"Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

    As with his music, Steve has written a highly detailed, entertaining and embracing tome that charts his life in full, but with a firm emphasis on his years with Genesis that saw the band’s meteoric rise to become one of the most successful British bands of all time.Steve talks candidly about his early life, his time with Genesis, and his personal relationships with the other four band members, with great insight into the daily goings on of this major rock band.Naturally A Genesis In My Bed also regales stories of Steve’s career since leaving Genesis and the many different journeys that it has taken him on. With his flair for the creative, and a great deal of levity, A Genesis In My Bed is a riveting read. Indispensable for Genesis fans but also essential for general music lovers and avid readers of autobiographies full of heartfelt and emotive tales.

    The location of Earth has been lost for nearly as long. Through a series of incidents a single man has stumbled upon clues to the location of this fabled world and begins a quest to find the lost Man Home. His actions trigger consequences beyond his understanding or control.

    Her brother has always been cruel but there is something even darker going on within his house. Terrified and yet determined not to sit idly by whilst her brother enacts his plan, Violet forces herself to intervene. The handsome gentleman is none other than the Duke of Abernyte and Violet finds herself beginning to lose her heart, even though she knows such a thing can never be.Matthew is quite certain that his time at war will help him with his responsibilities back in London. But when he finds himself dizzy and powerless, he can only rely on the aid of one mysterious young woman for help. Unable to recall her face, Matthew does all he can to discover her. When his interest in Lady Violet seems to drive her away from him even further, Matthew is certain she knows something important. Will his determination push her too far? And can he permit himself to open his heart to her, despite the danger?

    The individual books in this series have accumulated a total of over 1,800 5-star reviews. Heroic and not so heroic men and women plus their loyal Artificially Intelligent allies fight and die to prevent humanity's extermination at the hands of a shockingly xenophobic alien race. But is there something more going on here than just an irrational alien race lashing out without provocation? One man's uncontrollable, precognitive visions lead him to believe that humans and the xenophobic aliens are just pawns in a much larger conflict and the real stakes are nothing less than the future of all life in the galaxy. If he can use his visions to keep humanity alive long enough, he may be able to figure out the mystery before it's too late. This Omnibus edition also includes sample chapters of the Synchronicity War universe stand-alone novel The Retro War. You can read Part 1 of the Sync War series for free to try it out before buying this ebook. All 4 parts are also available as audiobooks from Audible.com. Genre categories: Space fleet, galactic empire, space opera, alien invasion, first contact,time travel

    A century later—with the average human living three times longer than before First Contact—the Earth became overcrowded, and mankind found itself completely dependent on the technologically advanced aliens known as the Proxy 

Now, three hundred years after First Contact, the Earth is so overpopulated that governments have taken control of everything. The wealthy have all they can dream of, but for most people, life has become a grueling marathon of constant work for lifetimes that stretch over two centuries in length. When Nick Nichols and his friends—fresh out of high school—strike out into the work force, they quickly find the twelve-hour shifts, six days per week of hard labor unbearable. When their first paychecks reveal a mere pittance for their toil, the friends know that something must change. 

The Proxy Military Corps (PMC) is the only way to escape the crowded conditions on Earth. Every Space Marine who agrees to fight for the Proxy and completes their five-year enlistment period is given free transport to Elysium, a Goldilocks planet perfect for human colonization. But all reports of Elysium come solely from the aliens, who alone hold the key to interstellar travel. The Proxy jealously guard their technology—so without the aliens’ help, mankind is trapped in the solar system. While the only hope for a better life is by joining the PMC, enlistment carries its own hazards and uncertainties; no one who joins the PMC ever returns to Earth. Most people believe the promises of the PMC are all lies used to lure the gullible to their deaths. Elysium, they say, is just a fantasy—and fighting for the Proxy is seen as a betrayal of the human race. But for those brave enough to face the perils of the galaxy beyond our solar system, the PMC might just be their best chance for having a life worth living. 

Dragon Team Seven is the first book in a new military space opera by prolific author Toby Neighbors. Join Nick and his friends as they experience the trials and rewards of military life in space. With realistic characters navigating their way through a vast galaxy that you’re sure to find exciting, this action-packed novel promises to be a new favorite. It’s richly imaginative, fast-paced, and surprising. If you’re ready to be swept away into a world that you’ll never want to leave, Dragon Team Seven is for you.

