He trekked 500 miles through Yellowstone to write Walking Down the Wild and spent a season in the field at a wilderness therapy program for Shouting at the Sky. He journeyed 250 miles on foot for Hawks Rest and followed through the seasons the first fourteen wolves released into Yellowstone National Park for The Yellowstone Wolves. But nothing could prepare him for the experience he details in his new book.The Carry Home is both a moving celebration of the outdoor life shared between Ferguson and his wife Jane, who died tragically in a canoeing accident in northern Ontario in 2005, and a chronicle of the mending, uplifting power of nature. Confronting his unthinkable loss, Ferguson set out to fulfill Jane’s final wish: the scattering of her ashes in five remote, wild locations they loved and shared. The act of the carry home allows Ferguson the opportunity to ruminate on their life together as well as explore deeply the impactful presence of nature in all of our lives.Theirs was a love borne of wild places, and The Carry Home offers a powerful glimpse into how the natural world can be a critical prompt for moving through cycles of immeasurable grief, how bereavement can turn to wonder, and how one man rediscovered himself in the process of saying goodbye.

    Water Protectors knew this battle for native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anticolonial struggle would continue. In Our History Is the Future, Nick Estes traces traditions of Indigenous resistance that led to the #NoDAPL movement. Our History Is the Future is at once a work of history, a manifesto, and an intergenerational story of resistance.

    The Aggadeh Empire was seeking dragons. Little did Nem expect that he would come face-to-face with both in the far north city of Balon. Is he destined to become an ally of the Empire? Or its prisoner? And what is he going to do with a dragon who might turn the city into a bloodbath?

     After the Civil War, Will Garrison takes his family west. Together they build a ranch and battle powerful Indian tribes who have hunted the lands for centuries. A peace feather is offered after a climactic battle. With the Indian tribes and the Garrisons now walking a path of peace, a new threat has emerged… the railroad. Greedy government-backed killers plan to annihilate everyone and claim the land they need to expand their rail lines north across Colorado and into Utah. Their vile, sinister plan is revealed after many fights. Will Garrison’s son, Gabe, fights back and unleashes his pent-up vengeance against the railroad and kills one of their hired mercenaries. A destined meeting of chance leaves him rescuing a bloodied woman and falling hopelessly in love with the dark beauty. May is a brave woman who fights to guard a secret of her own. Together they flee to ancient trails, and as paid assassins track them, it becomes a long vengeance trail of dead men. When May reveals her deadly secret, Gabe finds himself at war with the railroad, an evil killer, and with everything he ever knew. He knows it’s time for GUNSIGHT JUSTICE! This is the action-packed Western that will remind you that freedom is something you must always fight for. Good battles evil as epic conflicts become climatic love scenes, and you find yourself breathlessly riding a trail of danger, deceit and passion with Mike Hundley in this Western that leaves no bullet unfired, no emotion untouched, and no reader left behind. This book was previously published as "The Silver Saddle."

    In Elsie’s Business, Elsie’s search through her own memories ultimately intersects with the search of a stranger who is seeking Elsie’s story. A picture emerges of a poor child, half black and half Native, whose mother has barely eked out a living for the two of them by tanning deerskins and cleaning houses. Rebuilding her life in a different town as a housekeeper, tanner, and beader of moccasins and bags, much like her mother, the taciturn Elsie finds modest comfort and connections among the white people who employ and befriend her. But her peace is fleeting, for someone from her past, or possibly her present, would like to see her silenced completely. A mystery of mesmerizing suspense and sadness, Elsie’s Business weaves the story of a ravaged woman into the traditional tales of her people to create a vivid sense of communities bound by storytelling and understanding and sundered by ignorance and silence.

    Stallings, recipient of the 1999 Richard Wilbur Award, uniquely juxtaposes poetic meditations on mythological themes with poems about the everyday occurances of contemporary life -- such as losing an umbrella or fishing with one's father. In doing so, Archaic Smile continually bridges the gap between these two distant but interrelated worlds with striking insights. James Dickey, having praised the author's accomplished critical skills, also points out that she has "the most indispensable quality that a poet must have: an original way of looking at things." A.R. Ammons aptly characterizes the power of her mythological poems in his comments on "Apollo Takes Charge of His Muses" which he chose for The Best American Poetry: "It delivers the ancient past into our present with such astonishing justness that I'm silenced with appreciation." Archaic Smile is a powerful debut collection by a provacative poet who has found strikingly original ways to personalize our myths and conjure the deep significances of our everyday life.

    Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu.

    here’s a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.”—Publishers Weekly“One is simply content to be in the presence of a writer this vital, this large-spirited.”—The New York Times Book ReviewAlthough best known for his acclaimed fiction, Jim Harrison’s poetry has earned him recognition as an “untrammeled renegade genius.” Saving Daylight, his tenth collection of poetry–and first in a decade–is grounded in thickets and rivers, birds and bears, and the solace of dogs in a crazed political world. Whether contemplating the ephemerality of 90,000,000,000 galaxies or the immediate grace of a waitress, Harrison relishes the art and mysteries of being alive. “I’m enrolled in a school without visible teachers,” he writes in the title poem, “the divine mumbling just out of ear shot.”From “The Little Appearances of God”When god visits us he sleeps without a clock in empty bird nests. He likes the view. Not too high. Not too low. He winks a friendly wink at a nearby possum who sniffs the air unable to detect the scent of this not quite visible stranger...Jim Harrison is the author of two dozen books, including Legends of the Fall and Dalva. His work has been translated into 20 languages and produced as four feature-length films. Mr. Harrison divides his time between Montana and southern Arizona.

    16 line drawings.

    Distinctive stone tools belonging to the Clovis culture established the presence of these early New World people. But are the Clovis tools Asian in origin? Drawing from original archaeological analysis, paleoclimatic research, and genetic studies, noted archaeologists Dennis J. Stanford and Bruce A. Bradley challenge the old narrative and, in the process, counter traditional—and often subjective—approaches to archaeological testing for historical relatedness. The authors apply rigorous scholarship to a hypothesis that places the technological antecedents of Clovis in Europe and posits that the first Americans crossed the Atlantic by boat and arrived earlier than previously thought. Supplying archaeological and oceanographic evidence to support this assertion, the book dismantles the old paradigm while persuasively linking Clovis technology with the culture of the Solutrean people who occupied France and Spain more than 20,000 years ago.

    The Los Angeles Times has listed it among the one hundred most influential books published in the last quarter century, Outside Magazine has included it in a survey of books that changed our world, and it has been called the Book of Genesis for environmentalists. Now a fourth edition of this highly regarded work is available, with a new preface and epilogue in which Nash explores the future of wilderness and reflects on its ethical and biocentric relevance.

    Yet we take supplies of clean water and secure food for granted, rarely considering the free work nature does for Britain. In fact for years we have damaged the systems that sustain us under the illusion that we are keeping prices down, through intensive farming, drainage of bogs, clearing forests and turning rivers into canals. As Tony Juniper's new analysis shows, however, the ways in which we meet our needs often doesn't make economic sense. Through vivid first hand accounts and inspirational examples of how the damage is being repaired, Juniper takes readers on a journey to a different Britain from the one many assume we inhabit, not a country where nature is worthless or an impediment to progress, but the real Britain, the one where we are supported by nature, wildlife and natural systems at almost every turn.

    Studies the work and unique methods of three women scientists who contributed to understanding chimpanzees, mountain gorillas, and orangutans.

    Entertainment Weekly Magazine presents Outlander.

     Cheryl is excited her sister Julie has asked for her help in organising her wedding but things aren't turning out the way Cheryl had hoped. There's going to be no little village church and no bridesmaids dress; the wedding is taking place on the Greek island of Holkamos. Vangelis has the perfect beach location for a wedding but his little beach cafe has never catered for weddings before. Will he be able to cope with all of Julie's demands? Andréas has moved back to Holkamos to help run the family gift shop after the death of his father. The business has to move with the times but will his mum allow things to change? Johnny is Cheryl's best friend. He doesn't like the way Julie treats her and has a plan to put things right but is it the right thing for Cheryl and what happens when they both arrive on the Greek island. Could it become more than just a weekend wedding for Cheryl and Johnny?