He is summoned by Lincoln to track down Emperor Zombie, an undead occultist and originally a groundskeeper at Hyde Park.

    Scott Fitzgerald. In his effervescent tales of elegant ingenues on the prowl for husbands, Ivy League heirs en route to futures of idle entitlement, and endless alcohol-fueled dance parties at ritzy country clubs, he limned a culture giddy with excess and as reckless as it was refined. Gifted with remarkable powers of observation and a witty way with words, Fitzgerald wrote stories that seem as fresh and modern today as they did when published nearly a century ago. F. Scott Fitzgerald: Classic Works features two full-length novels--This Side of Paradise and The Beautiful and Damned--and nineteen short stories, including the classics "Bernice Bobs Her Hair," "The Diamond as Big as the Ritz," and "The Curious Case of Benjamin Button." Written as only they could be by an insider to the society that they protray, the twenty-one works collected in this volume capture the precarious splendor and doomed glory of that opulent era that their author called the Jazz Age.

    At higher levels, testosterone causes destructive male behavior, the two most terrible kinds being: 1. War. 2. Do-it-yourself projects.

    

    Included here is Crown-Fire, Country Full of Swedes, The Windfall, Horse Thief, Yellow Girl and Kneel to the Rising Sun.

    They are going mad and Usher asks an old friend to help them. Can Usher win the fight against madness? And will Madeline ever be well again? Edgar Allan Poe's short stories are still popular a hundred and fifty years after his death. Other titles featured here include The Barrel of Amontillado and The Murders in the Rue Morgue.

    Among contributions by Gwendolyn Bennett, Countee Cullen, Langston Hughes, and Wallace Thurman, "Sweat" stood out both for its artistic accomplishment and its exploration of rural Southern black life. In "Sweat" Hurston claimed the voice that animates her mature fiction, notably the 1937 novel Their Eyes Were Watching God; the themes of marital conflict and the development of spiritual consciousness were introduced as well. "Sweat" exemplifies Hurston's lifelong concern with women's relation to language and the literary possibilities of black vernacular.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of "Sweat," and a second story, "The Gilded Six-Bits." Published in 1932, this second story was written after Hurston had spent years conducting fieldwork in the Southern United States. The volume also includes Hurston's groundbreaking 1934 essay, "Characteristics of Negro Expression," and excerpts from her autobiography, Dust Tracks on a Road. An article by folklorist Roger Abrahams provides additional cultural contexts for the story, as do selected blues and spirituals. Critical commentary comes from Alice Walker, who led the recovery of Hurston's work in the 1970s, Robert Hemenway, Henry Louis Gates, Gayl Jones, John Lowe, Kathryn Seidel, and Mary Helen Washington.

    An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth.

    frequently anthologized poem

     In “Trouble in the Neighborhood,” Rodriguez calls Michelle when he gets reports of a creature frightening children. Together they must neutralize the monster before it does more than scare someone. In “Leather and Fire,” what starts as a normal day gets strange when Michelle is called out to a farm in Pickens. It turns out you never know what magical creatures are living just down the road. In “Vacation Magic,” Michelle faces wildlife that found themselves at the wrong end of a spell and discovers that not everything is what it seems.

    

    These stories (written between 1943 and 1979) combine the mystical and horrific with traditional southern folk tales and legends. At the same time, these stories reveal a post World War 2 modernism that make them much more then pulp romanticism. The paranoia and cynicism of modern weird icons such as the X-files may well have had their genesis in the pulp musings of Manly Wade Wellman. Indeed the intensely driven, idealistic occult investigator John Thunstone could be a pulp/noir stand in for Fox Mulder.This work will be issued in a fine collector's hardcover state, with 24 illustrations. Edited by John Pelan, illustrated by Kenneth Waters.Contents:• Introduction• The Third Cry to Legba• The Golden Goblins• Hoofs• The Letters of Cold Fire• John Thunstone's Inheritance• Sorcery from Thule• The Dead Man's Hand• Thorne of the Threshold• The Shonokins• Blood from a Stone• The Dai Sword• Twice Cursed• Shonokin Town• The Leonard Rondache• The Last Grave of Lill Warren• Rouse Him Not• The Dakwa• The Beasts That Perish• Willow He Walk• A Witch for All Seasons• Chastel

    

    Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.