His work on the small and big screen has delighted audiences for the last three decades and has withstood the test of time.  In My Happy Days in Hollywood, Marshall takes us on a journey from his stickball-playing days in the Bronx to his time at the helm of some of the most popular television series and movies of all time, sharing the joys and challenges of working with the Fonz and the young Julia Roberts, the “street performer” Robin Williams, and the young Anne Hathaway, among many others. This honest, vibrant, and often hilarious memoir reveals a man whose career has been defined by his drive to make people laugh and whose personal philosophy—despite his tremendous achievements—has always been that life is more important than show business.

    Now, Victoria Wilson gives us the first full-scale life of Barbara Stanwyck, whose astonishing career in movies (eighty-eight in all) spanned four decades beginning with the coming of sound, and lasted in television from its infancy in the 1950s through the 1980s—a book that delves deeply into her rich, complex life and explores her extraordinary range of motion pictures, many of them iconic. Here is her work, her world, her Hollywood. We see the quintessential Brooklyn girl whose family was in fact of old New England stock . . . her years in New York as a dancer and Broadway star . . . her fraught mar­riage to Frank Fay, Broadway genius, who influenced a generation of actors and comedians (among them, Jack Benny and Stanwyck herself ) . . . the adoption of a son, embattled from the outset; her partnership with the “unfunny” Marx brother, Zeppo, crucial in shaping the direction of her work, and who, together with his wife, formed a trio that created one of the finest horse-breeding farms in the west; her fairy-tale romance and marriage to the younger Robert Taylor, America’s most sought-after— and beautiful—male star. Here is the shaping of her career with many of Hol­lywood’s most important directors: among them, Frank Capra, “Wild Bill” William Wellman (“When you get beauty and brains together,” he said, “there’s no stopping the lucky girl who possesses them. The best example I can think of is Barbara”), King Vidor, Cecil B. De Mille, and Preston Sturges, all set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II—and a fast-changing, coming-of-age motion picture industry. And here is Stanwyck’s evolution as an actress in the pictures she made from 1929 through the summer of 1940, where Volume One ends—from her first starring movie, The Locked Door (“An all-time low,” she said. “By then I was certain that Hollywood and I had nothing in common”); and Ladies of Leisure, the first of her six-picture collaboration with Frank Capra (“He sensed things that you were trying to keep hidden from people. He knew. He just knew”), to the scorching Baby Face, and the height of her screen perfection, beginning with Stella Dallas (“I was scared to death all the time we were making the pic­ture”), from Clifford Odets’s Golden Boy and the epic Union Pacific to the first of her collaborations with Preston Sturges, who wrote Remember the Night, in which she starred. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, her losses and desires; how she made use of the darkness in her soul in her work and kept it at bay in her private life, and finally, her transformation from shunned outsider to one of Holly­wood’s—and America’s—most revered screen actresses. Writing with the full cooperation of Stanwyck’s family and friends, and drawing on more than two hundred interviews with actors, directors, cameramen, screen­writers, costume designers, et al., as well as making use of letters, journals, and private papers, Victoria Wilson has brought this complex artist brilliantly alive. Her book is a revelation of the actor’s life and work.Praise:“Wilson’s book is indeed a monument of research. . . . A Life of Barbara Stanwyck will unquestionably remain the biography of record; beyond Wilson’s excavation of so much that would otherwise have been lost, her book has a deep sensitivity to the seriousness and subtlety of Stanwyck’s craft. This is the biography not of a Hollywood phenomenon but of a serious artist.”(Geoffrey O'Brien BookForum)"Victoria Wilson's biography of Barbara Stanwyck is monumental in every sense. It is a sweeping and authoritative work, written with verve and with great empathy and relish for her subject. The author loves Barbara Stanwyck, but she is also shrewd about the actress's complexity and human limitations. Wilson knows all the facts, but she is never overwhelmed by them, and, throughout, she is smart about the films and about the history and business of Hollywood in the Golden Age. Not the least of her achievement is leaving the reader eager to read volume two."(Foster Hirsch, author of The Dark Side of the Cinema; A Method to Their Madness and)"I was blown away, absorbed, riveted. What great smooth style, what brilliance, what depth. I collect celebrity biographies and this one is transcendent. This is huge and wonderful and rich. What an achievement!"(Anne Rice)“What you have done is extraordinary. It is an amazing book, brilliantly written, enhancing the whole life, Barbara’s life, happenings around her—people of the industry, people in the theater and in politics. The way you have shown her life to include other situations, all that you interject . . . it makes her life, to me, more historically important. My father fell in love with Barbara after he saw her in Ladies of Leisure. He loved to go to the opera and to the movies and the only star he talked about was Barbara Stanwyck. He used to say she was an incredible actress. And she was. She really was. You have brought her wonderful career magnificently to life, and as her friend, I thank you.”(Nancy Sinatra, Sr., Barbara Stanwyck’s closest friend)

