The taunts of his now-deceased father ringing in his ears, Binh answers an ad for a live-in cook at a Parisian household, and soon finds himself employed by Gertrude Stein and Alice B. Toklas.Toklas and Stein hold court in their literary salon, for which the devoted yet acerbic Binh serves as chef, and as a keen observer of his "Mesdames" and their distinguished guests. But when the enigmatic literary ladies decide to journey back to America, Binh is faced with a monumental choice: will he, the self-imposed "exile," accompany them to yet another new country, return to his native Vietnam, or make Paris his home?

      Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark.When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.   Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge’s new novel resonates in our times and is perfect for readers of Brit Bennett, Min Jin Lee, and Yaa Gyasi.

    Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens. From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.StoriesRoja - Anna-Marie McLemoreThe Sweet Trade - Natalie C. ParkerAnd They Don`t Kiss at the End - Nilah MagruderBurnt Umber - Mackenzi LeeThe Dresser & the Chambermaid - Robin TalleyNew Year - Malinda LoMolly`s Lips - Dahlia AdlerThe Coven - Kate ScelsaEvery Shade of Red - Elliot WakeWillows - Scott TraceyThe Girl with the Blue Lantern - Tess SharpeThe Secret Life of a Teenage Boy - Alex SanchezWalking After Midnight - Kody KeplingerThe End of the World as We Know It - Sara FarizanThree Witches - Tessa GrattonThe Inferno & the Butterfly - Shaun David HutchinsonHealing Rosa - Tehlor Kay Mejia

    He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live—northern Minnesota along the Red River. Cash navigated through foster homes, and at thirteen was working farms. She's tough as nails—Five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side. Wheaton is big lawman type. Scandinavian stock, but darker skin than most. He wants her to take hold of her life. Get into Junior College. So there they are, staring at the dead Indian lying in the field. Soon Cash was dreaming the dead man's cheap house on the Red Lake Reservation, mother and kids waiting. She has that kind of power. That's the place to start looking. There's a long and dangerous way to go to find the men who killed him. Plus there's Jim, the married white guy. And Longbraids, the Indian guy headed for Minneapolis to join the American Indian Movement.Marcie R. Rendon is an enrolled member of the White Earth Anishinabe Nation. She is a mother, grandmother, writer, and performance artist. A recipient of the Loft's Inroads Writers of Color Award for Native Americans, she studied under Anishinabe author Jim Northrup. Her first children's book is Pow Wow Summer (Minnesota Historical Society Press, 2014). Murder on the Red River is her debut novel.

    Hanne is nearly fifteen and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls and friendship doesn't come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance.Hanne's family are Old Lutherans, and in her small village hushed worship is done secretly - this is a community under threat. But when they are granted safe passage to Australia, the community rejoices: at last a place they can pray without fear, a permanent home. Freedom. It's a promise of freedom that will have devastating consequences for Hanne and Thea, but, on that long and brutal journey, their bond proves too strong for even nature to break...

    But when she loses her job after a botched investigation, she suddenly finds herself with nothing but time.At her great-aunt's 150-year-old farmhouse, Elizabeth uncovers a series of mysterious items, locked doors, and hidden graves. As she searches for answers to the riddles around her, the remarkable stories of two women who lived in this very house emerge as testaments to love, resilience, and courage in the face of war, racism, and misunderstanding. And as Elizabeth soon discovers, the past is never as past as we might like to think.Debut novelist Erin Bartels takes readers on an emotional journey through time--from the volatile streets of 1960s Detroit to the Underground Railroad during the Civil War--to uncover the past, confront the seeds of hatred, and discover where love goes to hide.

    Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now. In 2018, Hansberry will get the recognition she deserves with the PBS American Masters documentary "Lorraine Hansberry: Sighted Eyes/Feeling Heart" and Imani Perry's multi-dimensional, illuminating biography, Looking for Lorraine.After the success of A Raisin in the Sun, Hansberry used her prominence in myriad ways: challenging President Kennedy and his brother to take bolder stances on Civil Rights, supporting African anti-colonial leaders, and confronting the romantic racism of the Beat poets and Village hipsters. Though she married a man, she identified as lesbian and, risking censure and the prospect of being outed, joined one of the nation's first lesbian organizations. Hansberry associated with many activists, writers, and musicians, including Malcolm X, Langston Hughes, Duke Ellington, Paul Robeson, W.E.B. Du Bois, among others. Looking for Lorraine is a powerful insight into Hansberry's extraordinary life—a life that was tragically cut far too short.

