Celebrating Ray Bradbury's centenary, this collection commemorates his finest crime stories – tales as strange and wonderful as his signature fantasy.Time travellers…dark carnivals…living automata…and detectives? Honouring the 100th birthday of Ray Bradbury, renowned author of Fahrenheit 451, this new, definitive collection of the master's less well-known crime fiction features classic stories and rare gems, a number of which became episodes of Alfred Hitchcock Presents and The Ray Bradbury Theater, including the tale Bradbury called ‘one of the best stories in any field that I have ever written’.Is it murder to destroy a robot if it looks and speaks and thinks and feels like a human being? Can a ventriloquist be incriminated by the testimony of his own dummy? Can a time traveller prevent his younger self from killing the woman they both loved? And can the survivor of a pair of Siamese twins investigate his own brother's murder? No other writer has ever rivalled the imagination and narrative gifts of Ray Bradbury, and the 20 unforgettable stories in this collection demonstrate this singular writer's extraordinary range, influence and emotional power.

    Within its pages, literary legends rub shoulders with the hottest new talent. Contributors in the past have included James Lee Burke, Jeffrey Deaver, Michael Connelly, Alice Munro and Joyce Carol Oates.This year's guest editor is Lee Child, the creator of Jack Reacher and a simultaneous bestseller on both sides of the Atlantic.

    Published for the first time in the United States, this gritty novel tells the story of a bar bouncer who needs to pony up $10,000 to buy into a horse racing syndicate and will stop at nothing to get it--not robbery, not even murder.

    Eddie Miller is an airline pilot who's studying to get his real estate license. Don Luchessi is a silver salesman who's separated from his wife but too Catholic to get a divorce. Hank Norton is a drug company rep who gets four times as many dames as any of the other guys. They are all regular guys who like to drink, play cards, meet broads, and shoot a little pool. But when a friendly bet goes horribly awry, they find themselves with two dead bodies on their hands and a homicidal husband in the wings—and acting more like hardened criminals than upstanding citizens.

    Erickson, William Kent Krueger, Ellen Hart, Brad Zeller, Mary Sharratt, Pete Hautman, Larry Millett, Quinton Skinner, Gary Bush, and Chris Everheart.Julie Schaper has been a Twin Cities resident for 11 years. She lives with her husband and two dogs in the Merriam Park neighborhood of St. Paul. Steven Horwitz has worked in publishing for 25 years. He lives with his wife and two dogs in St. Paul.

    Cain, Chester Himes, Ross MacDonald, Walter Mosley, Naomi Hirahara, Margaret Millar, Joseph Hansen, William Campbell Gault, Jervey Tervalon, Kate Braverman, and Yxta Maya Murray.Editor Denise Hamilton is the author of the Eve Diamond series and the editor of "Los Angeles Noir." Her latest novel, "Los Angeles Times" bestseller "The Last Embrace," has been compared to works by James Ellroy and Raymond Chandler. She lives in Los Angeles.

    In trade paperback and priced at $19.00, readers of the Baer will now be able to buy the trilogy in one handy volume. The novels follow antihero Phineas Poe, ex cop and his love for Jude. Together they try to make sense of their past and navigate the internal landscape he calls hell's half acre. The Phineas Poe trilogy includes Kiss Me Judas, Penny Dreadful, Hell's Half Acre

    This is a man who has lied all his life.Roy is a conman living in a small English town, about to pull off his final con. He is going to meet and woo a beautiful woman and slip away with her life savings. But who is the man behind the con? What has he had to do to survive a life of lies? And who has had to pay the price?When Roy meets a wealthy widow online, he can hardly believe his luck. Just like Patricia Highsmith’s Tom Ripley, Roy is a man who lives to deceive—and everything about Betty suggests she’s an easy mark. He’s confident that his scheme to swindle her will be a success. After all, he’s done this before.Sure enough, Betty soon lets Roy move into her beautiful home, seemingly blind to the web of lies he’s woven around her. But who is Roy, really? Spanning almost a century, this stunning and suspenseful feat of storytelling interweaves the present with the past. As the clock turns back and the years fall away, long-hidden secrets are forced into the light. Some things can never be forgotten. Or forgiven.

    • (1926) • short story by Agatha ChristieThe Call of Wings • (1933) • short story by Agatha ChristieThe Fourth Man • (1933) • short story by Agatha ChristieThe Gipsy • (1933) • short story by Agatha ChristieThe Hound of Death • (1933) • short story by Agatha ChristieThe Lamp • (1933) • short story by Agatha ChristieThe Last Séance • (1926) • short story by Agatha ChristieThe Mystery of the Blue Jar • (1924) • short story by Agatha ChristieThe Red Signal • (1924) • short story by Agatha ChristieThe Strange Case of Sir Arthur Carmichael • (1933) • short story by Agatha ChristieThe Witness for the Prosecution • non-genre • (1924) • novelette by Agatha ChristieWireless • (1926) • short story by Agatha Christie

    It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.

    Original.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.