He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

    But when Luke is hospitalized in a tragic accident, Adam must come face-to-face with Luke's faith and his family.

    Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    This new edition of four works show how Agatha Christie's plays are as compulsive as her novels, their colourful characters and ingenious plots providing yet more evidence of her mastery of the detective thriller. The Mousetrap A homicidal maniac terrorizes a group of snowbound guests to the refrain of 'Three Blind Mice'! And Then There Were None Ten guilty people, brought together on an island in mysterious circumstances, await their sentence! Appointment With Death The suffocating heat of an exotic Middle-Eastern setting provides a backdrop for murder! The Hollow A set of friends convene at a country home where their convoluted relationships mean that any one of them could be a murderer!

    This new edition contains the updated book and lyrics from the smash Broadway production starring Neil Patrick Harris of John Cameron Mitchell and Stephen Trask’s landmark American musical.

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    Through a psychiatrist's analysis of the events, Shaffer creates a chilling portrait of how materialism and convenience have killed our capacity for worship and passion and, consequently, our capacity for pain. Rarely has a playwrite created an atmosphere and situation that so harshly pinpoint the spiritual and mental decay of modern man.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    The guests at this little “sitcom” soirée are couples that represent what by now have become the clichéd extremes of both societies: Angel’s former radical Native activist buddies and Colleen’s environmentally concerned vegetarian / veterinarian friends. The menu is, of course, the hosts’ respectful attempt at shorthand for the irreconcilable cultural differences about to come to a head during the evening: moose roast and vegetarian lasagna.Like all of Drew Hayden Taylor’s work, alterNatives manages to say things about “Whites and Indians” that one is not supposed to talk about—it digs up the carefully buried, raw and pulsing nerve-endings of the unspeakable and exposes them to the hot bright lights of the stage. That he does so with a humour that the politically correct among his audiences continue to miss entirely beneath the sound and fury of their own self-righteous indignation is a measure of his immense talent as a dramatist. In the end, the play is not about cultural differences at all, but instead constitutes a full frontal attack on the personal qualities the sitcom holds most dear and pushes hardest at its audiences: Taylor actually has the temerity to suggest that neither “attitude” nor “sincerity” are enough to address basic human issues, no matter which side of the cultural fence the characters are on. And that’s hard for the pushers of what is considered a globally enlightened culture to take.Cast of 3 women and 3 men.

    But the arrival of Ericka, a new student with undeniable talent and beauty, captures the attention of the pageant recruiter – and Paulina's hive-minded friends. This buoyant and biting comedy explores the universal similarities (and glaring differences) facing teenage girls across the globe.

    They are constantly in pursuit of adventure that takes them far away from their homeland of Victorian America. Intelligent, intrepid, and inquisitive, they long for discovery of that which is greater than their own world while still maintaining some sense of gentlewoman decorum. But all good trips start with a purpose and end in a final destination.

    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

    Starring Leonardo DiCaprio (What's Eating Gilbert Grape, The Basketball Diaries) and Claire Danes (My So-Called Life, Little Women) as the doomed lovers, the film is set in a modern city. The actors speak Shakespeare's words--but with their own American accents.Readers can now experience this new vision of Shakespeare's violent, tragic play alongside the Bards original text, in a special single volume that features an introduction by the film's director.--back cover

    An inspector calls to interrogate the family, and during the course of his questioning, all members of the group are implicated lightly or deeply in the girl's undoing. The family, closely knit and friendly at the beginning of the evening, is shown up as selfish, self-centered or cowardly, its good humor turning to acid, and good fellowship to dislike, before the evening is over. The surprising revelation, however, is in the inspector...