His illustrations for Scribner's Illustrated Classics (Treasure Island, Kidnapped, The Last of the Mohicans, The Yearling) are etched into the collective memory of generations of readers. He was hailed as the greatest American illustrator of his day. For forty-three years, starting in 1902, N.C. Wyeth painted landscapes, still lifes, portraits, and murals, as well as illustrations for a long shelf of world literature. Yet despite worldwide acclaim, he judged himself a failure, believing that illustration was of no importance.David Michaelis tells the story of Wyeth's family through four generations -- a saga that begins and ends with tragedy -- and brings to life the huge-spirited, deeply complicated man, and an America that was quickly vanishing.

    They have legitimate longings that the Church has been afraid to talk about, and books like Fifty Shades of Grey exploit. Whether you are single or married, sexually dead or just looking to revive your sex life, Pulling Back the Shades will address your desire to be both sexual AND spiritual. With solid Biblical teaching and transparent stories, trusted authors Dannah Gresh  and Dr. Juli Slattery, offer an unflinching look at the most personal questions women ask. The book offers practical advice for women to address five core longings:to be cherished by a manto be protected by a strong manto rescue a manto be sexually aliveto escape realityGod designed women with these longings and has a plan to satisfy them. It's time for women to identify their intimate longings and God-honoring ways to fulfill them.

    Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius.Oil and Marble is the story of their nearly forgotten rivalry. Storey brings early 16th-century Florence alive, and has entered with extraordinary empathy into the minds and souls of two Renaissance masters. The book is an art history thriller.

    It was a fevered yearlong party fueled by the appetites of youth and by the shared sense of urgency to take action as artists in the months before America entered the war.In spite of the sheer intensity of life at 7 Middagh, the house was for its residents a creative crucible. Carson McCullers's two masterpieces, The Member of the Wedding and The Ballad of the Sad Cafe, were born, bibulously, in Brooklyn. Gypsy Rose Lee, workmanlike by day, party girl by night, wrote her book The G-String Murders in her Middagh Street bedroom. Auden -- who along with Britten was being excoriated at home in England for absenting himself from the war -- presided over the house like a peevish auntie, collecting rent money and dispensing romantic advice. And yet all the while he was composing some of the most important work of his career.Sherill Tippins's February House, enlivened by primary sources and an unforgettable story, masterfully recreates daily life at the most fertile and improbable live-in salon of the twentieth century.

    Lebrecht compellingly demonstrates that classical recording has reached its end point, but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired with a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author's critical selection of the 100 most important recordings, and the 20 most appalling.Filled with memorable incidents and unforgettable personalities, from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into the loudest symphony on earth - this is at once the captivating story of the life and death of classical recording and an opinionated, insider's guide to appreciating the genre, now and for years to come.

    Belief is a technology for softening the landscape. The world becomes more beautiful when God is in it. Here is what happens inside a person's body when they starve.Written in the shadow of Georg Buchner's Lenz at razor pitch, Aliens & Anorexia, first published in 2000, defines a female form of chance that is both emotional and radical. The book unfolds like a set of Chinese boxes, using stories and polemics to travel through a maze that spirals back into itself. Its characters include Simone Weil, the first radical philosopher of sadness, the artist Paul Thek, Kraus herself, and "Africa," her virtual S&M partner who's shooting a big-budget Hollywood film in Namibia while Kraus holes up in the Northwest Woods for the winter to chronicle the failure of Gravity & Grace, her own low-budget independent film.In Aliens & Anorexia, Kraus argues for empathy as the ultimate perceptive tool, and reclaims anorexia from the psychoanalytic girl-ghetto of poor "self-esteem." Anorexia, Kraus writes, could be an attempt to leave the body altogether: a rejection of the cynicism this culture hands us through its food.

    She delves into matters of the home, the comfort of family, the beauty of Alaska, and the dislocation of divorce.Frank and honest, serious and suddenly playful, A Night Without Armor is a talented artist's intimate portrait of what makes us uniquely human.

    In Daring to Ask for More, Melody Mason has shone the light of God’s Word on the path to true revival—Holy Spirit-inspired, daring, audacious prayer. I know this book will be a tremendous blessing to many.Doug Batchelor, President and Speaker, Amazing Facts If prayer is “the key in the hand of faith to unlock heaven’s storehouse” as Steps to Christ declares, then Melody Mason’s new book is long overdue. Daring to Ask for More is precisely God’s strategic appeal to this generation living on the edge of eternity. Daring to Ask for More indeed! May our hearts be stirred up as never before to seek God through prayer as never before, while there is still time.Dwight K. Nelson, Senior Pastor, Pioneer Memorial Church, Andrews University Melody Mason’s new book, Daring to Ask for More, is driving me to my knees. My needs are so great and my resources so few, what self-righteousness it is to pray so little. Thank you for that push!Frank Fournier, President, ASI

    Created by poets for poets, this calendar of exercises offers inspiration and a place to begin. Whether you are a novice or well-established author, The Daily Poet is an essential resource for poets, teachers, professors, or anyone who wants to jumpstart their writing practice. The Daily Poet is portable, coffeeshop tested, and offers quick warm-ups for any writing group or classroom. An excellent guide for students, The Daily Poet is also a handy reference for poets looking for fresh ideas to share in their writing workshops.

