He wants to fit in at school, but he doesn't want to forget his homeland, Mexico. His family is still doing things like they're in the old country, but Jorge wants to find out everything he can about his new country--on the other side of the river. Learning a new language, getting a library card, taking tests, and making friends are challenges for Jorge. Just when Jorge has found a friend in Tim, his life changes once again. Told from the point of view of Jorge, Jane Medina's moving poems vividly depict one boy's struggle to make a new life in a new country.

    Fly away with Granny as she takes a magic carpet ride around the world, collecting a steadily increasing number of souvenirs from each exotic location! This rhyming story will take young readers on an adventure to different countries while teaching them to count along the way.

    How many donkeys are there? His son helps him count ten, but once the journey starts, things change. First there are ten donkeys, then there are nine! When Jouha stops to count again, the lost donkey is back. What's going on? Silly Jouha doesn't get it, but by the end of the story, wise readers will be counting correctly - and in Arabic! Margaret Read MacDonald and Nadia Jameel Taibah are the tellers of this funny tale from the Middle East. The sunny pictures were painted by Carol Liddiment.

    He follows his nose down the street to a Cinco de Mayo festival. High up in a tree he spies a piñata magnifica. If only Mouse could get just one piece of candy from it. But look out! Cat is on the prowl. He is planning a fiesta of his own, and Mouse is on the menu.

    A young boy and his sister gather the ingredients and grind them up in a molcajete, just like their ancestors used to do, singing and dancing all the while.The children imagine that their ingredients are different parts of an orchestra — the tomatoes are bongos and kettledrums, the onion, a maraca, the cloves of garlic, trumpets and the cilantro, the conductor. They chop and then grind these ingredients in the molcajete, along with red chili peppers for the “hotness” that is so delicious, finally adding a squeeze of lime and a sprinkle of salt. When they are finished, their mother warms tortillas and their father lays out plates, as the whole family, including the cat and dog, dance salsa in mouth-watering anticipation.Winner of the International Latino Book Award for Guacamole, Jorge Argueta has once again written a recipe-poem that families will delight in.Each book in the cooking poem series features a talented illustrator from the Latino world. In Salsa the text is complemented by the rich, earthy illustrations of Duncan Tonatiuh, winner of the Pura Belpré Award. His interest in honoring the art of the past in contemporary contexts is evident in these wonderful illustrations, which evoke the pre-Columbian Mixtec codex.

    With local materials and the primitive methods of the Casas Grandes people -- including using human hair to make brushes and cow manure to feed the flames that fire his pots -- Juan creates stunning pots in the traditional style. Each is a work of art unlike any other. The text is written in the form of "The House That Jack Built" and accompanied by a comprehensive afterword with photos and information about Juan's technique as well as a history of Mata Ortiz, the northern Mexican village where Juan began and continues to work. This celebratory story tells how Juan's pioneering work has transformed Mata Ortiz from an impoverished village into a prosperous community of world-renowned artists.

    Playful illustrations bring over 70 Spanish words to life in ways sure to tickle a child's fancy, while introducing a new language and culture.

    Snow had fallen and the streets glittered. Maria's favorite cousins were coming over and she got to help make the tamales for Christmas dinner. It was almost too good to be true when her mother left the kitchen for a moment and Maria got to try on her beautiful diamond ring . . .This is the story of a treasure thought to be lost in a batch of tamales; of a desperate and funny attempt by Maria and her cousins to eat their way out of trouble; and the warm way a family pulls together to make it a perfect Christmas after all.

    . .As she strolls through her barrio, a young girl introduces readers to the frozen, fruit-flavored treat that thrills Mexican and Mexican-American children. Create a masterpiece, make tough choices (strawberry or coconut?), or cool off on a warm summer's day--there's so much to do with a paleta.

    They go to town to buy chickens to lay eggs for them instead. For a while, everyone is happy: there are plenty of eggs to bake plenty of yummy things. But the ladies' problems are far from solved, for the more time the chickens spend with the ladies, the more they begin to act like them too, until eventually they stop laying eggs all together. Now this is a problem indeed, but you can be sure, the clever ladies will find a solution. Full of fun and silliness, this lighthearted tale and vibrant illustrations are a delight.

    It tells the story of Diego as a young, mischievous boy who demonstrated a clear passion for art and then went on to become one of the most famous painters in the world. Duncan Tonatiuh also prompts readers to think about what Diego would paint today. Just as Diego's murals depicted great historical events in Mexican culture or celebrated native peoples, if Diego were painting today, what would his artwork depict? How would his paintings reflect today's culture?Diego Rivera: His World and Ours is a wonderful introduction to this great artist.Praise for Diego Rivera« “By establishing a link between modern readers and Rivera and challenging them to "make our own murals," the author makes art both aspiration and action. Both solid introduction and exhortation, this book will thrill budding artists.” –Kirkus Reviews, starred review “Kids will want to talk about the great painter, and young artists will find inspiration for their own creations.” –Booklist

    What to do? Then he comes up with the perfect solution—a traveling library! He buys two donkeys—Alfa and Beto—and travels with them throughout the land, bringing books and reading to the children in faraway villages. Beautiful!Complete with an author's note about the real man on whom this story is based.

    If you lived in the mountains of southern Spain, your bedroom might be carved out of a mountain. If you lived in a village in South Africa, the outside of your house might tell the story of your family. And if you lived in a floating green house in the Netherlands, you could rotate your house to watch both the sunrise and sunset. With intricate bas-relief collages, Giles Laroche uncovers the reason each home was constructed the way it was, then lets us imagine what it would be like to live in homes so different from our own. Showing the tremendous variety of dwellings worldwide—log cabins, houses on stilts, cave dwellings, boathouses, and yurts—this book addresses why each house is built the way it is. Reasons—such as blending into the landscape, confusing invaders, being able to travel with one's home, using whatever materials are at hand—are as varied as the homes themselves.

    "Ahhh, spring," says Kumak to his family. "The days are long, the nights are short, and the ice is still hard. Good day for fish." Eager to give Uncle Aglu's amazing hooking stick a try, Kumak packs up his family and heads out to go ice fishing. "Good day for fish!" they all agree. Hapless Kumac is the only one in his family without fish until the tug at the other end of his line incites a mighty battle. A clever ending reveals that the whale-sized fish that Kumak imagined was actually a line of small fish in tug o' war position. Kumak reigns, and there's plenty for everybody. Authentic details throughout the playful art and text, as well as endnotes on Inupiat fishing, provide young readers with a fascinating window into another culture in this follow up to KUMAK'S HOUSE a 2003 Children's Book Council Notable Trade Book in Social Studies.

    But how do they get there? The answers are as varied as the landscapes, which range from Egypt's sandy desert to Switzerland's snowy peaks. Jaunty rhymes — in Venice, "Bianca, Beppo, Benedetto, ride aboard the vaporetto" — and exuberant watercolors celebrate the individuality of each locale, and there are plenty of humorous details to please eagle-eyed readers as they join their fellow students to travel by ferry, trolley car, helicopter, and more. A world map is included at the end, along with a summary listing where all the children in the story live.Sure to awaken student curiosity about the world, This Is the Way We Go to School combines themes of transportation, school, culture, and childhood into a not-to-be-missed multicultural extravaganza.