Examining her roots in rural Kentucky, where she was born in 1940, Mason unravels her family's history and considers its impact on her as a person and a writer. Readers of the New Yorker will recognize a few excerpts, most notably the magical chapter on a local pop group in particular, and the siren song of rock & roll in general. Mason has woven the pieces of her story into a seamless whole limning her ambivalent relationship to her country roots. She was a bookish girl who fled to college and the sophisticated North before realizing that her fictional material and her heart were still down South. But when she bought land in Kentucky, it was "a long way from [home]. I had to keep some distance, keep my options open." Although her immediate family members all get loving, unsentimental treatment, the book is in essence a tribute to Mason's mother, whose free spirit never had a chance to roam as her daughter's did and who grabs center stage in the final chapter. This memoir is quintessential Mason in its strong storytelling, seeming simplicity, and deep mystery. --Wendy Smith

    Taylor, a theoretical physicist who has been one of the most inventive nuclear scientists of our time.Taylor was one of the most brilliant engineers of the nuclear age, but in his later years he became concerned with the possibility of an individual being able to construct a weapon of mass destruction on their own. McPhee tours American nuclear institutions with Taylor and shows us how close we are to terrorist attacks employing homemade nuclear weaponry.

    Realistic, moving, engrossing and positively brilliant, this first American biography of the 18th century composer re-created Mozart--the man and his music--against the back ground of the he lived in

    But for Wylie, the gentle, cropped eared ball of fur, miracles seemed to happen quite regularly. Beaten and abused at the hands of uncaring humans, Wylie suffered terrible injuries that needed urgent treatment. Rescued close to death, with hacked off ears and a severed tail, he was attended to by soldiers who feared he would not last the night. Astonishingly he did, only to return days later with new injuries. However a lifeline came when he was handed over to animal welfare Charity Nowzad and flown to Britain in the hope of finding a new life. But would anyone take a chance on a seemingly undomesticated stray? Luckily for Wylie his biggest adventure yet was about to begin...

    David Hockney has worked in almost every medium - painting, drawing, stage design, photography and printmaking. He has undertaken an ambitious experiment with ways of seeing and ways of representing sight - ranging from his paintings, with their challenges to perspective and brilliant colours, to his vivid multi-dimensional photo-collages and his fax art, computer printings and coloured laser prints.

    Wright returns to her native Arkansas and examines an explosive incident from the Civil Rights movement. Wright interweaves oral histories, hymns, lists, newspaper accounts, and personal memories—especially those of her incandescent mentor, Mrs. Vititow—with the voices of witnesses, neighbors, police, activists, and black students who were rounded up and detained in an empty public swimming pool. This history leaps howling off the page.I can walk down the highway unarmedScott Bond, born a slave, becamea millionaire. Wouldn't you like to run wild.Run free. The Very Reverend Al Greenhailed from here. Sonny Liston a few miles west,Sand Slough. Head hardenedon hickory sticks.The cool water is for white/ the sun-heated for blackThis chair is not for you [N-word]/ it is for the white buttockThis textbook/ is nearly new/ is not for you [N-word]This plot of ground does not hold black bonesToday the sermon once again "Segregation After Death"C.D. Wright has published a dozen books of poetry and prose, including the recent volumes One Big Self: An Investigation and Rising, Falling, Hovering, which received the Griffin Poetry Award. A MacArthur Fellow, Wright teaches at Brown University and lives outside Providence, Rhode Island.

    On May 11, 1945, McKinney returned fire on the Japanese attacking his unit, using every available weapon-even his fists-standing alone against wave after wave of dedicated Japanese soldiers. At the end, John McKinney was alive-with over forty Japanese bodies before him. This is the story of an extraordinary man whose courage and fortitude in battle saved many American lives, and whose legacy has been sadly forgotten by all but a few. Here, the proud legacy of John McKinney lives on.

    In the midst of a divorce (in which the custody of his young daughter is at stake) and over the course of a year, the poet Michael White, travels to Amsterdam, The Hague, Delft, London, Washington, and New York to view the paintings of Johannes Vermeer, an artist obsessed with romance and the inner life.  He is astounded by how consoling it is to look closely at Vermeer’s women, at the artist’s relationship to his subjects, and at how composition reflects back to the viewer such deep feeling. Includes the author’s very personal study of Vermeer. Through these travels and his encounters with Vermeer’s radiant vision, White finds grace and personal transformation."White brings [sensitivity] to his luminous readings of the paintings.  An enchanting book about the transformative power of art."  - (Kirkus Reviews) "… Figures it took a poet to get it this beautifully, thrillingly right.” - (Peter Trachtenberg)"A unique dance among genres...clear and powerful descriptions touch on the mysteries of seduction, loss, and the artistic impulse."   - (Clyde Edgerton)

