I’m gonna make him mine.I’m young and fresh and pretty. I’m bouncy and bubbly and everybody tells me I’m gorgeous.I can get any man I want, and I deserve a man like Vince.He’s so dreamy, so accomplished, so powerful.His pathetic wife is nothing compared to me.Oh sure, she used to be a runway model, but let’s face it, she’s not that firm anymore, and the stretch marks are beginning to show.Which is why I don’t even care if Vince stays married to her.I’ll just have my fun with him and rub it in her face.I’ll invite myself over to his house and make his wife prepare a candle-lit dinner for us.I’ll cuddle and smooch Vince in front of his wife and mock her while she refreshes my drink.She'll be lurking in the dark watching me and her husband.Her jaw hanging and her abdomen clenched.She’ll probably be excited by the whole scene.Isn’t that pathetic?Whatever. I don’t care. She can watch.She’d better not do anything weird though.That would be so pathetic.

    and Patrice Balark teamed up to bring you book one of this new and exciting drama filled series, The Wife of a Kingpin: Malik & Micah’s Story. Of course, romance, sex, deceit, backbiting, and illegal dealings will be served up like a five course meal. After losing his mom at the age of 18 during his senior year of high school, Malik Jefferson took comfort in the only thing that made sense to him at the time... the streets. Malik along with his best friend and right hand man, Rico “Goo” Grady, were taken under the wings and learned everything street by the connect who happened to be dating Goo's mom. They started out as corner boys and were making smooth waves along the way. After the connects demise, Malik and Goo went from the corner to the top. After being challenged for the top position over and over, the duo answered the call of being as ruthless as they wanted to be, thus informing Chicago and the world a new Kingpin had arrived. Eighteen year old Micah Sanders is all about her business. Not only is she a full-time student at the University of Illinois, but she also works part-time while being an unknown boss on the side. Coming from a life of privilege, Micah doesn't rebel against her upbringing, but she prefers to rely on herself to make her own way in the world. Despite having it all, she is only missing one thing, her now deceased brother. While everyone else may have forgotten about his untimely death, it stays at the forefront of Micah’s mind along with seeking revenge on whomever committed this heinous crime. Will she get the answer to the question that has been nagging her for so long? The first encounter was at random. The second encounter was accidental. But, the third encounter and every one afterwards were by design. After crossing paths with the beautiful mystery woman, Malik had to have her. It had been a while since the last time a woman captivated and held his interest that much. However, it was something more to the lady than meets the eye. He was on a mission to claim and to make Micah his woman. Malik and Micah are on the verge of starting something great. But, what happens when two bosses collide? Who will rule in the end? I don't know, but find out in book one of this new series. Warning: This book contains a cliffhanger.

    There are boilers to be fixed, cats to be fed, and the perfect funeral to be planned. As a mother researches burial spots and biodegradable coffins, her family is finally forced to communicate with her and each other as they face up to the future. A dark comedy about death and life going on.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register""One of the most absorbing evenings of theatre to come along in some time."-"Variety"Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times