Across the book’s three sequences, we find the black-girl speaker in the midst of a self-imposed exile, going back in memory to explore her younger self—a mixed-race child being raised by her white supremacist grandfather in the shadow of Churchill Downs, Kentucky’s world-famous horseracing track—before arriving in a state of self-awareness to confront the personal and political landscape of a harshly segregated Louisville. Out of a space that is at once southern and urban, violent and beautiful, racially-charged and working-class, she attempts to transcend her social and economic circumstances. Across the collection, Priest writes a horse that acts as a metaphysical engine of flight, showing us how to throw off the harness and sustain wildness. Unlike the traditional Bildungsroman, Priest presents a non-linear narrative in which the speaker lacks the freedom to come of age naively in the urban South, and must instead, from the beginning, possess the wisdom of “the horses & their restless minds.”    FROM "RODEO"   The four-wheeler is a chariot. Horse-wraiths Kicking up a plume of spirits in the dirt behind us. Her arms kudzu around my middle. Out here,   In the desert, everything is invisible. Only the locusts’ flat buzz gives Them away. Everything native & quieting   Perennial & nighthawk black As we ride through: the cowgirls, The witch & the water sky-mirror-split,   The severity of squall lines. Also, the lips Parting air like lightning & the girl Blowing bubbles—in each one                                                 a rainbow.

    This newest volume is a departure from his last work, Maggots, and from his first book, Ninja, which elicited the following assessment of the artist's style by Salon.com's Douglas Wolk: "Chippendale's howling hyperspeed attack on every page with his pen is the kind of manifestation of pure style that has more to do with the contemporary visual art scene than with traditional comics and their ideals of clarity and representation." If and Oof are a Laurel and Hardy-esque duo who suffer a series of misadventures amidst Chippendale's frenetic landscapes on their simple quest to just survive, eat, pay rent and avoid confrontation. Comedy and horror ensue in this fast-paced trip through Chippendale's unconscious. The artist's most accessible work to date, If 'n Oof is replete with the frenzied line work and concise, witty dialogue for which he has become known. This first release of all new material since 2005 is a must for Lightning Bolt fans and graphic-novel aficionados, and proves more than approachable to those new to Chippendale's oeuvre.

    This cool, incendiary rites of passage novel is the real deal."—Irvine Welsh, author of Trainspotting"Bill Hillmann's The Old Neighborhood is like a right hook to the chin with brass knuckles, crackling with both bravery and urgency. Brilliantly evoking Nelson Algren's Neon Wilderness and Richard Price's The Wanderers, the novel is unflinchingly honest in its depictions of class and race, a deft portrait of our sometimes-less-than-fair city."—Joe Meno, best-selling author of Hairstyles of the DamnedA bright and sensitive teen, Joe Walsh is the youngest in a big, mixed-race Chicago family. After Joe witnesses his heroin-addicted oldest brother commit a brutal gangland murder, his friends and loved ones systematically drag him deeper into a black pit of violence that reaches a bloody impasse when his eldest sister begins dating a rival gang member.Bill Hillmann is an award-winning writer and storyteller from Chicago, Illinois. His writing has appeared in the Chicago Tribune, Newcity, Salon.com, and has been broadcast on NPR. He's told stories around the world with his internationally acclaimed storytelling series the "Windy City Story Slam." Hillmann is a union construction laborer and a bull runner in Spain, who in the not-so-distant past was a feared street brawler, gang affiliate, drug dealer, convict, and Chicago Golden Glove Champion.

    Based on Clifford’s own harrowing experience with drugs as a rock ’n’ roll wannabe in the 1990s, the book draws on the best of Kerouac & the Beats, injecting a heavy dose of pulp fiction as it threads a rollicking narrative through a doomed love triangle, lit up by the many strange characters he meets along the way. Part road story, part resurrection tale, Junkie Love finds a way to laugh in one’s darkest hour, while never abandoning its heart in search of a home.

    His legs are rotting, his apartment is haunted, and he’s in charge of taking care of a human baby that might actually be a dog. On top of it all, he has trouble making friends. Tacky Goblin blunders through particularly strange but familiar misadventures to remind us that, ultimately, learning to take care of yourself is hard.

    Even the more languid moments move with a searing undertone. Uncertainty among the characters, coupled with relentless gunfire and explosions, make for an extraordinary novel, each page as eruptive as the city providing the setting.” KIRKUS REVIEWS “Dynamite Fishermen is an absolute stunner of a novel. It’s clear Fleming has done his research and it shows in the seamless dialogue and the ease at which he tackles the task of conveying the wartime ambiance. This is a must-read for history buffs - although I feel strongly everyone will enjoy the rapid pace and captivating suspense. Fleming is a writer deserving of many accolades.” SAN FRANCISCO BOOK REVIEW “In Dynamite Fishermen, Preston Fleming depicts heedless violence as a way of life from the perspective of an American intelligence officer. The story falls during a lull in the long running Lebanese civil war, a period plagued by daily car bombings, civilian shootings, artillery attacks and other mayhem. As many details of this conflict continue to reverberate today, this intelligently written novel provides a compelling page-turner and a memorable story.” PACIFIC BOOK REVIEW “More than memorable…Captures Beirut's harsh terrain in a vibrant, fast-paced story.” BOOKPLEASURES.COM PRODUCT DESCRIPTION Beirut, 1982. Conrad Prosser is a skilled Arabist, expert agent handler, prolific intelligence reporter, and a connoisseur of Beirut's underground nightlife. But, as his two-year tour at the U.S. Embassy nears its end, Prosser's intelligence career is in jeopardy because he has not recruited an agent while in Lebanon, a sine qua non requirement for promotion. Surveying his many contacts, Prosser selects an attractive Lebanese doctoral student and her idealistic brother as candidates for development. At the same time, he holds clandestine meetings by day and night with his string of Lebanese and Palestinian agents, pressing them to discover who is behind the latest wave of car bombings that has terrorized Muslim West Beirut. But when one of his agents supplies information used to capture a Syrian-backed bombing team, Prosser sets off a cycle of retaliation that threatens more than his career and cherished way of life. At first denying, then later concealing, apparent attempts on his life, Prosser sets out to save both his job and his skin, exploiting his agents, his best friend, a former lover, his new girlfriend and her enigmatic brother. In doing so, he puts their lives at risk and discovers too late the effect of his heedless actions. DYNAMITE FISHERMEN offers complex characters, fast-paced action, a vivid portrayal of human intelligence operations and the flavor of Beirut during its dark days of ci