    "Why I Am a Lutheran explores the foundational teachings of the Christian church. In each chapter, Daniel Preus calls upon more than 20 years of pastoral experience to reveal Jesus as the center of the Christian faith. As he addresses central doctrines such as sin and grace, Law and Gospel, the person and work of Jesus Christ, worship, the Sacraments, and the office of the ministry, Preus keeps the focus on Jesus Christ--who is "always and only at the center of all Christian teaching."

    These poems explore a more emotional side of Charles Bukowski.

    Martin Laird shows that the Christian tradition of contemplation has its own refined teachings on using a prayer word to focus the mind, working with the breath to cultivate stillness, and the practice of inner vigilance or awareness. But this book is not a mere historical survey of these teachings. In Into the Silent Land, we see the ancient wisdom of both the Christian East and West brought sharply to bear on the modern-day longing for radical openness to God in the depths of the heart.Laird's book is not like the many presentations for beginners. While useful for those just starting out, this book serves especially as a guide for those who desire to journey yet deeper into the silence of God. The heart of the book focuses on negotiating key moments of struggle on the contemplative path, when the whirlwind of distractions or the brick wall of boredom makes it difficult to continue. Laird shows that these inner struggles, even wounds, that any person of prayer must face, are like riddles, trying to draw out of us our own inner silence. Ultimately Laird shows how the wounds we loathe become vehicles of the healing silence we seek, beyond technique and achievement. Throughout the language is fresh, direct, and focused on real-life examples of people whose lives are incomparably enriched by the practice of contemplation.

     This is the epic story of how classical paganism, with its tolerance for many deities and beliefs, lost a centuries-long struggle with monotheism and its chauvinistic insistence on belief in one God. With his trademark blend of wit and scholarship, Kirsch traces the war of God against the gods from its roots in Ancient Egypt to its climax during the last stand of paganism the tumultuous fourth century, when two passionate, charismatic, and revolutionary Roman emperors, the Christian Constantine and the pagan Julian, changed the course of history and shaped the world we live in today.

    All the same, this four-week period leading up to Christmas is making a comeback as growing numbers reject shopping-mall frenzy and examine the deeper meaning of the season. Ecumenical in scope, these fifty devotions invite the reader to contemplate the great themes of Christmas and the significance that the coming of Jesus has for each of us not only during Advent, but every day. Whether dipped into at leisure or used on a daily basis, "Watch for the Light" gives the phrase holiday preparations new depth and meaning. Includes writings by Christoph Friedrich Blumhardt, Sylvia Plath, J. B. Phillips, Friedrich Wilhelm Foerster, Henri Nouwen, Bernard of Clairvaux, Kathleen Norris, Meister Eckhart, St. Thomas Aquinas, Karl Rahner, Isaac Penington, Madeleine L Engle, Alfred Delp, Loretta Ross-Gotta, William Stringfellow, J. Heinrich Arnold, Edith Stein, Philip Britts, Jane Kenyon, John Howard Yoder, Emmy Arnold, Karl Barth, Oscar Romero, William Willimon, Johann Christoph Arnold, Gail Godwin, Leonardo Boff, G. M. Hopkins, Evelyn Underhill, Dorothy Day, Brennan Manning, Dietrich Bonhoeffer, Romano Guardini, Annie Dillard, Martin Luther, St. John Chrysostom, Giovanni Papini, Dorothee Soelle, C. S. Lewis, Gustavo Gutierrez, Philip Yancey, J. T. Clement, Thomas Merton, Eberhard Arnold, Ernesto Cardenal, T. S. Eliot, John Donne, Gian Carlo Menotti and Jurgen Moltmann.

    Lachlan Peace’s true passion in life is music and surfing. He also can’t take his eyes off his new admin assistant, Miranda Flowers.Miranda can’t believe her luck she’s finally landed a well-paying job working for Peace at his sprawling Malibu estate. Dazzled by the opulence of her new workplace, which boasts a private beach amongst other fine trappings, Miranda thinks she’s won a celestial lottery. One of her more pleasant tasks, missing from the job description, involves accompanying her handsome boss to lavish balls as his pretend date. Miranda soon discovers that her unfriendly and very demanding manager has her sights on Lachlan Peace, with whom the CFO shares a complicated history. When this scheming manager notices that Miranda has caught the eye of the man that she’s determined to marry she hatches a plan to force his hand.Although the obstacles come thick and fast, there’s only one thing Lachlan Peace is certain about: he’s crazy about Miranda. But can Miranda compete with her sly and crafty manager, who has something over Lachlan? And will Miranda and Lachlan’s off-the-charts chemistry survive the SEC, the mob, and the sharp claws of a dangerously ambitious woman?