Tibet in the last sixty years has been so much mystified and politicized that the world at large is confused about what really happened to the "Rooftop of the World" when Mao Tse-tung invaded its borders in 1950. There are dramatically conflicting accounts from Beijing and Dharamsala (home of the Dalai Lama's government-in-exile). Adding to the confusion is the romanticized spin that Western writers and filmmakers have adopted in an effort to appease the popular myth of Shangri-La.Buddha's Warriors is no fairy tale. Set in a narrative framework but relying heavily on the oral transcripts of the Tibetan men who actually fought the Chinese, Buddha's Warriors tells, for the first time, the inside story of these historic developments, while drawing a vivid picture of Tibetan life before, during, and after Mao's takeover. The firsthand accounts, gathered by the author over a period of seven years, bring faces and deeply personal emotions to the forefront of this ongoing tragedy. It is a saga of brave soldiers and cowardly traitors. It's about hope against desolation, courage against repression, atheism against Buddhism. Above all, it's about what happens to an ancient civilization when it is thrust overnight into the modern horrors of twentieth-century warfare.

    It identifies its author by the names 'Kauṭilya' and 'Vishnugupta', both names that are traditionally identified with Chanakya (c. 350–283 BC), who was a scholar at Takshashila and the teacher and guardian of Emperor Chandragupta Maurya, founder of the Mauryan Empire. The text was influential until the 12th century, when it disappeared. It was rediscovered in 1904 by R. Shamasastry, who published it in 1909. The first English translation was published in 1915.Roger Boesche describes the Arthaśāstra as "a book of political realism, a book analysing how the political world does work and not very often stating how it ought to work, a book that frequently discloses to a king what calculating and sometimes brutal measures he must carry out to preserve the state and the common good."Centrally, Arthaśāstra argues how in an autocracy an efficient and solid economy can be managed. It discusses the ethics of economics and the duties and obligations of a king. The scope of Arthaśāstra is, however, far wider than statecraft, and it offers an outline of the entire legal and bureaucratic framework for administering a kingdom, with a wealth of descriptive cultural detail on topics such as mineralogy, mining and metals, agriculture, animal husbandry, medicine and the use of wildlife. The Arthaśāstra also focuses on issues of welfare (for instance, redistribution of wealth during a famine) and the collective ethics that hold a society together.

    In Becoming Evil, social psychologist James Waller uncovers the internal and external factors that can lead ordinary people to commit extraordinary acts of evil. Waller debunks the common explanations for genocide- group think, psychopathology, unique cultures- and offers a more sophisticated and comprehensive psychological view of how anyone can potentially participate in heinous crimes against humanity. He outlines the evolutionary forces that shape human nature, the individual dispositions that are more likely to engage in acts of evil, and the context of cruelty in which these extraordinary acts can emerge. Illustrative eyewitness accounts are presented at the end of each chapter. An important new look at how evil develops, Becoming Evil will help us understand such tragedies as the Holocaust and recent terrorist events. Waller argues that by becoming more aware of the things that lead to extraordinary evil, we will be less likely to be surprised by it and less likely to be unwitting accomplices through our passivity.

    Sayed Ammar Nashawani's lectures on the biographies of the fourteen infallible figures in Shi'a Islam.An invaluable resource that represents a Shi'a view of the history of Islam, the Prophet and Imams for the present day audience. This excellent book will be of benefit to many in understanding the true nature of Islam and also illustrate how the illustrious figures as representing and manifesting universal human values that can serve humanity at large

