Set in the United States, it pictures a society in which human problems are solved by a scientific technology of human conduct.

    Uniformity is the defining feature; there is only one language and all ethnic groups have been eugenically merged into one race called “The Family.” The world is ruled by a central computer called UniComp that has been programmed to keep every single human on the surface of the earth in check. People are continually drugged by means of regular injections so that they will remain satisfied and cooperative. They are told where to live, when to eat, whom to marry, when to reproduce. Even the basic facts of nature are subject to the UniComp’s will—men do not grow facial hair, women do not develop breasts, and it only rains at night.

    He wants to be painted crossing the finish line, in his racing silks, with a medal around his neck. But Charley isn't a runner. He is a human mount, the property of one of the alien invaders called Hoots. Charley hasn't seen his mother in years, and his father is hiding out in the mountains with the other Free Humans. The Hoots own the world, but the humans want it back. Charley knows how to be a good mount-now he's going to have to learn how to be a human being. This remarkable novel, winner of the 2002 Philip K. Dick Award, should be read by every fan of speculative fiction, teenagers and adults alike.

    On her first mission, she is shot down and marched through the Tibetan Himalayas to a secret POW camp where Viveka notices that neither she nor her fellow cellmates can remember how long they've been incarcerated.

    Sacchetti and the other inmates are used in perverse scientific experiments, and Sacchetti is infected with a germ that raises intelligence to incredible heights while causing decay and death.

    Le Guin's Always Coming Home is a major work of the imagination from one of America's most respected writers. More than five years in creation, it is a novel unlike any other. A rich and complex interweaving of story and fable, poem, artwork, and music, it totally immerses the reader in the culture of the Kesh, a peaceful people of the far future who inhabit a place called the Valley on the Northern Pacific Coast. The author makes the inhabitants of the valley as familiar, as immediate, as wholly human as our own friends or family. Spiraling outward from the dramatic life story of a woman called Stone Telling, Le Guin's Always Coming Home interweaves wry wit, deep insight and extraordinary compassion into a compelling unity of vision.

    What Would your life say if it could talk?                                                            —from “No Fly Zone”With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like “love” and “illness” now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.

    Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy.

    In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

    Sister Lilith - Honoree Fanonne JeffersThe Comet - W.E.B. Du Bois Chicage 1927 - Jewelle GomezBlack No More (novel excerpt) - George S. Schuyler separation anxiety - Evie Shockley Tasting Songs - Leone RossCan You Wear My Eyes - Kalamu ya SalaamLike Daughter - Tananarive Due Greedy Choke Puppy - Nalo Hopkinson Rhythm Travel - Amiri Baraka Buddy Bolden - Kalamu ya SalaamAye, and Gomorrah... - Samuel R. Delany Ganger (Ball Lightning) - Nalo HopkinsonThe Becoming - Akua Lezli HopeThe Goophered Grapevine - Charles W. ChestnuttThe Evening and the Morning and the Night - Octavia E. Butler Twice, at Once, Separated - Linda Addison Gimmile's Songs - Charles R. Saunders At the Huts of Ajala - Nisi Shawl The Woman in the Wall - Steven Barnes Ark of Bones - Henry Dumas Butta's Backyard Barbecue - Tony Medina Future Christmas (novel excerpt) - Ishmael ReedAt Life's Limits - Kiini Ibura Salaam The African Origins of UFOs (novel excerpt) - Anthony JosephThe Astral Visitor Delta Blues - Robert Fleming The Space Traders - Derrick Bell The Pretended - Darryl A. Smith Hussy Strutt - Ama PattersonEssays. Racism and Science Fiction - Samuel R. DelanyWhy Blacks Should Read (and Write) Science Fiction - Charles R. Saunders Black to the Future - Walter MosleyYet Do I Wonder - Paul D. MillerThe Monophobic Response - Octavia E. Butler

    Today its message has grown more relevant than ever before.Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But when he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television, Montag begins to question everything he has ever known.

     In a far future, post-nuclear-holocaust Africa, genocide plagues one region. The aggressors, the Nuru, have decided to follow the Great Book and exterminate the Okeke. But when the only surviving member of a slain Okeke village is brutally raped, she manages to escape, wandering farther into the desert. She gives birth to a baby girl with hair and skin the color of sand and instinctively knows that her daughter is different. She names her daughter Onyesonwu, which means "Who Fears Death?" in an ancient African tongue. Reared under the tutelage of a mysterious and traditional shaman, Onyesonwu discovers her magical destiny – to end the genocide of her people. The journey to fulfill her destiny will force her to grapple with nature, tradition, history, true love, the spiritual mysteries of her culture – and eventually death itself.

      At Jodrell Bank Observatory in England, a radio telescope has detected a mysterious signal of extraterrestrial origin—a message that may be the first communication from an interstellar civilization. Has humanity made first contact? Is the signal itself a form of alien life? Could it be a threat? If so, how will the people of Earth respond?             Jack Fenwick, artificial intelligence expert, believes that he and his associates at tech startup Intelligencia can interpret the message a find a way to step into the realm the signal encodes. What they find is a complex alien network beyond anything mankind has imagined.          Drawing on Dada, punk and the modernist movements of the twentieth century, XX is assembled from redacted NASA reports, artwork, magazine articles, secret transcripts and a novel within a novel. Deconstructing layout and language in order to explore how idea propagate, acclaimed designer and artist Rian Hughes's debut novel presents a compelling vision of humanity's unique place in the universe, and a realistic depiction of what might happen in the wake of the biggest scientific discovery in human history.             Propulsive and boldly designed, XX is a gripping, wildly imaginative, utterly original work.

      There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience.   Now, for the first time, we have all of Jack Gilbert’s work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.

    It soon became known as the Ministry for the Future, and this is its story.From legendary science fiction author Kim Stanley Robinson comes a vision of climate change unlike any ever imagined.Told entirely through fictional eye-witness accounts, The Ministry For The Future is a masterpiece of the imagination, the story of how climate change will affect us all over the decades to come.Its setting is not a desolate, post-apocalyptic world, but a future that is almost upon us - and in which we might just overcome the extraordinary challenges we face.It is a novel both immediate and impactful, desperate and hopeful in equal measure, and it is one of the most powerful and original books on climate change ever written.