Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present.Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.

    By analyzing the thought and influence of three leading critics of modern Germany, this study will demonstrate the dangers and dilemmas of a particular type of cultural despair. Lagarde, Langbein, and Moeller van den Bruck-their active lives spanning the years from the middle of the past century to the threshold of Hitler's Third Reich-attacked, often incisively and justly, the deficiencies of German culture and the German spirit. But they were more than the critics of Germany's cultural crisis; they were its symptoms and victims as well. Unable to endure the ills which they diagnosed and which they had experienced in their own lives, they sought to become prophets who would point the way to a national rebirth. Hence, they propounded all manner of reforms, ruthless and idealistic, nationalistic and utopian. It was this leap from despair to utopia across all existing reality that gave their thought its fantastic quality.

    These are the very same behaviors that typify good soldiering and foster a sense of belonging among troops, whether they’re fighting on the front lines or engaged in non-combat activities away from the action. Drawing from history, psychology, and anthropology, bestselling author Sebastian Junger shows us just how at odds the structure of modern society is with our tribal instincts, arguing that the difficulties many veterans face upon returning home from war do not stem entirely from the trauma they’ve suffered, but also from the individualist societies they must reintegrate into.A 2011 study by the Canadian Forces and Statistics Canada reveals that 78 percent of military suicides from 1972 to the end of 2006 involved veterans. Though these numbers present an implicit call to action, the government is only just taking steps now to address the problems veterans face when they return home. But can the government ever truly eliminate the challenges faced by returning veterans? Or is the problem deeper, woven into the very fabric of our modern existence? Perhaps our circumstances are not so bleak, and simply understanding that beneath our modern guises we all belong to one tribe or another would help us face not just the problems of our nation but of our individual lives as well.Well-researched and compellingly written, this timely look at how veterans react to coming home will reconceive our approach to veteran’s affairs and help us to repair our current social dynamic.

    Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.“The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James“A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian“It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

    It is the story of a girl who, at the age of six, witnesses a murder being committed by German Storm Troopers. From that moment, the happy life she has known disintegrates. Her family escapes to Prague, where they create a new life. Six years later, the Germans march into Prague. Now she has to escape to England alone and on foot. She walks across the snow-covered Tatra Mountains. By train, fishing boat, and ship, she finally manages to get to England. She comes of age there during the bombing of London. When the war ends, she immediately returns to the Continent to discover the fate of her family. Farewell to Prague is a gripping true story that will fascinate and inspire readers of all ages.

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    It was the sound of eighteen hundred airplanes approaching Hamburg from the south at an unimaginable height. We had already experienced two hundred or even more air raids, among them some very heavy ones, but this was something completely new. And yet there was an immediate recognition: this was what everyone had been waiting for, what had hung for months like a shadow over everything we did, making us weary. It was the end.Novelist Hans Erich Nossack was forty-two when the Allied bombardments of German cities began, and he watched the destruction of Hamburg—the city where he was born and where he would later die—from across its Elbe River. He heard the whistle of the bombs and the singing of shrapnel; he watched his neighbors flee; he wondered if his home—and his manuscripts—would survive the devastation. The End is his terse, remarkable and moving memoir of the annihilation of the city, written only three months after the bombing. A searing firsthand account of one of the most notorious events of World War II, The End is also a meditation on war and hope, history and its devastation. And it is the rare book, as W. G. Sebald noted, that describes the Allied bombing campaign from the German perspective.In the first English-language edition of The End, Nossack's text has been crisply translated by Joel Agee and is accompanied by the photographs of Erich Andres. Poetic, evocative, and yet highly descriptive, The End will prove to be, as Sebald claimed, one of the most important German books on the firebombing of that country. "A small but critical book, something to read in those quiet moments when we wonder what will happen next."—Susan Salter Reynolds, Los Angeles Times

    Its political culture was less authoritarian than Russia's and less anti-Semitic than France's; representative institutions were thriving, and competing political parties and elections were a central part of life. How then can we explain the fact that in little more than a generation this stable modern country would be in the hands of a violent, racist, extremist political movement that would lead it and all of Europe into utter moral, physical, and cultural ruin?There is no story in twentieth-century history more important to understand, and Richard Evans has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations, Evans's history restores drama and contingency to the rise to power of Hitler and the Nazis, even as he shows how ready Germany was by the early 1930s for such a takeover to occur. With many people angry and embittered by military defeat and economic ruin; a state undermined by a civil service, an army, and a law enforcement system deeply alienated from the democratic order introduced in 1918; beset by the growing extremism of voters prey to panic about the increasing popularity of communism; home to a tiny but quite successful Jewish community subject to widespread suspicion and resentment, Germany proved to be fertile ground for Nazism's ideology of hatred.The first book of what will ultimately be a complete three-volume history of Nazi Germany, The Coming of the Third Reich is a masterwork of the historian's art and the book by which all others on this subject will be judged.