    Her childhood is still there to see in "Miracle on 34th Street. "Her adolescence in "Rebel Without a Cause. "Her coming of age? Still playing in "Splendor in the Grass "and "West Side Story" and countless other hit movies. From the moment Natalie Wood made her debut in 1946, playing Claudette Colbert and Orson Welles's ward in "Tomorrow Is Forever" at the age of seven, to her shocking, untimely death in 1981, the decades of her life are marked by movies that-for their moments-summed up America's dreams. Now the acclaimed novelist, biographer, critic and screenwriter Gavin Lambert, whose twenty-year friendship with Natalie Wood began when she wanted to star in the movie adaptation of his novel "Inside Daisy Clover," tells her extraordinary story. He writes about her parents, uncovering secrets that Natalie either didn't know or kept hidden from those closest to her. Here is the young Natalie, from her years as a child actress at the mercy of a driven, controlling stage mother ("Make Mr. Pichel love you," she whispered to the five-year-old Natalie before depositing her unexpectedly on the director's lap), to her awkward adolescence when, suddenly too old for kiddie roles, she was shunted aside, just another freshman at Van Nuys High. Lambert shows us the glamorous movie star in her twenties--"All the Fine Young Cannibals, Gypsy" and" Love with the Proper Stranger," He writes about her marriages, her divorces, her love affairs, her suicide attempt at twenty-six, the birth of her children, her friendships, her struggles as an actress and her tragic death by drowning (she was always terrified of water) at forty-three. For the first time, everyonewho knew Natalie Wood speaks freely-including her husbands Robert Wagner and Richard Gregson, famously private people like Warren Beatty, intimate friends such as playwright Mart Crowley, directors Robert Mulligan and Paul Mazursky, and Leslie Caron, each of whom told the author stories about this remarkable woman who was both life-loving and filled with despair. What we couldn't know-have never been told before-Lambert perceptively uncovers. His book provides the richest portrait we have had of Natalie Wood.

    Peepers, the gibberish-spouting Suel Forrester, or one half of the head-bopping brothers in A Night at the Roxbury. Maybe you remember him as the forlorn gothic kid Azrael Abyss, Gay Hitler, or the guitarist in the "More Cowbell" sketch. Whichever it is, Chris Kattan has earned a spot in the hearts of a generation of comedy fans . Chris Kattan has defied comparison, expectations, and sometimes gravity with his inimitable style of physical comedy. By creating some of the most memorable Saturday Night Live characters, as well as his many roles in film and television, Kattan has remained one of the most fearless and versatile comedians in the world.Not long after Chris was labeled one of the improv group Groundlings' "must-see" performers in the company, he was cast on SNL--and within the first six weeks, Chris's film career also took off.Now, for the first time, Kattan opens up about eight seasons on SNL, performing alongside friends and future legends including Will Ferrell, Jimmy Fallon, and Tina Fey, and guest hosts from Charlize Theron to Tom Hanks to David Bowie. He also shares stories of his unusual childhood (involving a secluded mountain with zen monks) with Leonard Cohen and Alan Watts. Baby, Don't Hurt Me offers an unprecedented look into Chris's life, from his fascinating relationship with Lorne Michaels, a private Valentine's Day dinner with Tom Cruise and Katie Holmes, an unforgettable flight with Beyonc�, and even breaking his neck on live television.Baby, Don't Hurt Me is a candid, revealing memoir from a timeless comedian and a window into the world of millennium-era SNL, from the rehearsals to the after-after parties, as narrated by your hilarious and inspiring friend--who just so happened to be there for all of it.

