Cynthia Barnett does it by telling us the stories of the amazing personalities behind our water wars, the stunning contradictions that allow the wettest state to have the most watered lawns, and the thorough research that makes her conclusions inescapable. Barnett has established herself as one of Florida’s best journalists and Mirage is a must-read for anyone who cares about the future of the state.”—Mary Ellen Klas, Capital Bureau Chief, Miami Herald “Mirage is the finest general study to date of the freshwater-supply crisis in Florida. Well-meaning villains abound in Cynthia Barnett’s story, but so too do heroes, such as Arthur R. Marshall Jr., Nathaniel Reed, and Marjorie Harris Carr. The author’s research is as thorough as her prose is graceful. Drinking water is the new oil. Get used to it.”—Michael Gannon, Distinguished Professor of history, University of Florida, and author of Florida: A Short History “With lively prose and a journalist’s eye for a good story, Cynthia Barnett offers a sobering account of water scarcity problems facing Florida—one of our wettest states—and the rest of the East Coast. Drawing on lessons learned from the American West, Mirage uses the lens of cultural attitudes about water use and misuse to plead for reform. Sure to engage and fascinate as it informs.”—Robert Glennon, Morris K. Udall Professor of Law and Public Policy, University of Arizona, and author of Water Follies: Groundwater Pumping and the Fate of America’s Fresh Waters Part investigative journalism, part environmental history, Mirage reveals how the eastern half of the nation—historically so wet that early settlers predicted it would never even need irrigation—has squandered so much of its abundant freshwater that it now faces shortages and conflicts once unique to the arid West. Florida’s parched swamps and supersized residential developments set the stage in the first book to call attention to the steady disappearance of freshwater in the American East, from water-diversion threats in the Great Lakes to tapped-out freshwater aquifers along the Atlantic seaboard. Told through a colorful cast of characters including Walt Disney, Jeb Bush and Texas oilman Boone Pickens, Mirage ferries the reader through the key water-supply issues facing America and the globe: water wars, the politics of development, inequities in the price of water, the bottled-water industry, privatization, and new-water-supply schemes. From its calamitous opening scene of a sinkhole swallowing a house in Florida to its concluding meditation on the relationship between water and the American character, Mirage is a compelling and timely portrait of the use and abuse of freshwater in an era of rapidly vanishing natural resources.

    Americans confront this crisis of authority when they erect statues of Founding Fathers who slept with their slaves. And Muslims faced it when ISIS revived sex-slavery, justifying it with verses from the Quran and the practice of Muhammad. Exploring the moral and ultimately theological problem of slavery, Jonathan A.C. Brown traces how the Christian, Jewish and Islamic traditions have tried to reconcile modern moral certainties with the infallibility of God’s message. He lays out how Islam viewed slavery in theory, and the reality of how it was practiced across Islamic civilization. Finally, Brown carefully examines arguments put forward by Muslims for the abolition of slavery.

    In "The Arab Awakening" he explores the opportunities and challenges across North Africa and the Middle East, as they look to create new, more open societies. He asks: Can Muslim countries bring together Islam, pluralism and democracy without betraying their identity? Will the Arab world be able to reclaim its memory to reinvent education, women's rights, social justice, economic growth and the fight against corruption? Can this emancipation be envisioned with Islam, experienced not as a straitjacket, but as an ethical and cultural wealth? Arguing that the debate cannot be reduced to a confrontation between two approaches - the modern and secular versus the traditional and Islamic - Ramadan demonstrates that not only are both of these routes in crisis, but that the Arab world has an historic opportunity: to stop blaming the West, to jettison its victim status and to create a truly new dynamic. Tariq Ramadan offers up a challenge to the Middle East: What enduring legacy will you produce, from the historic moment of the Arab Spring?

    Some are famous (Lawrence of Arabia and Gertrude Bell); others infamous (Harry St. John Philby, father of Kim); some forgotten (Sir Mark Sykes, Israel's godfather, and A. T. Wilson, the territorial creator of Iraq); some controversial (the CIA's Miles Copeland and the Pentagon's Paul Wolfowitz). All helped enthrone rulers in a region whose very name is an Anglo-American invention. As a bonus, we meet the British Empire's power couple, Lord and Lady Lugard (Flora Shaw): she named Nigeria, he ruled it; she used the power of the Times of London to attempt a regime change in the gold-rich Transvaal. The narrative is character-driven, and the aim is to restore to life the colorful figures who for good or ill gave us the Middle East in which Americans are enmeshed today.

    John Arnold's addition to Oxford's popular Very Short Introductions series is a stimulating essay about how people studyand understand history. The book begins by inviting us to think about various questions provoked by our investigation of history, and then explores the ways in which these questions have been answered in the past. Such key concepts as causation, interpretation, and periodization are introduced byway of concrete examples of how historians work, thus giving the reader a sense of the excitement implicit in discovering the past--and ourselves.The aim throughout History: A Very Short Introduction is to discuss theories of history in a general, pithy, and accessible manner, rather than delve into specific periods. This is a book that will appeal to all students and general readers with an interest in history or historiography.About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchantand provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, theseries will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy andaffordable guide that will likely prove indispensable.

