She decided to pack up her life and head for the Yukon.Driving alone across the country from her home just north of Toronto, describing the land as it changes from Precambrian Shield to open prairie, Jill finds that solitude in the wilds is not what she expected. She is actively engaged by nature, her moods reflected in the changing landscape and weather. Camping in her tent as she travels, she begins to let go of the world she’s leaving and to enter the realm of the solitary traveller. There are many challenges in store. She has booked a place on a two-week sea-kayaking trip in the Queen Charlotte Islands of British Columbia; though she owns a canoe, she has never been in a kayak. As the departure nears, she dreads it. Nor does it work any miracle charm on her, as she is isolated from her fellow travellers; yet the landscape and wild beauty of the old hunt camps gradually affects her. Halfway, as she begins to have energy left at the end of the day’s exertions, she notes: “This is as relaxed as I have ever been, as free from anxious future-thinking as I have ever managed.”From there she heads north, taking ferries up the Inside Passage and using her bicycle and tent to explore the wet, mountainous places along the way. Again, she feels self-conscious when alone in public, but once she strikes out into nature, the wilderness begins to work its magic on her, and she begins to feel a bond with the land and a kind of serenity. Moreover, she comes to realize that this self-reliance is an important step. Many travel narratives involve some kind of inner journey, a seeking of knowledge and of self. Set in the same part of the world, Jonathan Raban’s A Passage to Juneau ended up being “an exploration into the wilderness of the human heart.” Kevin Patterson used his months sailing from Vancouver to Tahiti to consider his life in The Water in Between, while the Bhutanese landscape worked a profound transformation on Jamie Zeppa in Beyond the Sky and the Earth. In This Cold Heaven, Gretel Ehrlich chose not to put herself into the story, but described the landscape with a similar hunger and intensity, while Sharon Butala has written deeply and personally about her physical and spiritual connection with the prairies in The Perfection of the Morning and other work.In Starting Out in the Afternoon, Frayne struggles to come to terms with her vulnerabilities and begins to find peace. In beautifully spare but potent language, she delivers an inspiring, contemplative memoir of the middle passage of a woman’s life and an eloquent meditation on the solace of living close to the wild land. Eventually what has begun as a three-month trip becomes a personal journey of several years, during which she is on the move and testing herself in the wilderness. She conquers her fears and begins a new relationship with nature, exuberant at becoming a competent outdoorswoman. “Despite a late start I expect to spend the rest of my life dashing off the highway, pursuing this know-how, plumbing the outdoors side of life.”

    The X-rated intellectual and author of Susie Bright's Sexual Reality takes on Dan Quayle, Madonna, and the GOP in a collection of previously published essays, interviews, and reviews that also includes new writing by the sexpert.

    In these memoirs, coming out is less important than coming of age and coming to the realization that young gay people experience the world in ways quite unlike straight boys. Whether it is a fascination with soap opera, an intense sensitivity to their own difference, or an obsession with a certain part of the male anatomy, gay kids — or kids who would eventually identify as gay — have an indefinable but unmistakable gay sensibility. Sometimes the result is funny, sometimes it is harrowing, and often it is deeply moving. Essays by lauded young writers like Alex Chee (Edinburgh), Aaron Hamburger (Faith for Beginners), Karl Soehnlein (The World of Normal Boys), Trebor Healy (Through It Came Bright Colors), Tom Dolby (The Trouble Boy), David Bahr, and Austin Bunn, are collected along with those by brilliant, newcomers such as Michael McAllister, Jason Tougaw, Viet Dinh, and the wildly popular blogger, Joe.My.God.

    He’s won the respect of his opponents for his political skill, and the trust and admiration of observers for his unwavering conviction and proven integrity. His personal story, how he rose from modest beginnings in a hard-working family to the threshold of forming government, is less well known.Now, in this fascinating autobiography, we discover the man behind the headlines, who he is, how he thinks, and how he comes by the values that shaped his character. Learn about his vision to empower Canadians to build a more prosperous, hopeful country, to reduce disparities, to protect our rights and freedoms, and to preserve our land and waters for future generations.