    Beginning with the classic Live and Let Die, running through Moonraker and A View to a Kill, Moore brought his finely honed wit and wry charm to one of Hollywood's most beloved and long-lasting characters. Still, James Bond was only one in a lifetime of roles stretching back to Hollywood's studio era, and encompassing stardom in theater and television on both sides of the Atlantic. From The Saint to Maverick, Warner Brothers to MGM, Hollywood to London to extreme locations the world over, Roger Moore's story is one of the last of the classic Hollywood lives as yet untold.Until now. From the dying days of the studio system and the birth of television, to the quips of Noël Coward and David Niven, to the bedroom scenes and outtakes from the Bond movies, Moore has seen and heard it all. Nothing is left out—especially the naughty bits. The "special effects" by which James Bond unzipped a dress with a magnet; the spectacular risks in The Spy Who Loved Me's opening scene; and Moore's preparation for facing down villains (he would imagine they all have halitosis): the stories in My Word is My Bond are priceless.Throughout his career, Moore hobnobbed with the glamorous and powerful, counting Elizabeth Taylor, Jane Seymour, and Cary Grant among his contemporaries and friends. Included are stories of a foul-mouthed Milton Berle, a surly Richard Burton, and a kindhearted Richard Kiel, infamous as Bond enemy Jaws.As much as it is Moore's own exceptional story, My Word is My Bond is a treasure trove of Hollywood history.

    He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book. Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One of the survivors was Hans Neumann, who, to escape the German death net, traveled to Berlin and hid in plain sight under the Gestapo’s eyes. What Hans experienced was so unspeakable that, when he built an industrial empire in Venezuela, he couldn’t bring himself to talk about it. All his daughter Ariana knew was that something terrible had happened. When Hans died, he left Ariana a small box filled with letters, diary entries, and other memorabilia. Ten years later Ariana finally summoned the courage to have the letters translated, and she began reading. What she discovered launched her on a worldwide search that would deliver indelible portraits of a family loving, finding meaning, and trying to survive amid the worst that can be imagined. When Time Stopped is a detective story and an epic family memoir, spanning nearly ninety years and crossing oceans. Neumann brings each relative to vivid life. In uncovering her father’s story after all these years, she discovers nuance and depth to her own history and liberates poignant and thought-provoking truths about the threads of humanity that connect us all.

    With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.

    How did this happen? What made the show so unique that it spawned a devoted global following?While many books have attempted to tell the real, behind-the-scenes Trek story, the tale can best be told through the voice and privileged perspective of a man who actually lived through it all. That man is William Shatner (aka Captain James Tiberius Kirk). Gathering his personal recollections along with those of Leonard Nimoy, DeForest Kelley, George Takei, Walter Koenig, Nichelle Nichols, Majel Barrett-Roddenberry and Star Trek producers, designers, production crew and special effects wizards, William Shatner’s Star Trek Memories is crammed with the back stage drama of the series’ creation. Here, in the stars’ and creators’ own words, are such memories as:• Shatner and Nimoy’s close friendship of almost thirty years.• The outrageous practical jokes of Star Trek’s cast, crew and especially Gene Roddenberry.• The truth about Kirk and Uhura’s first prime-time interracial kiss.• Nichelle Nichols’s surprising fan—who convinced her not to quit the show.• What really happened to Yeoman Rand and Captain Pike?• The fight with Harlan Ellison over “City on the Edge of Forever”—and how he ultimately helped to save Star Trek from cancellation.• The full history of the overwhelming “Save Star Trek” campaign—which was only good enough to work for one final season.Filled with heartfelt warmth and genuine fondness that can only exist among colleagues who have spent years together through thick ad thin, Star Trek Memories is the definitive reminiscence of the show that has become a true cultural phenomenon.(from dust jacket flaps)

    "A stunning memoir from the astronaut who spent a record-breaking year aboard the International Space Station – a candid account of his remarkable voyage, the journeys that preceded it, and his colorful formative years." Inside book cover comments.