    It’s a road trip."Keisha Taylor lived a quiet life with her wife, Alice, until the day that Alice disappeared. After months of searching, presuming she was dead, Keisha held a funeral, mourned, and gradually tried to get on with her life. But that was before Keisha started to see her wife, again and again, in the background of news reports from all over America. Alice isn’t dead, and she is showing up at every major tragedy and accident in the country.Following a line of clues, Keisha takes a job as a long-haul truck driver and begins searching for Alice. She eventually stumbles on an otherworldly conflict being waged in the quiet corners of our nation’s highway system—uncovering a conspiracy that goes way beyond one missing woman.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    . .Elle Burns is a former slave with a passion for justice and an eidetic memory. Trading in her life of freedom in Massachusetts, she returns to the indignity of slavery in the South—to spy for the Union Army.Malcolm McCall is a detective for Pinkerton's Secret Service. Subterfuge is his calling, but he’s facing his deadliest mission yet—risking his life to infiltrate a Rebel enclave in Virginia.Two undercover agents who share a common cause—and an undeniable attraction—Malcolm and Elle join forces when they discover a plot that could turn the tide of the war in the Confederacy's favor. Caught in a tightening web of wartime intrigue, and fighting a fiery and forbidden love, Malcolm and Elle must make their boldest move to preserve the Union at any cost—even if it means losing each other . . .

    Nidali mixes humor with a sharp, loving portrait of an eccentric middle-class family, and this perspective keeps her buoyant through the hardships she encounters: the humiliation of going through a checkpoint on a visit to her father’s home in the West Bank; the fights with her father, who wants her to become a famous professor and stay away from boys; the end of her childhood as Iraq invades Kuwait on her thirteenth birthday; and the scare she gives her family when she runs away from home. Funny, charming, and heartbreaking, A Map of Home is the kind of book Tristram Shandy or Huck Finn would have narrated had they been born Egyptian-Palestinian and female in the 1970s.

    Decades later, when Eliza Hamilton collected his soldiers' stories, she discovered that while the war was won at Yorktown, the battle for love took place on many fronts...PROMISED LAND by Rose LernerDonning men's clothing, Rachel left her life behind to fight the British as Corporal Ezra Jacobs--but life catches up with a vengeance when she arrests an old love as a Loyalist spy.At first she thinks Nathan Mendelson hasn't changed one bit: he's annoying, he talks too much, he sticks his handsome nose where it doesn't belong, and he's self-righteously indignant just because Rachel might have faked her own death a little. She'll be lucky if he doesn't spill her secret to the entire Continental Army.Then Nathan shares a secret of his own, one that changes everything...THE PURSUIT OF... by Courtney MilanWhat do a Black American soldier, invalided out at Yorktown, and a British officer who deserted his post have in common? Quite a bit, actually.* They attempted to kill each other the first time they met.* They're liable to try again at some point in the five-hundred mile journey that they're inexplicably sharing.* They are not falling in love with each other.* They are not falling in love with each other.* They are.... Oh, no.THAT COULD BE ENOUGH by Alyssa ColeMercy Alston knows the best thing to do with pesky feelings like "love" and "hope": avoid them at all cost. Serving as a maid to Eliza Hamilton, and an assistant in the woman's stubborn desire to preserve her late husband's legacy, has driven that point home for Mercy—as have her own previous heartbreaks.When Andromeda Stiel shows up at Hamilton Grange for an interview in her grandfather's stead, Mercy's resolution to live a quiet, pain-free life is tested by the beautiful, flirtatious, and entirely overwhelming dressmaker.Andromeda has staid Mercy reconsidering her worldview, but neither is prepared for love—or for what happens when it's not enough.

    These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow!With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars.The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

    Now suspended in an eerie, unsettling twilight zone during the four days of the liner's illustrious maiden voyage, a number of the passengers - including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher - are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not - could not - have survived the sinking of the Titanic . . .

    race relations, federal bureaucracies, Christian churches, and social scientists. This book continues to be required reading for all Americans, whatever their special interest.