    Each One Dirtier And Rougher Than The Next… SMITH I want her. Plain and simple truth. I want her. I want to push inside her. I want to grip her hair and tug her scalp and lick her bared throat. I want to tie her wrists and ankles to my bed, make her helpless, weak, begging for me. I want to leave my marks on her, bruise that delicate flesh, have her sore and aching after I ravage her. But my cravings are most definitely too dark for her. I’m not the white-picket-fence kind of guy, and I can’t let myself start thinking otherwise. I should stick to the kind of women I’m used to, the kind who are fine with one night. Aubrey deserves love, real love, the kind of love I’m incapable of. The problem is she’s all I want. I know I can only destroy her. But I can’t stay away. AUBREY I try to pretend that I’m not aware of the tattoos covering him. That I’m not aware of the muscles of his arms and legs. I try to pretend my core doesn’t tighten in response to his raw masculinity, pretend I don’t want him to push me up against the wall and have his way with me. I’m so attracted to him I can barely focus. He thinks I’m naive, and maybe he’s right. Am I really so naïve as to think that maybe what Smith and I are doing is different? Or is this just me being blind? Sometimes I can see every emotion on his face. Other times, I can’t tell a thing he’s thinking. I’m plagued by doubts, yet also trying to convince myself that I know what I know. I’m not just a random woman to Smith. There’s more between us than that. What that “more” is, I don’t know. But it’s there. Either that, or he’s the world’s greatest actor. Because the emotion in our last kiss was so strong it almost blew me over. If I’m wrong about him, it will shatter my heart, break me into a million pieces. The only thing worse would be walking away… Aubrey’s standing there, lips swollen, breath panting, eyes heavily lidded. She’s so innocent but so primed for me. I could probably take her upstairs to my apartment, spread her wide and plunge deep inside her. But I can’t do that. Because she deserves better than me. I can’t ruin her. The Becket Boys: The Complete Series, contains: SMITH (The Beckett Boys, Book One) by Olivia Chase JAX (The Beckett Boys, Book 2) by Olivia Chase ASHER (The Beckett Boys, Book Three) By Olivia Chase JAMISON (The Beckett Boys, Book Four) by Olivia Chase ZACK (The Beckett Boys, Book Five) by Olivia Chase HUDSON (The Beckett Boys, Book Six) by Olivia Chase HALE (The Beckett Boys, Book Seven) by Olivia Chase AXEL (The Beckett Boys, Book Eight) by Olivia Chase

    The unauthorized behind-the-scenes story of the making and marketing of one of rock's original supergroups, viewed from the perspective of an executive from Kiss's business management team.

    For Pavement fans and rock enthusiasts comes an engaging profile of the band and their quirkily dark, melodic sound and cryptic, mirth-filled lyrics.

    He has been in the studio with Wilson, as well as on the road for the celebrated European Smile concerts, and the result is the full version of one of pop's mythic stories. Features forewords by Brian Wilson and Van Dyke Parks.Previously published by Sanctuary.

    Mark Hodkinson's biography of Queen focuses on the band's formative years, and draws on interviews with over sixty friends and colleagues of Freddie Mercury, Brian May, Roger Taylor and John Deacon.

    Their first album, the landmark In the Court of the Crimson King, co-produced by Greg, featured the iconic song '21st Century Schizoid Man'. King Crimson pioneered progressive rock and paved the way for many famous bands that followed, from Yes and Genesis to the Red Hot Chilli Peppers.In 1970 Greg met fellow legend Keith Emerson during a North American tour; the two shared common bonds: European musical influences and a desire to reinterpret classical works while creating a new musical genre. After being introduced to drummer Carl Palmer, they formed the first progressive rock supergroup Emerson, Lake and Palmer.To date ELP has sold over 50 million records. Lake produced Emerson, Lake & Palmer, Tarkus, Pictures at an Exhibition, Trilogy, Brain Salad Surgery, Works Vol. 1 and 2, and two different live albums. All went platinum and featured a series of hit singles, most written and all sung by Lake. The three created a unique live theatrical performance which featured Emerson attacking his keyboards with knives, Palmer playing a 2.5 ton stainless steel kit and Lake performing on a £6,000 Persian rug which had its own roadie. One of their very first performances was at the historic Isle of Wight Festival in 1970 and they went on to headline California Jam, one of the biggest concerts of the 1970s, attended by 350,000 people.Probably the voice of his generation, Greg fronted the greatest rock supergroup of the 1970s but never held with the 'progressive' tag that attached itself to both the music and the excess. Lucky Man not only charts the highs and lows of a career in rock music but also reflects on the death of Keith Emerson last year, living with terminal cancer and the end of life. Greg can best be summed up by his now-famous line: 'Material wealth is a very fleeting pleasure ... when you can buy anything you want and do anything you want, you soon discover that you actually don't want any of it.'

    His horse had dropped from a jog to a walk as he neared the fence. His eyes could be seen now. They were summing up what he saw in front of him."He doesn't look the kind that takes orders easily," Gerry said. "What do you say, Bill? Do we offer him a job?"Something about the man stirred her. There was a personal magnetism that was hard to define. Perhaps it was his eyes. They were hard, clear and compelling."We'll offer him the courtesy of billy tea," Bill said quietly. "Then we'll see how he makes out."Looking at the stranger, Gerry had a queer feeling that it would be he who saw who was making out.

    But the artistically fertile relationship between rock and country music has--since their first encounter in the 1950s--been uneasy and often explosive.

    Readers will discover a new perspective on Miles's working methods, as well as in in-depth, chronological understanding and analysis of the music produced from 1967 to 1991 - a period that's been both neglected and misunderstood.