    In a dangerously uncertain world, Kochalka plots a theoretical path to happiness. Collecting his most intensely thoughtful work, Kochalka tackles the big issues . . . comics and art, birth and death, technology and joy, and everything in between. Included are "The Horrible Truth about Comics", "Reinventing Everything" parts 1 and 2, "Sunburn", "The Cute Manifesto" and even Kochalka’s famous “Craft is the Enemy” essays.

    He brought a table and chairs to subway platforms and spoke with anyone keen on conversing. A practiced listener and secret keeper for commuters, Chavez showed up in the subway a day after the presidential election with stacks of brightly colored sticky notes. "Express yourself," he told passersby. The response was electric.As the colorful squares spread along the tiled wall, a vast mosaic of personal messages took shape, beautiful to behold, rich with personality, cathartic and consoling. Calling himself "Levee"--one who supports the city's emotional tide--Chavez turned a communal underground maze into an ever-changing, ever-growing art space known as Subway Therapy. Thousands have picked up the mantle to create Subway Therapy walls in cities across the nation, including San Francisco, Oakland, Seattle, Boston, and Washington, D.C.Capturing the feelings leaping from the wonderfully diverse 3-x-3-inch notes and weaving in quotes from Chavez and participants about the project, Signs of Hope's intimate reflections, humorous musings, fond remembrances, and fierce calls to action reach out with unencumbered love to one another and to us. Individually, these "posts" bravely bring the personal and the momentary into the open. Together, they show us a vision of inclusivity, communication, and hope.

    A chapbook of poetry.friday night alone in the library reading nietzsche / i'm going to touch you very hard / i'm tired / i have high self-esteem and it's making me stare / i'll write another poem instead of looking for a job / terrible asshole / i am fucked if i really think all human beings are terrible assholes / a young hamster / a poem written by a bear

    After leaving her high-profile fianc

    Resonant in its social insights and beautifully written, The Sweet and Simple Kind offers a richly imagined world of love, political chicanery and family turmoil in the newly independent Sri Lanka of the 1950s and 60s. As an intensely political family attempts to balance language with religion, and privilege with equity, two smart, westernised young women — cousins Tsunami and Latha — pursue their own personal freedoms. The Sweet and Simple Kind enchants us with its combination of authenticity, humour and passion.

    But as the years flit by Usman feels a growing distance between them. He realises that he hasn't noticed the buds of the gulmohar tree unfurl, and that he has lost sight of his love for his wife.A beautiful account of a marriage that is in turns wry and unashamedly romantic.Another Gulmohar Tree was shortlisted for the Commonwealth Writers' Prize Europe and South Asia in 2010.Aamer Hussein was born in Karachi in 1955 and moved to London in the early 1970s. He is a fellow of the Royal Society of Literature and reviews regularly for The Independent and the TLS. He is the author of Turquoise, This Other Salt, and the editor of Kahani: Short Stories by Pakistani Women. He has held visiting posts at the University of Southampton and the University of London, and is a Fellow of the Royal Society of Literature.

    Mystery is not often discussed―apart from the genre―because, as Maud Casey says, “It’s not easy to talk about something that is a whispered invitation, a siren song, a flickering light in the distance.” Casey, the author of several critically acclaimed novels, reaches beyond the usual tool kit of fictional elements to ask the question: Where does mystery reside in a work of fiction? She takes us into the Land of Un―a space of uncertainty and unknowing―to find out and looks at the variety of ways mystery is created through character, image, structure, and haunted texts, including the novels of Shirley Jackson, Paul Yoon, J. M. Coetzee, and more. Casey’s wide-ranging discussion encompasses spirit photography, the radical nature of empathy, and contradictory characters, as she searches for questions rather than answers. The Art of Mystery is a striking and vibrant addition to the much-loved Art of series.

    Fly is a reader, too, and when he’s not in his taxi he is at home in the equally dizzying labyrinth of books that fills his tiny apartment. His best friend is Otto, a political activist who’s in and out of jails and asylums, mourning his dead wife and lost foster son. On one otherwise tawdry night Fly meets Mary, a book-loving passenger with a domineering husband. So begins a romance that is, for Fly, a brief glimmer of light amid the shadows and grit of the Carnival city.Along with Otto and Mary, Fly introduces us to madmen and revolutionaries, magicians and prostitutes as he picks them up and drops them off, traveling through a nightmarish town that is—we can’t help but notice—a parable for our own debauched, unjust world.Wildly imaginative and darkly ironic, Carnival is a magnificent achievement.

    'The Complete Symphonies Of Adolf Hitler' 'Lapland Nights' 'The Garden Of Strangers' 'Among The Tombs' 'The Skins' 'The Sermons Of Dr Hodnet' 'Magus Zoroaster' 'The Time Of Blood' 'Parma Violets' 'Difficult People' 'The Constant Rake' 'The Blue Room' 'A Nightmare Sang' 'The Babe Of The Abyss' 'Bloody Bill' 'A Christmas Card'