fronds of white cow parsley and pink rosebay rise above luxuriant summer foliage. On her head sits a wide-brimmed hat, daintily finished with a ribbon and bow. She is dressed in a pastel blouse and long skirt underneath a light raincoat, the pockets of which contain an empty purse and a box of matches. The blood-flecked coat tells a story... Although each book is perfectly self-contained and offers the author's conclusion, there is a website (coldcasejury.com) for those who wish to share their own verdicts and opinions, making these the first truly interactive crime tales. Beautifully presented with uniquely illustrated covers they also contain evidence images, diagrams and maps. For lovers of crime stories, this new collection of Cold Case Jury books will not just bring a murder story to life, it will make you a part of it.