    '"Beauty before comfort," she would say as she trimmed her brows and cinched her belts corset-tight. My grandmother is so beautiful she has never once been comfortable, a cross she bears with the subtlety of Liberace.'So writes Allison Glock at the start of her remarkable memoir, the story of her maternal grandmother, Aneita Jean Blair, and the extraordinary life she led growing up in Chester, West Virginia, a sooty factory town wedged between the unforgiving Appalachians and the Ohio River. As a girl, a young woman, and even late in life as a grandmother, Aneita Jean had a magnetism that attracted and enchanted all she came into contact with. Allison Glock takes us through the stages of her life, capturing not only the irrepressible vitality of a woman born ahead of her time, but also the eccentricities of a small-town, working-class West Virginia family, trying to survive the Great Depression and the Second World War.Aneita, blessed with 'the body of Miss America' was determined that she would escape the town that was holding her back. That she never made it, and the pattern that her life ended up taking, is just another small-town tragedy of the vanished dreams of one extraordinary person. Allison Glock writes with humour, lyricism and beauty to create a truly unforgettable portrait of a remarkable person.

    This passionate and riveting memoir is a mixtape of dreams and nightmares, of immigration court lineups and queer South Asian dance nights; it reveals how a disabled queer woman of color and abuse survivor navigates the dirty river of the past and, as the subtitle suggests, "dreams her way home."Leah Lakshmi Piepzna-Samarasinha's poetry book Love Cake won a Lambda Literary Award.

    Part coming-of-age story, part mind-altering manifesto on gender and sexuality, coming directly to you from the life experiences of a transgender woman, Gender Outlaw breaks all the rules and leaves the reader forever changed.26 black-and-white illustrations.

    It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

    So it was for Dave Bidini in 1974, the last year Dave Keon played in Toronto. In a new grade in a new school, Bidini found himself the victim of a bully—a depredation he could understand only by thinking about what the Leafs dauntless captain went through game after game.Throughout his twenty-two-year career, Keon was only in one hockey fight, in his last game as a Leaf on April 22, 1974. It was on this day that the eleven-year-old Bidini decided to fight back, an occasion that the writer looks back on with breathtaking courage and honesty. But while Bidini would remain a blue-blooded Leafs fan into adulthood, Keon became estranged from the franchise with which he’d won four Stanley Cups, two Lady Byngs, and the first ever Conn Smythe Trophy in 1967.Told in two narratives—one from the point of view of the young Bidini growing up in Toronto in the early 70s and one from the perspective of the man looking for his absent hero—Keon and Me tells not only the story of a hockey icon who has haunted Toronto for decades, but of a life lived in parallel to Keon’s. It’s the story of cultural change, an account of the tribulations of the NHL’s most beloved (and most despised) franchise in the decades since Keon left under a cloud, and most of all, it is a story of growing up, with all the wisdom and sadness that imparts.Part ode to a legendary hockey player, part memoir, Keon and Me captures what we all cherish in the game we love and the importance of the innocence we cling to long after the cheers have faded.

    The book gives readers a whole new set of subjects to see through her sophisticated, sardonic eyes. Sandra Bernhard is the author of Confessions of a Pretty Lady.

    In this volume, he is an observant guide to a world that he was once master of.

    The Hockey Hall of Famer from Kingston, Ontario, played for seven teams over his twenty-year career, netting 450 goals and 964 assists during the regular season and another 188 points in the playoffs, making him one of the highest-scoring centres of all time. Gilmour played a big role in the 1989 Stanley Cup victory, scoring the winning goal for the Calgary Flames. Perhaps most famously, he led the Toronto Maple Leafs to multiple winning seasons and in 1993, took them to the brink of their first Stanley Cup final in decades, only to lose out on one of the most controversial calls in hockey history.In Killer, Doug Gilmour bares all about his on- and off-the-ice exploits and escapades. Gilmour has always been frank with the media, and his memoir is as revealing as it is hilarious. He played with the greatest players of his generation, and his love for the game and for life are legendary.

    Joel Struthers recounts the dangers and demands of military life, from the rigours of recruitment and operational training in the rugged mountains of France, to face-to-face combat in the grasslands of some of Africa’s most troubled nations.Told through the eyes of a soldier, and interspersed with humorous anecdotes, Appel is a fascinating story that debunks myths about the French Foreign Legion and shows it more accurately as a professional arm of the French military. Struthers provides insight into the rigorous discipline that the Legion instills in its young recruits, – who trade their identities as individuals for a life of adventure and a role in a unified fighting force whose motto is “Honour and Loyalty. ”Foreword by Col. Benoit Desmeulles, former commanding officer of the Legions 2e Régiment Étranger Parachutistes.

    Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.Me, Myself, They: Life Beyond the Binary chronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.

    This record of World Wrestling Entertainment explores the inner workings of the WWE and the day-to-day lives of its stars.