     “A pleasure. Ellie Kemper is the kind of stable, intelligent, funny, healthy woman that usually only exists in yogurt commercials. But she’s real and she’s all ours!” —Tina Fey “Ellie is a hilarious and talented writer, although we’ll never know how much of this book the squirrel wrote.”—Mindy KalingMeet Ellie, the best-intentioned redhead next door. You’ll laugh right alongside her as she shares tales of her childhood in St. Louis, whether directing and also starring in her family holiday pageant, washing her dad’s car with a Brillo pad, failing to become friends with a plump squirrel in her backyard, eating her feelings while watching PG-13 movies, or becoming a “sports monster” who ends up warming the bench of her Division 1 field hockey team in college. You’ll learn how she found her comedic calling in the world of improv, became a wife, mother and New Yorker, and landed the role of a bridesmaid (while simultaneously being a bridesmaid) in Bridesmaids. You’ll get to know and love the comic, upbeat, perpetually polite actress playing Erin Hannon on The Office, and the exuberant, pink-pants-wearing star of Unbreakable Kimmy Schmidt. If you’ve ever been curious about what happens behind the scenes of your favorite shows, what it really takes to be a soul cycle “warrior,” how to recover if you accidentally fall on Doris Kearns Goodwin or tell Tina Fey on meeting her for the first time that she has “great hair—really strong and thick,” this is your chance to find out. But it’s also a laugh-out-loud primer on how to keep a positive outlook in a world gone mad and how not to give up on your dreams. Ellie “dives fully into each role—as actor, comedian, writer, and also wife and new mom—with an electric dedication, by which one learns to reframe the picture, and if not exactly become a glass-half-full sort of person, at least become able to appreciate them” (Vogue.com).

    She soon receives four trunks of expensive clothes from a concerned family friend, allowing her to assume the first of many disguises she will need to find her sometimes perilous, always valorous way.Her journey takes her from New York to Los Angeles where she becomes a model and meets Joan Didion and Audrey Hepburn. She works as a script reader for Warren Beatty and Jack Nicholson, and is given a screen test by Mike Nichols. But beneath Miss Aluminum's glittering fairytale surface lies the story of a girl's insatiable hunger to learn and her anguished determination to understand the circumstances of her mother's death. Moore gives us a sardonic, often humorous portrait of Hollywood in the seventies, and of a young woman's hard-won arrival at selfhood.

    Now: actress, single working mother of teenage rock star, and weight-loss inspiration to millions. We all knew and loved Valerie Bertinelli years ago when she played girl-next-door cutie Barbara Cooper in the hit TV show "One Day at a Time," and then starred in numerous TV movies. From wholesome primetime in America's living rooms, Valerie moved to late nights with the hardest-partying band of the decadent eighties when she became, at twenty, wife to rock guitarist Eddie Van Halen. Losing It is Valerie's frank account of her life backstage and in the spotlight. Here are the ups and downs of teen stardom, of her complicated marriage to a brilliant, tormented musical genius, and of her very public struggle with her weight.

    Eve Babitz was the ultimate factory girl, a pure product of LA.The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few.Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she’s since experienced a breakthrough. Now in her mid-seventies, she’s on the cusp of literary stardom and recognition as an essential—as the essential—LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so sheerly enjoyable as to be mistaken for simple entertainment.For Babitz, life was slow days, fast company until a freak fire in the 90s turned her into a recluse, living in a condo in West Hollywood, where Lili Anolik tracked her down in 2012. Anolik’s elegant and provocative new book is equal parts biography and detective story. It is also on dangerously intimate terms with its subject: artist, writer, muse, and one-woman zeitgeist, Eve Babitz.

    in the fall of 2016, Chelsea Handler daydreams about what life will be like with a woman in the White House. And then Donald Trump happens. In a torpor of despair, she decides that she's had enough of the privileged bubble she's lived in--a bubble within a bubble--and that it's time to make some changes, both in her personal life and in the world at large.At home, she embarks on a year of self-sufficiency--learning how to work the remote, how to pick up dog shit, where to find the toaster. She meets her match in an earnest, brainy psychiatrist and enters into therapy, prepared to do the heavy lifting required to look within and make sense of a childhood marked by love and loss and to figure out why people are afraid of her. She becomes politically active--finding her voice as an advocate for change, having difficult conversations, and energizing her base. In the process, she develops a healthy fixation on Special Counsel Robert Mueller and, through unflinching self-reflection and psychological excavation, unearths some glittering truths that light up the road ahead.

    In The Last Days of Marilyn Monroe, author Donald H. Wolfe, a former Hollywood screenwriter and film editor, examines the tragic starlet’s final weeks and offers startling evidence to support his provocative claim that Marilyn’s alleged suicide was, in fact, a homicide. A powerful and intimate look into the dark side of Hollywood and John F. Kennedy’s Camelot, The Last Days of Marilyn Monroe is a must-read for movie buffs, true crime aficionados, and the many still enchanted by the Monroe magic.