When criminal investigator Conny Sjöberg and the Hammarby police begin to suspect that there’s a link between the murders, Sjöberg goes completely cold. There is a killer out there whose motives are very personal, and who will not be deterred.The Gingerbread House by Carin Gerhardsen is the first in the Hammarby series, thrillers with taut, suspenseful plots and unexpected twists and turns. This haunting novel explores schoolyard bullying among young children and the effect it has on them when people look the other way. Many of the scenes in this book are self-experienced and based on Gerhardsen’s own childhood. Urban settings and strong portraits of authentic characters are crafted in depth and detail, insuring the books will linger in the reader’s mind long after the finish.The Gingerbread House is written in the same tradition as the Sjöwall / Wahlöö crime novels, and has been described as a book version of the tv series The Wire. It is not only published by the same publisher as Stieg Larsson’s The Millennium Trilogy, but by the same editorial team.

    Kaamos: Just before Christmas, the darkest time of the year in Lapland, above the Arctic Circle. The unrelenting darkness and extreme cold cause everyone to go just a little bit insane, whether or not they’ve just killed someone… A beautiful Somalian refugee-turned-actress is found murdered on a reindeer farm, gruesomely mutilated, a racial slur carved into her chest. Inspector Kari Vaara, head of the rural police force, is under great pressure not only to solve this crime himself, without the help of the big-city cops from Helsinki, but also to keep the potentially explosive case out of the news. Sufia Elmi had become a tabloid fixture, and her death—not to mention the awful way she met it—is sure to send shock waves across this insular, secretly racist country. Was this murder a hate crime, a sex crime—or both?Kari is dealing with culture shock at home, too. His wife, Kate, is a young American woman, newly pregnant with their first child. She doesn’t understand much about Finnish customs or the Finns themselves and is struggling to come to terms with her new home. Kari himself is haunted by his rough childhood and his past, and even as he tries to shape a new life with Kate, the past keeps biting at his heels: the rich man his ex-wife left him for years ago may be Sufia’s killer.

    Perhaps not consciously. Perhaps not yet. But they know. When eight-year-old Daisy Mason vanishes from her family’s Oxford home during a costume party, Detective Inspector Adam Fawley knows that nine times out of ten, the offender is someone close to home. And Daisy’s family is certainly strange—her mother is obsessed with keeping up appearances, while her father is cold and defensive under questioning. And then there’s Daisy’s little brother, so withdrawn and uncommunicative . . . DI Fawley works against the clock to find any trace of the little girl, but it’s as if she disappeared into thin air—no one saw anything; no one knows anything. But everyone has an opinion, and everyone, it seems, has a secret to conceal.

    Naked, strung from two parallel wooden posts, the victim was sadistically tortured before meeting an excruciatingly painful death. All the skin has been ripped from her face - while she was still alive. On the nape of her neck has been carved a strange double-cross: the signature of a psychopath known as the Crucifix Killer. But that's impossible. Because two years ago, the Crucifix Killer was caught and executed. Could this therefore be a copycat killer? Or could the unthinkable be true? Is the real killer still out there, ready to embark once again on a vicious and violent killing spree, selecting his victims seemingly at random, taunting Robert Hunter with his inability to catch him? Hunter and his rookie partner are about to enter a nightmare beyond imagining.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    A deaf reporter terrified of nature. A dense spruce forest overdue for harvest. A pair of eyeless hunters found murdered in the woods.It’s week one of the Swedish elk hunt and the sound of gunfire is everywhere. When Tuva Moodyson investigates the story that could make her career she stumbles on a web of secrets that knit Gavrik town together. Are the latest murders connected to the Medusa killings twenty years ago? Is someone following her? Why take the eyes? Tuva must face her demons and venture deep into the woods to stop the killer and write the story. And then get the hell out of Gavrik.

    Returning to his family’s house, he knows instantly that something is amiss. The front door key, hidden under a familiar stone, is still there. Inside, there’s a panicked dog, a terrible stench, water pooling on the floor. Upstairs in the shower, the father Olaf has not seen or spoken to in decades is dead.For police detective Eira Sjödin, the investigation of this suspicious death resurrects long-forgotten nightmares. She was only nine when Olof Hagström, then fourteen, was found guilty of raping and murdering a local girl. The case left a mark on the town’s collective memory—a wound that never quite healed—and tinged Eira’s childhood with fear. Too young to be sentenced, Olof was sent to a youth home and exiled from his family. He was never seen in the town again. Until now. An intricate crime narrative in which past and present gracefully blend, We Know You Remember is a relentlessly suspenseful and beautifully written novel about guilt and memory in which nothing is what it seems, and unexpected twists upend everything you think you know.

