Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself.Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

    Steeped in the decade’s cataclysmic events, packed with the crimes and misdemeanours we visit on each another, ‘Rumours of a Hurricane’ is a powerful tale of change, how we face it – and how we don’t.‘An outstanding comic novel. Places the 1980s under sceptical and merciless scrutiny’ Literary Review.

    Whether you’re photographing children, weddings, maternity and boudoir, or portraits of any kind, The Luminous Portrait will inspire you with Elizabeth’s personal approach and award-wining images, sharing the art to making flattering portraits that appear “lit from within.”

    Lily is quickly drawn to her mistress’s gaiety and sharp intelligence, the power of her poetry, and her deep emotional need. It is a strange intimacy that will last sixteen years.It is Lily who smuggles Miss Barrett out of the gloomy Wimpole Street house, witnesses her secret wedding to Robert Browning in an empty church, and flees with them to threadbare lodgings and the heat, light, and colors of Italy. As housekeeper, nursemaid, companion, and confidante, Lily is with Elizabeth in every crisis – birth, bereavement, travel, literary triumph. As her devotion turns almost to obsession, Lily forgets her own fleeting loneliness. But when Lily’s own affairs take a dramatic turn, she comes to expect the loyalty from Elizabeth that she herself has always given.

    

    There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her own youth. In each other, Ulysses and Evelyn find a kindred spirit amongst the rubble of war-torn Italy, and set off on a course of events that will shape Ulysses's life for the next four decades.As Ulysses returns home to London, reimmersing himself in his crew at The Stoat and Parrot -- a motley mix of pub crawlers and eccentrics -- he carries his time in Italy with him. And when an unexpected inheritance brings him back to where it all began, Ulysses knows better than to tempt fate, and returns to the Tuscan hills.With beautiful prose, extraordinary tenderness, and bursts of humor and light, Still Life is a sweeping portrait of unforgettable individuals who come together to make a family, and a richly drawn celebration of beauty and love in all its forms.

    Her life seems perfect, until her father suddenly announces bankruptcy. To save Isabella from destitution he sends her to stay with family she has never met, far away on a violet farm deep in Devon.Isabella is horrified to find her uncle expects her to work for her keep, packing up the flowers and selling them in the nearby market. However she soon discovers that life on a violet farm may not be so bad, especially when she meets handsome local farmer Felix Furneaux… Perfect for fans of Dilly Court and Katie Flynn.

    Art

    Destroy its claims to admiration there, and it can assert them nowhere else." This was Ruskin's war cry as he entered the now almost forgotten Battle of the Styles on the side against "the school which has conducted men's inventive and constructional faculties from the Grand Canal to Gower Street."But first the reader must know the difference between right and wrong; he must find out for himself the best way of doing everything. "I shall give him stones, and bricks and straw, chisels and trowels and the ground, and then ask him to build, only helping him if I find him puzzled."Unhappily, both these exciting objectives were attained only after the expenditure of nearly half-a-million words; glorious words, but too many. For fifty years, The Stones of Venice was read by all who went there and thousands who could not; the sightseers whom the city captivates today seldom have its greatest guidebook with them.It is the aim of this new edition to put a fascinating book within reach of travelers--active or armchair--with limited resources of time. Much that was superfluous has been omitted; what remains is the essence of a now very readable and portable book. It is a book for the lover of architecture, the lover of Venice, the lover of lost causes, and, perhaps above all, for the lover of fine writing.

    She likes to spy from the crumbling wall into the gardens and imagine that one day she’ll escape her meager existence and live there surrounded by its otherworldly splendor. Then one day Dante, the son of the villa’s powerful industrialist owner, invites her inside and shows her the enchanting Mermaid Garden. From that moment, Floriana knows that the only destiny for her is there, in that garden, with Dante. But as they grow up and fall in love, their romance causes a crisis, jeopardizing the very thing they hold most dear.Decades later and hundreds of miles away, a beau-tiful old country house hotel on England’s Devon coast has fallen on hard times after the financial crash of 2008. Its owner, Marina, advertises for an artist to stay the summer and teach the guests how to paint. The man she hires is charismatic and wise and soon begins to pacify the discord in her family and transform the fortunes of the hotel. However, he has his own agenda. Is it to destroy, to seduce, or to heal? Whatever his intentions, he is certain to change Marina’s life forever.Spanning four decades and sweeping from the Italian countryside to the English coast, this new story by Santa Montefiore is a moving and mysterious tale of love, forgiveness, and the past revealed.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities.But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art. The Birth of Venus is a tour de force, the first historical novel from one of Britain’s most innovative writers of literary suspense. It brings alive the history of Florence at its most dramatic period, telling a compulsively absorbing story of love, art, religion, and power through the passionate voice of Alessandra, a heroine with the same vibrancy of spirit as her beloved city.

    Together they provide a complete painting programme.

    In the winter of 1924 the most celebrated English writer of the day, 84-year-old Thomas Hardy, was living at his Dorset home of Max Gate with his second wife, Florence. Aged 45 but in poor health, Florence came to suspect that Hardy was in the grip of a romantic infatuation. The woman in question was a beautiful local actress, 27-year-old Gertrude Bugler, who was playing Tess in the first dramatic adaptation of Hardy's most famous novel, 'Tess of the d'Urbervilles'. Inspired by these events, 'Winter' is a brilliantly realised portrait of an old man and his imaginative life; the life that has brought him fame and wealth, but that condemns him to living lives he can't hope to lead, and reliving those he thought he once led. It is also, though, about the women who now surround him: the middle-aged, childless woman who thought she would find happiness as his handmaiden; and the young actress, with her youthful ambitions and desires, who came between them.

    Soon overwhelmed by the sheer beauty of the city and its magnificent art, Miss Garnet’s English reserve begins to melt away. For the first time in her life she falls in love—with an art dealer named Carlo—and her once ordinary world is further transformed by a beautiful Italian boy, Nicco, and an enigmatic pair of twins engaged in restoring the fourteenth-century Chapel-of-the-Plague. Most affecting to Julia, though, is her discovery in a local church of panels depicting the ancient tale of Tobias and the Angel. As Julia unravels the story of Tobias’s redemption, she too strives to recover losses—not just her own but also the priceless painting of an angel that goes mysteriously missing from the Chapel along with one of the twins restoring it. His name is Toby. And Miss Garnet herself may prove to be an angel, but nowhere in this haunting, beautifully textured and multilayered novel is anything quite what it appears to be.