    There, quietly, peacefully, and in full view of the Vichy government and a nearby division of the Nazi SS, Le Chambon's villagers and their clergy organized to save thousands of Jewish children and adults from certain death.Author Biography: Philip Hallie was Griffin Professor of Philosophy at Wesleyan University, where he taught for thirty-two years. He died in 1994, leaving this manuscript. That it can now be published is do to the devotion of his wife, Doris Ann Hallie, who contributed an afterword. The foreword by John Compton, fellow philosopher and longtime friend of the author, will help the reader to understand this unusual document in the context of Hallie's life and thought.

    Someone was trying to kill her, "to put a bullet in my head," Sonia told anyone who would listen. Polish and Jewish, Sonia Reich had survived the Holocaust by staying always on the run. She and Howard's father, Robert, also a Holocaust survivor, had fled to America, moved to Chicago, and raised their young son to tell no one that they were Jewish. It was only after moving to Skokie, a town filled with Holocaust survivors, that his family would live as Jews. Still, his parents told Howard almost nothing about their past. The First and Final Nightmare… is Reich's moving and bittersweet memoir of growing up in Skokie, discovering an odd and personal American freedom in jazz, and his riveting, revealing investigation into his family's past and the nature of his mother's illness, called late-onset Post Traumatic Stress Disorder. This is a poignant story of a mother and a son, a haunted past, and the irony of what may happen when that often repeated admonition to "never forget" becomes a curse.

    It wasn't long ago that Elli led a normal life; a life rich and full that included family, friends, school, and thoughts about boys. A life in which Elli could lie and daydream for hours that she was a beautiful and elegant celebrated poet.But these adolescent daydreams quickly darken in March 1944, when the Nazis invade Hungary. First Elli can no longer attend school, have possessions, or talk to her neighbors. Then she and her family are forced to leave their house behind to move into a crowded ghetto, where privacy becomes a luxury of the past and food becomes a scarcity. Her strong will and faith allow Elli to manage and adjust somehow, but what Elli doesn't know is that this is only the beginning and the worst is yet to come....A remarkable memoir. I Have Lived a Thousand Years is a story of cruelty and suffering, but at the same time a story of hope, faith, perseverance and love.

    The whole is moving, and strange beyond belief." --The Times (London)International acclaim for Solomon Perel's Europa Europa"The wrenching memoir of a young man who survived the Holocaust by concealing his Jewish identity and finding unexpected refuge as a member of the Hitler Youth."It is a Holocaust memoir that is moving, straightforward, and quite completely bizarre, unsettling in all kinds of assumptions about identity, responsibility, and guilt." --Glasgow Herald"Perel bares his soul to readers in this fascinating, unusual personal narrative of the Holocaust." --Book Report"Many of the experiences of Holocaust survivors are incredible. None is more incredible than the story of a Jewish boy, Solomon Perel, who escaped from Germany to Russia, served with the Wehrmacht in Russia, was adopted by his commanding officer, and transferred to an elite Hitler Youth school." --London Jewish News"A most remarkable story . . . extraordinary." --The Australian"This book will move human hearts." --Berliner Morgenpost

    Forty years after his Hitler: A Study in Tyranny set a standard for scholarship of the Nazi era, Lord Alan Bullock gives readers a breathtakingly accomplished dual biography that places Adolf Hitler's origins, personality, career, and legacy alongside those of Joseph Stalin--his implacable antagonist and moral mirror image.

    (Source: http://en.wikipedia.org/wiki/The_Lion...)Part I: England Your EnglandPart II: Shopkeepers at WarPart III: The English Revolution

    For two decades Drew Westen, professor of psychology and psychiatry at Emory University, has explored a theory of the mind that differs substantially from the more "dispassionate" notions held by most cognitive psychologists, political scientists, and economists—and Democratic campaign strategists. The idea of the mind as a cool calculator that makes decisions by weighing the evidence bears no relation to how the brain actually works. When political candidates assume voters dispassionately make decisions based on "the issues," they lose. That's why only one Democrat has been re-elected to the presidency since Franklin Roosevelt—and only one Republican has failed in that quest. In politics, when reason and emotion collide, emotion invariably wins. Elections are decided in the marketplace of emotions, a marketplace filled with values, images, analogies, moral sentiments, and moving oratory, in which logic plays only a supporting role. Westen shows, through a whistle-stop journey through the evolution of the passionate brain and a bravura tour through fifty years of American presidential and national elections, why campaigns succeed and fail. The evidence is overwhelming that three things determine how people vote, in this order: their feelings toward the parties and their principles, their feelings toward the candidates, and, if they haven't decided by then, their feelings toward the candidates' policy positions.Westen turns conventional political analyses on their head, suggesting that the question for Democratic politics isn't so much about moving to the right or the left but about moving the electorate. He shows how it can be done through examples of what candidates have said—or could have said—in debates, speeches, and ads. Westen's discoveries could utterly transform electoral arithmetic, showing how a different view of the mind and brain leads to a different way of talking with voters about issues that have tied the tongues of Democrats for much of forty years—such as abortion, guns, taxes, and race. You can't change the structure of the brain. But you can change the way you appeal to it. And here's how…