    Her crime, she asserts, was in wanting to slide back her headscarf to feel the sun on a few inches of her hair. That modest desire led her to a political activism fueled by the fearless idealism of the young. Her parents begged her to be prudent, but even they could not have imagined the horrors she faced in prison. She underwent psychological and physical torture, hanging on to sanity by scratching messages to fellow prisoners on the latrine door. She fought despair by recalling her idyllic childhood in a sprawling and affectionate family that prized tolerance and freedom of thought. After a show trial, Ghahramani was driven deep into the desert outside Tehran, uncertain if she was to be executed or freed. There she was abandoned to begin the long walk back to reclaim herself. In prose of astonishing dignity and force, Ghahramani recounts the ways in which power seduces and deforms. A richly textured memoir that celebrates a triumph of the individual over the state, "My Life as a Traitor "is an affecting addition to the literature of struggle and dissent. Zarah Ghahramani was born in Tehran in 1981. After her release from prison, she moved to Australia. "My Life as a Traitor "is her first book. Robert Hillman is a journalist and novelist who has traveled widely in the Middle East. A "San Francisco Chronicle" Best Book of the YearAt the age of twenty, an Iranian student named Zarah Ghahramani was taken from the streets of Tehran to the notoriously brutal Evin Prison, where criminals and political dissidents were held side by side. A desire for freedom as modest as sliding back her headscarf to feel the sun on her hair had compelled her to join a group of university students covertly organizing peaceful campus protests. Ghahramani was fueled by youthful idealism, and though her parents encouraged her to be prudent, she underestimated the severity of the penalties imposed by the fundamentalist regime running her country. She underwent psychological and physical torture, hanging on to sanity by scratching messages to fellow prisoners on the latrine door. She fought despair by recalling her idyllic childhood in a sprawling and affectionate family that prized tolerance and freedom of thought. After a show trial, Ghahramani was driven deep into the desert outside Tehran, uncertain if she was to be executed or freed. There she was abandoned to begin the long walk back to rebuild herself in a world in which she had no trust in her country's goverment and where she would continue to challenge fundamentalist injustice as she sought to reclaim her own liberty. "A testimony of surviving senseless persecution, imprisonment, torture, and the loss of years of one's youth with one's spirits intact. With deep insights into the meaning of suffering and the futility of hate and thoughts of revenge, the young author, just out of her teens, withstands all psychological and physical abuse and comes out, despite the loss of her faith in authority figures and her country, wise and mature. Her defiance served her well. Read with this in mind, the book is truly an inspiration."--Erika Loeffler Friedl, author of "Women of Deh Koh: Lives in an Iranian Village ""A celebration of human courage under duress and a savage indictment of the oppressive regime of Iran. It shocks, angers, saddens, and inspires."--Khaled Hosseini, author of "The" "Kite Runner" and "A Thousand Splendid Suns """My Life as a Traitor" is an important and revealing book about a culture and a country that figures hugely in modern geopolitics. It is the inner journey of one young woman, of her fear, pride, courage, and ultimate survival in Tehran's brutal Evin Prison. But it is also a coming-of-age story that haunts and provokes; beautifully written and disturbingly unforgettable. It will stand beside Solzhenitysn and Primo Levi as a book that shows exactly how human beings survive in the face of true evil."--Janine di Giovanni, author of "Madness Visible: A Memoir of War ""A must read for anyone interested in understanding the complex nation that is Iran."--Firoozeh Dumas, author of "Funny in Farsi: A Memoir of Growing up Iranian in America """My Life as a Traitor" is both shocking and inspiring: a graphic portrayal of the horrors that are unleashed when the idealism of youth challenges the dogmatism of zealots. Zarah Ghahramani has written a very human story of bravery and fear in the face of violence; her story is one of longing for beauty and freedom. Zarah's memoir of her time in Iran's infamous Evin prison is unforgettable in its portrayal of brutality, but it sings with a young woman's love of life and liberty."--Louise Brown, author of "The Dancing Girls of Lahore: Selling Love and Saving Dreams in Pakistan's Ancient Pleasure District""The second-year Iranian college student in 2001 knew that making that speech meant trouble, but she had no real expectation of being kidnapped in the heart of Tehran and hustled off to the notorious Evin Prison. Eventually, the 20-year-old Ghahramani is sentenced to 30 days and a few days--and several beatings--later is dumped in a vacant countryside to make her way home. Scenes from a happy family life (crippled by the Iran-Iraq war) and a spirited adolescence (cut short by a repressive regime) alternate with the prison experiences in this multilayered account. Ghahramani, daughter of a Muslim father and Zoroastrian mother, both Kurdish, dips with brevity and grace into personal family history and public political history. Graphic and powerful as her treatment of torturous imprisonment is, Ghahramani retains an irrepressible lightness, perhaps born of knowing that [a] sense of justice can always benefit from a complementary sense of the ridiculous. Her painfully acquired knowledge of how easy it is to reduce a human being to the level of animal does not keep her from wondering if I'll ever be pretty again. Nothing, however, dilutes the bare bones prison experience. Her straightforward style, elegant in its simplicity, has resonance and appeal beyond a mere record."--"Publishers Weekly"

    But "the West" is the more dangerous mirage of our own time, Ian Buruma and Avishai Margalit argue, and the idea of "the West" in the minds of its self-proclaimed enemies remains largely unexamined and woefully misunderstood. Occidentalism is their groundbreaking investigation of the demonizing fantasies and stereotypes about the Western world that fuel such hatred in the hearts of others.We generally understand "radical Islam" as a purely Islamic phenomenon, but Buruma and Margalit show that while the Islamic part of radical Islam certainly is, the radical part owes a primary debt of inheritance to the West. Whatever else they are, al Qaeda and its ilk are revolutionary anti-Western political movements, and Buruma and Margalit show us that the bogeyman of the West who stalks their thinking is the same one who has haunted the thoughts of many other revolutionary groups, going back to the early nineteenth century. In this genealogy of the components of the anti-Western worldview, the same oppositions appear again and again: the heroic revolutionary versus the timid, soft bourgeois; the rootless, deracinated cosmopolitan living in the Western city, cut off from the roots of a spiritually healthy society; the sterile Western mind, all reason and no soul; the machine society, controlled from the center by a cabal of insiders—often Jews—pulling the hidden levers of power versus an organically knit-together one, a society of "blood and soil." The anti-Western virus has found a ready host in the Islamic world for a number of legitimate reasons, they argue, but in no way does that make it an exclusively Islamic matter.A work of extraordinary range and erudition, Occidentalism will permanently enlarge our collective frame of vision

    This autobiographical history of Scientology is told by one of L. Ron Hubbard’s staunchest defenders.

