A new rendition of a beloved classic by award-winning author/illustrator team Jim Aylesworth and Barbara McClintock.Run! Run! Fast as you can! You can't catch me! I'm the Gingerbread Man! I've run from a husband! I've run from a wife! I've run from a butcher with a carving knife! I've run from a cow, and a muddy old sow, and I'll run from you, too! I can! I can!Jim Aylesworth's fresh, spirited tale --- to be read LOUD out loud --- and Barbara McClintock's expressive, exquisitely drawn characters combine to create a glorious new rendition of the favorite story about that sassy but delicious little cookie.

    An old favorite as you've never seen it before! Everyone knows the song about the old lady who swallowed a fly, a spider, a bird, and even worse, but who's ever seen what's going on inside the old lady's stomach? With this inventive die-cut artwork, Simms Tabak gives us a rollicking, eye-popping version of the well-loved poem.

    The world of Pooh is the Thousand Acre Wood of Winnie-the-Pooh and his friends Piglet, Eeyore, Tigger, Kanga, Christopher Robin, and more. He is a whimsical philosopher, staunch friend, plump, and fond of honey. He calls himself a Bear of Very Little Brain, but is wise and loving. Delicate paintings loved by centuries of children.

    Cursed by an evil fairy at her christening, Princess Melisande grows up bald but finds herself facing another set of problems when her wish for golden hair is fulfilled.

    "You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    Fairy tales have never been more revolting!

    It is a must for any children's book collection.

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    When the Czar proclaims that he will marry his daughter to the man who brings him a flying ship, the Fool of the World sets out to try his luck and meets some unusual companions on the way.

    In resourceful and humorous fashion, Elizabeth finds the dragon, outsmarts him, and rescues Ronald--who is less than pleased at her un-princess-like appearance. Full color.

    When he reached the other side he was very thirsty.” The jaunty red fox stole milk from an old farm woman, lost his tail under the annoyed woman’s knife, and spent the day bargaining to get it back. Awarded the Caldecott Medal for the most distinguished picture book of 1971.

    But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    Since Maha's father is away fishing most of the time, there is no one to help or comfort her. All that begins to change when Maha finds a magical red fish. In return for sparing his life, the fish promises to help Maha whenever she calls him. On the night Maha is forbidden to attend a grand henna to celebrate the coming wedding of a wealthy merchant's daughter, the fish is true to his word. His magic sets in motion a chain of events that reward Maha with great happiness, and a dainty golden sandal is the key to it all.Rebecca Hickox's eloquent retelling and Will Hillenbrand's lush pictures offer a beguiling version of a story well-loved by many cultures the world over.