    Leaving behind enough evidence to fuel a frenzied police hunt, this cunning madman is bringing together dozens of lives, crossing the boundaries of wealth and race. And the people who are chasing him must cross those boundaries too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael's lover before she became his enemy.But another player has entered the game: a loser ex-con who has stumbled upon the killer's trail in the most coincidental of ways—someone who may be the key to breaking the case wide open...

    A young Dutchman, walking aimlessly in central Oslo covered in blood, is taken into custody but refuses to talk. When he is informed that the woman who discovered the body, Karen Borg, is a lawyer, he demands her as his defender, although her specialty is civil, not criminal, law. A couple of days later, Hansa Larsen, a lawyer of the shadiest kind, is found shot to death. Soon police officers Håkon Sand and Hanne Wilhelmsen establish a link between the two killings. They also find a coded message hidden in the murdered lawyer’s apartment. Their maverick colleague in the drugs squad, Billy T., reports that a recent rumor in the drug underworld involves drug-dealing lawyers. Now the reason why the young Dutchman insisted on having Karen Borg as a defender slowly dawns on them: since she was the one to find and report the body, she is the only Oslo lawyer that cannot be implicated in the crime. As the officers investigate, they uncover a massive network of corruption leading to the highest levels of government. As their lives are threatened, Hanne and her colleagues must find the killer and, in the process, bring the lies and deception out into the open.

    Staring back at her is her ex-fiancé Jeff, the man who shattered her heart—and who she hasn’t seen in 18 years.Kat feels a spark, wondering if this might be the moment when past tragedies recede and a new world opens up to her. But when she reaches out to the man in the profile, her reawakened hope quickly darkens into suspicion and then terror as an unspeakable conspiracy comes to light, in which monsters prey upon the most vulnerable. As the body count mounts and Kat's hope for a second chance with Jeff grows more and more elusive, she is consumed by an investigation that challenges her feelings about everyone she ever loved—her former fiancé, her mother, and even her father, whose cruel murder so long ago has never been fully explained. With lives on the line, including her own, Kat must venture deeper into the darkness than she ever has before, and discover if she has the strength to survive what she finds there.

    With her back to the wall, she resorts to smuggling cocaine into Iceland, and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer, whose years of experience frustrate her new and evermore daring strategies. Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash. Set in a Reykjavík still covered in the dust of the Eyjafjallajökull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Snare is an outstandingly original and sexy Nordic crime thriller, from one of the most exciting new names in crime fiction.

    Still under psychological evaluation, Fawkes returns to the force eager for a big case. When his former partner and friend, Detective Emily Baxter, calls him to a crime scene, he's sure this is it: the body is made of the dismembered parts of six victims, sewn together like a puppet--a corpse that becomes known as "The Ragdoll."Fawkes is tasked with identifying the six victims, but that gets dicey when his reporter ex-wife anonymously receives photographs from the crime scene, along with a list of six names, and the dates on which the Ragdoll Killer plans to murder them.The final name on the list is Fawkes.Baxter and her trainee partner, Alex Edmunds, hone in on figuring out what links the victims together before the killer strikes again. But for Fawkes, seeing his name on the list sparks a dark memory, and he fears that the catalyst for these killings has more to do with him--and his past--than anyone realizes.With a breakneck pace, a twisty plot, and a wicked sense of humor, Ragdoll announces the arrival of the hottest new brand in crime fiction.

    Sifting through the rubble of the townspeople’s shattered memories, they have to dodge increasingly serious threats, and find justice … before it’s too late.

    For Lewis-born Macleod, the case represents a journey both home and into his past.A SECRETSomething lurks within the close-knit island community. Something sinister.A TRAPAs Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted.

    On her journey through the deep forest, she sumbles upon the site of a grisly double murder--a crime that will remain unsolved for nearly twenty years, until the day Annie sees her grown daughter in the arms of one man she glimpsed in the forest that eerie midsummer night.Like Gorky Park and Smilla's Sense of Snow, Blackwater is a unique trhiller in which the hearts and minds of the characters are as strikingly compelling as the exotic northern landscape that envelops them.