    In its scope and itnerest it can be compared with Freud's Totem and Taboo, the subtext Girard refutes with polemic daring, vast erudition, and a persuasiveness that leaves the reader compelled to respond, one way or another.This is the single fullest summation of Girard's ideas to date, the book by which they will stand or fall. In a dialogue with two psychiatrists (Jean-Michel Oughourlian and Guy Lefort), Girard probes an encyclopedic array of topics, ranging across the entire spectrum of anthropology, psychoanalysis, and cultural production.Girard's point of departure is what he calles "mimesis," the conflict that arises when human rivals compete to differentiate themselves from each other, yet succeed only in becoming more and more alike. At certain points in the life of a society, according to Girard, this mimetic conflict erupts into a crisis in which all difference dissolves in indiscriminate violence. In primitive societies, such crises were resolved by the "scapegoating mechanism," in which the community, en masse, turned on an unpremeditated victim. The repression of this collective murder and its repetition in ritual sacrifice then formed the foundations of both religion and the restored social order.How does Christianity, at once the most "sacrificial" of religions and a faith with a non-violent ideology, fit into this scheme? Girard grants Freud's point, in Totem and Taboo, that Christianity is similar to primitive religion, but only to refute Freud—if Christ is sacrificed, Girard argues, it is not becuase God willed it, but because human beings wanted it.The book is not merely, or perhaps not mainly, biblical exegesis, for within its scope fall some of the most vexing problems of social history—the paradox that violence has social efficacy, the function of the scapegoat, the mechanism of anti-semitism.

    North America was settled by people with distinct religious, political, and ethnographic characteristics, creating regional cultures that have been at odds with one another ever since. Subsequent immigrants didn't confront or assimilate into an "American" or "Canadian" culture, but rather into one of the eleven distinct regional ones that spread over the continent each staking out mutually exclusive territory.In American Nations, Colin Woodard leads us on a journey through the history of our fractured continent, and the rivalries and alliances between its component nations, which conform to neither state nor international boundaries. He illustrates and explains why "American" values vary sharply from one region to another. Woodard reveals how intranational differences have played a pivotal role at every point in the continent's history, from the American Revolution and the Civil War to the tumultuous sixties and the "blue county/red county" maps of recent presidential elections. American Nations is a revolutionary and revelatory take on America's myriad identities and how the conflicts between them have shaped our past and are molding our future.

    What drives the drug trade, and how has it come to be what it is today? A global history of the acquisition of progressively more potent means of altering ordinary waking consciousness, this book is the first to provide the big picture of the discovery, interchange, and exploitation of the planet's psychoactive resources, from tea and kola to opiates and amphetamines.

    The history of the Camino is recounted, as well as several of the myths, legends, and miracle stories that have become attached--and given special meaning--to this itinerary. Emphasizing that personal myths are an essential part of this lore, this chronicle also includes stories from the confraternity of the pilgrims, people from all corners of the world who visit this walk for a great diversity of reasons, but all of whom leave having experienced the same miracle--that this pilgrimage will play a defining role in their lives.

    Speaking to investigative journalist and conflict specialist Kishalay Bhattacharjee, the confessor tells of the toll this brutality has taken on him. An essay by Bhattacharjee and a postscript that analyses the hidden policy of extra-judicial killings and how it threatens India's democracy contextualize this searing confession. An explosive document on institutionalized human rights abuse.

    In his gripping and controversial new work, New York Times bestselling author Steven Pinker shows that despite the ceaseless news about war, crime, and terrorism, violence has actually been in decline over long stretches of history. Exploding myths about humankind's inherent violence and the curse of modernity, this ambitious book continues Pinker's exploration of the essence of human nature, mixing psychology and history to provide a remarkable picture of an increasingly enlightened world.

    For millennia it has been worshipped as a god; for centuries used as a tool of imperial expansion; today it is the cement of Pakistans fractious union. Five thousand years ago, a string of sophisticated cities grew and traded on its banks. In the ruins of these elaborate metropolises, Sanskrit-speaking nomads explored the river, extolling its virtues in Indias most ancient text, the Rig-Veda. During the past two thousand years a series of invaders Alexander the Great, Afghan Sultans, the British Raj made conquering the Indus valley their quixotic mission. For the people of the river, meanwhile, the Indus valley became a nodal point on the Silk Road, a centre of Sufi pilgrimage and the birthplace of Sikhism. Empires of the Indus follows the river upstream and back in time, taking the reader on a voyage through two thousand miles of geography and more than five millennia of history redolent with contemporary importance.

    By asking challenging questions with respect and empathy, Liao Yiwu managed to get his subjects to talk openly and sometimes hilariously about their lives, desires, and vulnerabilities, creating a book that is an instance par excellence of what was once upon a time called “The New Journalism.” The Corpse Walker reveals a fascinating aspect of modern China, describing the lives of normal Chinese citizens in ways that constantly provoke and surprise.From the Trade Paperback edition.