    In this book, Muhammad Abdel Haleem examines its recurrent themes and for the first time sets them in the context of the Qur'an's linguistic style. Haleem examines the background to the development of the surahs (chapters) and the ayahs (verses) and the construction of the Qur'an itself.

    But events would set him on a different path. He would be deemed a terrorist, one of George W Bush's 'worst of the worst'. He would be incarcerated in the world's most notorious prison, Guantanamo Bay. And in that place where, according to an interrogator in Abu Ghraib, 'even dogs won't live', he was to languish for five and a half years, suffering horror, torture and abuse, while Australians were told who he was - by politicians, the media and foreign governments.Everyone had an opinion on him.But only he knows the truth.And now, for the first time, David Hicks tells his story.

    When the Nazis broke the Black Code, used by American diplomatic missions around the world, they were able to get detailed portrayals of British positions and weaknesses in North Africa, sometimes just a few hours after they were written. Using this information, under Rommel's command, they marched swiftly and terrifyingly toward Alexandria, with the ultimate goal of reaching the Middle East. But Allied forces had broken the Nazis' code, Enigma, as well. They soon discovered they were leaking information, and set off on a fevered and high-stakes search for the source. War of Shadows is the cinematic story of the race for information in North African theater of World War II, and the battle of cryptographers on both sides of it. Years in the making, this book is a feat of historical research and storytelling, and a rethinking of the popular narrative of the war. It portrays the war not as an inevitable clash of heroes and villains but a spiraling series of failures and accidents-one that spread into Africa and nearly beyond.

    Ignored by their own governments, and forced to endure the harshest of conditions, very few lived to tell the tale. Using the firsthand testimony of a Cornish cabin boy named Thomas Pellow, Giles Milton vividly reconstructs a disturbing, little known chapter of history. Pellow was bought by the tyrannical sultan of Morocco who was constructing an imperial pleasure palace of enormous scale and grandeur, built entirely by Christian slave labour. As his personal slave, he would witness first-hand the barbaric splendour of the imperial court, as well as experience the daily terror of a cruel regime. Gripping, immaculately researched, and brilliantly realised, WHITE GOLD reveals an explosive chapter of popular history, told with all the pace and verve of one of our finest historians.

    Looking for a hopeful response to the plague of Holocaust denial sweeping across the Arab and Muslim worlds, Robert Satloff sets off on a quest to find the Arab hero whose story will change the way Arabs view Jews, themselves, and their own history. The story of the Holocaust's long reach into the Arab world is difficult to uncover, covered up by desert sands and desert politics. We follow Satloff over four years, through eleven countries, from the barren wasteland of the Sahara, where thousands of Jews were imprisoned in labor camps; through the archways of the Mosque in Paris, which may once have hidden 1700 Jews; to the living rooms of octogenarians in London, Paris and Tunis. The story is very cinematic; the characters are rich and handsome, brave and cowardly; there are heroes and villains. The most surprising story of all is why, more than sixty years after the end of the war, so few people-- Arab and Jew--want this story told.

    A brilliant account of the workings of state terrorism by the world’s foremost critic of US imperialism.

    It was on its first voyage across the Atlantic and many people died. But what really happened? Why did the ship hit an iceberg? Why didn't another ship save the passengers? Although the disaster happened over 80 years ago, there are still people who can remember it and it still has the power to capture the imagination.

    By its own reckoning, this country is just entering the fifteenth century.The Kingdom is also the story of a family--a family that has fought its way from poverty and obscurity into wealth and power the likes of which the world has never known, a family characterized by fierce loyalty among its members, ruthlessness toward its enemies, and dedication to one of the world's most severe and demanding creeds.The Kingdom is Saudi Arabia--the only country in the world to bear the name of the family that rules it.

    Social forms and institutions no longer have enough time to solidify and cannot serve as frames of reference for human actions and long-term life plans, so individuals have to find other ways to organise their lives. They have to splice together an unending series of short-term projects and episodes that don't add up to the kind of sequence to which concepts like 'career' and 'progress' could meaningfully be applied. Such fragmented lives require individuals to be flexible and adaptable - to be constantly ready and willing to change tactics at short notice, to abandon commitments and loyalties without regret and to pursue opportunities according to their current availability. In liquid modernity the individual must act, plan actions and calculate the likely gains and losses of acting (or failing to act) under conditions of endemic uncertainty. Zygmunt Bauman's brilliant writings on liquid modernity have altered the way we think about the contemporary world. In this short book he explores the sources of the endemic uncertainty which shapes our lives today and, in so doing, he provides the reader with a brief and accessible introduction to his highly original account, developed at greater length in his previous books, of life in our liquid modern times.

    He explains how certain kinds of music—particularly hip hop, but also jazz, Gnawa, Andalusian, Judeo-Arabic, Latin, and others—have come to represent a heightened racial identity and a Muslim consciousness that crisscrosses the globe. He describes how Western governments—particularly the U.S. and England—use music in an attempt to deradicalize Muslim youth abroad.