Her previous volumes--Cascadia, Pieces of Air in the Epic, Practical Water--have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. This is major work by one of our most important writers. Check for the online reader's companion at brendahillman.site.wesleyan.edu.

    Thirteen-year-old award-winning slam poet Solli Raphael is taking on the world … one word at a time. The future needs you and me to create equality across all levels of humanity ~ SolliLimelight is a unique collection of slam poetry paired with inspirational writing techniques. With over 30 original poems in different forms, the book features the viral video sensation ‘Australian Air’, which has been viewed 3.5 million times via Facebook. Solli’s work tackles current social concerns for his generation, such as sustainability and social equality, all the while amplifying his uplifting message of hope.The book includes several introductory chapters looking at traditional poetry forms and slam poetry, as well as tips on developing writing ideas and performing. Filled with his own experiences of creating poetry and speaking in public, such as Solli’s top 10 ways to manage writer’s block, this book engages kids on their level and encourages them to speak up for a better future of their own.As a voice of his generation, and at a time when youth movements worldwide hold much importance, this extraordinary book showcases creativity and the power of social consciousness.

    Inspiration has been drawn from the original publishers' connections with The Glasgow School of Art to produce an exquisite new cover. With fresh new title pages and endpapers, reset text and printed on a fine quality paper, these new editions make a charming gift for all Flower Fairy enthusiasts. In a format that has enchanted readers for 90 years, each of Cicely Mary Barker's beautiful illustrations of the fairies of wild and familiar flowers is accompanied by a delightful poem. Flower Fairies of the Trees celebrates and introduces children to the flowers and fruits that grow on trees by making them magical. Favourites to be found in Flower Fairies of the Trees include: The Cherry Tree Fairy, The Almond Blossom Fairy and The Mulberry Tree Fairy. The seven other titles in the Flower Fairies series, Flower Fairies of the Spring, Flower Fairies of the Summer, Flower Fairies of the Autumn, Flower Fairies of the Winter, Flower Fairies of the Wayside, Flower Fairies of the Garden and A Flower Fairy Alphabet, are available as single editions or as part of The Complete Book of the Flower Fairies. Also available from Penguin is The Everyday Handbook for Magical Mothers as presented by the Flower Fairies - a handy, pocket-sized book of craft ideas and recipes for mothers who need a touch of magic in their lives.

    “Lichtenberg figures” are fern-like electrical patterns that can appear on (and quickly fade from) the bodies of people struck by lightning. Throughout this playful and elegiac debut—with its flashes of autobiography, intellection, comedy, and critique—the vocabulary of academic theory collides with American slang and the idiom of the Old Testament meets the jargon of the Internet to display an eclectic sensibility. Ben Lerner, the youngest poet ever published by Copper Canyon Press, is co-founder of No: a journal of the arts. He earned an MFA from Brown University and is currently a Fulbright scholar in Spain.

    40 Haiku in English inspired by the practice of Zen Buddhism and Zazen (seated meditation) in particular.I hope you enjoy!

    It is a tale of survival depicting how one young woman found love in herself, rather than searching for it in the arms of another. This autobiographical collection of poetry and prose takes the reader on a journey of love and loss, depicting how she overcame heartbreak to ultimately, save herself.

    In 1918, she won the Columbia University Poetry Society Prize (which became the Pulitzer Prize for Poetry) and the Poetry Society of America Prize for Love Songs. She later committed suicide. In addition to new poems, this book contains lyrics taken from Rivers to the Sea, Helen of Troy and Other Poems, and one or two from an earlier volume.

    For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.

    The haunting memories and shared histories of these people—their rituals and traditions—animate this land, and are celebrated in Rash’s crystalline, intensely imagined verse.With an eye for the surprising and vivid detail, Ron Rash powerfully captures the sorrows and exaltations of this wondrous world he knows intimately. Illuminating and indelible, Poems demonstrates his rich talents and confirms his legacy as a standard-bearer for the literature of the American South.

    Entitled Songs in Time of War, Shared Ground, The Traveller and Seven Elements, the libretti take us all over the world - from Chinese and Indian poetry, to the beauty and quietness of the Wiltshire rectory where English poet George Herbert lived and died.Spanning centuries of creativity and humanity, the poems that form these libretti pulse with life, energy and inspired brilliance.They are accompanied by four pieces of calligraphy by the author.

    The excitement, compassion, lyricism, and humor that epitomize his writing for the theater are all present in his poetry. It was as a young poet that Williams first came to the attention of New Directions' founder James Laughlin who initially presented some of Williams' verse in the New Directions anthology Five Young American Poets 1944 (before he had any reputation as a playwright), and later published the individual volumes of Williams's poetry, In the Winter of Cities (1956, revised in 1964) and Androgyne, Mon Amour (1977). In this definitive edition, all of the playwright's collected and uncollected published poems (along with substantial variants), including poems from the plays, have been assembled, accompanied by explanatory notes and an Introduction by Tennessee Williams scholars David Roessel and Nicholas Moschovakis.The CD included with this edition features Tennessee Williams reading, in his delightful and mesmerizing Mississippi voice, several of the whimsical folk poems he called his "Blue Mountain Ballads,"poems dedicated to Carson McCullers and to his longtime companion Frank Merlo, as well as his long early poem, "The Summer Belvedere."

    Through his writings, Emerson ardently professed the importance of being an individual, resisting the comfort of conformity, and creating an art of living in harmony with nature. This soul-satisfying anthology of twelve favorite essays is a treasure.In the title essay, Emerson writes about the extraordinary power of nature as a way of bringing the divine into our lives. In "Gifts," he reminds us that flowers and gold may be acceptable to those we love, but "the only gift is a portion of thyself."  "Spiritual Laws" points out that because a higher law than our own rules the world, there is no need for struggle. Other essays include "Character," "Prudence," "Intellect," "Love," "Beauty," "The American Scholar" address and others. Readers of all ages will want to keep this volume on hand to inspire and refresh the spirit

    H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden.As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.

    Here she turns them to opportunities: in a voice that is fierce, direct, and true, she explores and transcends the multiple boundaries imposed by society on the self. She mocks, with exasperation and sly humour, the banal exploitation of Indianness, more-Indian-than-thou oneupmanship, and white condescension and ignorance. She celebrates the person, clearly observing, who defines her own life. These are Indian poems; Canadian poems: human poems.

    Over the course of almost 50 years, he created 150 poems, including nonsense verse, parodies, burlesques, acrostics, inscriptions, and more, many of them hilarious lampoons of some of the more sentimental and moralistic poems of the Victorian era. This carefully chosen collection contains 38 of Carroll's most appealing verses, including such classics as "The Walrus and the Carpenter," "The Mock Turtle's Song," and "Father William," plus such lesser-known gems as "My Fancy," "A Sea Dirge," "Brother and Sister," "Hiawatha's Photographing," "The Mad Gardener's Song," "What Tottles Meant," "Poeta Fit, non Nascitur," "The Little Man That Had a Little Gun," and many others. Filled with Carroll's special brand of imaginative whimsy and clever wordplay, this original anthology will delight fans of the author as well as other readers who relish a little laughter with their lyrics.