    But before achieving fame as an author, Carroll was a prolific and sophisticated photographer, acutely engaged in the art world of Victorian England. This illustrated volume examines Carroll's photographs not as the sideline of a celebrated writer, but as the creations of a serious photographic artist, and demonstrates their importance to the history of photography. Douglas Nickel traces the evolution in thought about Carroll's photography in the period since his death, demonstrating the ways it has been viewed largely through the filter of his literary reputation. Key to this have been certain preconceptions built up around Carroll's attitudes toward children, especially Alice Liddell, the inspiration for his first book and the subject of a number of his photographs. Nickel demonstrates how, by overturning the modern myths that have attached themselves to Carroll's photography, the works themselves can be seen again as they were by their original Victorian viewers. This analysis is designed to reveal not only Carroll's signal achievement in the medium, but also a new understanding of Victorian art photography in general.

    To the Western mind these fearsome warriors-samurai, the masterless ronin, and the assassin ninja-have always been a source of mystery and wonder, combining the idealism of chivalry with military fanaticism. The Ways Of The Samurai digs beneath the myth and reveals a truth even more amazing about the men who practiced a discipline drawn from Zen and Confucian ethics-bushido, the way of the warrior.

    She paid no heed to the stories about a man named Adolf Hitler, his Nazi Party, and their plan for a world that did not include Jews. But almost overnight her ordinary life was gone, replaced by a nightmare world of terror and death. Millions of people disappeared into the horror of the Holocaust. But Blima's story survives. It is told here by her daughter, Shirley Russak Wachtel.

    Jay Paterno paints a full picture of his father’s life and career as well as documenting that almost none of the horrific crimes that came to light in 2012 took place at PennState. Jay Paterno clear-headedly confronts the events that happened with cool facts and with passion, demonstrating that this was just one more case of an innocent man convicted by the media for a crime in which he had no part. Noting that the scandal itself was but a short moment in Joe Paterno’s life and legacy, the book focuses on Paterno’s greatness as a father and grandfather, his actions as a miraculous coach to his players, and his skillful dealings with his assistant coaches. A memorial to one of the greatest coaches in college football history, the book also reveals insightful anecdotes from his son and coaching pupil.

    This vivid, original book tells the story of its builder, Sarah Losh, strong-willed, passionate, and unusual in every way.Sarah Losh is a lost Romantic genius—an antiquarian, an architect, and a visionary. Born into an old Cumbrian family, heiress to an industrial fortune, Losh combined a zest for progress with a love of the past. In the church, her masterpiece, she let her imagination flower—there are carvings of ammonites, scarabs, and poppies; an arrow pierces the wall as if shot from a bow; a tortoise-gargoyle launches itself into the air. And everywhere there are pinecones in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life, death, and rebirth.Losh's story is also that of her radical family, friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggles of the weavers, the coming of the railways, the findings of geology, and the fate of a young northern soldier in the First Afghan War. Above all, it is about the joy of making and the skill of unsung local craftsmen. Intimate, engrossing, and moving, The Pinecone, by Jenny Uglow, the Prize-winning author of The Lunar Men, brings to life an extraordinary woman, a region, and an age.

    LUCIFER HIMSELF IS THE STAR OF THIS BOOK, WHICH CONTAINS IMAGES OF HIM THROUGHOUT THE HISTORY OF ART. ETCHINGS, WOODCUTS, PAINTINGS, ILLUSTRATIONS, DRAWINGS, PHOTOGRAPHS, AND ADVERTISEMENTS FEATURING OF THE DEVIL, BY THE LIKES OF DA VINCI, BOSCH, PIERRE ET GILLES, GIGER, AND MANY MORE, POPULATE THE PAGES OF THIS SUPREMELY "EVIL" BOOK.

    For decades, the myth has persisted that the statue was a grand gift from France, but now Liberty's Torch reveals how she was in fact the pet project of one quixotic and visionary French sculptor, Frédéric Auguste Bartholdi. Bartholdi not only forged this 151-foot-tall colossus in a workshop in Paris and transported her across the ocean, but battled to raise money for the statue and make her a reality.A young sculptor inspired by a trip to Egypt where he saw the pyramids and Sphinx, he traveled to America, carrying with him the idea of a colossal statue of a woman. There he enlisted the help of notable people of the age - including Ulysses S. Grant, Joseph Pulitzer, Victor Hugo, Gustave Eiffel, and Thomas Edison - to help his scheme. He also came up with inventive ideas to raise money, including exhibiting the torch at the Phildaelphia world's fair and charging people to climb up inside. While the French and American governments dithered, Bartholdi made the statue a reality by his own entrepreneurship, vision, and determination.