Gilly wouldn't call herself wicked, exactly...but when you have five little brothers and sisters and live in a run-down boot, you have to get creative to make ends meet. Gilly's a pretty good thief (if she does say so herself).Until she gets caught.Gilly's sentenced to three months at Fairy Tale Reform School where all of the teachers are former (super-scary) villains like the Big Bad Wolf, the Evil Queen, and Cinderella's Wicked Stepmother. Harsh. But when she meets fellow students Jax and Kayla, she learns there's more to this school than its heroic mission. There's a battle brewing and Gilly has to wonder just how good these bad guys really are?

    for the first time in over 30 years.Rosemary's plan to clean houses during her summer break and surprise her mother with the money hits a snag when an old lady at the market talks her into buying a second-rate broom and a cat she can't even afford to keep. But appearances can be deceiving. Some old ladies are witches, some brooms can fly, and some ordinary-looking cats are Princes of the Royal Blood. Rosemary's cat ("You may call me Carbonel. That is my name.") soon enlists her help in an adventure to free him from a hideous spell and return him to his rightful throne. But along the way Rosemary and her friend John must do some clever sleuthing, work a little magic of their own, and—not least— put up with the demands of a very haughty cat.

    In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. After the girls chose a picture from a magazine to get started, Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work: Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature.

    Alas, Queen Veda loathes anyone whose beauty dares to rival her own—including her daughter.And despite Ana’s attempts to be plain to earn her mother’s affection,she’s sent away to the kingdom’s exclusive boarding school.At the Academy, Ana is devastated when her only friend abandons her for the popular girls. Isolated and alone, Ana resolves to look like a true princess to earn the acceptance she desires.But when she uncovers the dangerous secret that makes all of the girls at the Academy so gorgeous, just how far will Ana go to fit in?

    She disguises herself as a boy Rowan, befriends half-wolf Tykell, overgrown enchanting minstrel Lionel, and runaway princess Ettarde. Vicious Guy of Gisborne wears a black horse-head hide. But Robin says his camp is no place for a girl.

    The author/artist has embellished this folktale of the princess who sleeps under an evil spell for 100 years with some details of his own.

    One night, a fur-clad stranger arrives seeking shelter for himself and his men. But by the next morning, they've gone - taking Oskar with them. Fearful for his safety, Mila and her sisters set out to bring Oskar back - even it means going north, crossing frozen wild-lands to find a way past an eternal winter.

    includes such stories as - "Alice's Adventures in Wonderland", "Through the Looking-Glass", "Sylvie and Bruno", "Sylvie and Bruno Concluded", "The Hunting of the Snark" and the poetry, essays and phantasmagoria along with a collection of the author's miscellaneous writings.

    She and her sister Alice are still grieving for their dead mother when their father takes a job in a strange museum in a city where it always snows. On her very first day in the museum Ophelia discovers a boy locked away in a long forgotten room. He is a prisoner of Her Majesty the Snow Queen. And he has been waiting for Ophelia's help.As Ophelia embarks on an incredible journey to rescue the boy everything that she believes will be tested. Along the way she learns more and more about the boy's own remarkable journey to reach her and save the world.A story within a story, this a modern day fairytale is about the power of friendship, courage and love, and never ever giving up.

    But when an attempted escape through the stove pipe doesn't go quite as well as she'd hoped, Mary fears she'll be stuck in the Buffalo Asylum for Young Ladies forever. The very next day, a mysterious woman named Madame Z appears at the orphanage requesting to adopt Mary, and the matron's all too happy to get the girl off her hands. Soon, Mary is fed a hearty meal, dressed in a clean, new nightgown and shown to a soft bed with blankets piled high. She can hardly believe she isn't dreaming!But when Mary begins to explore the strange nearby town with the help of her new friend, Jacob, she learns a terrifying secret about Madame Z's true identity. If Mary's not careful, her new home might just turn into a nightmare.Award-winning author Katherine Marsh draws from Russian fairytales in this darkly funny middle-grade fantasy novel

    They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns.The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.

    But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing not even a fallen star, is what he imagined.