Only the next moment, though, your laptop appears out of thin air and the pristine view is replaced by an excel sheet. Welcome to Atharv’s life!A free-spirited soul, Atharv is an IIT-IIM graduate who has had an accomplished career, till he lands up with Mandira, a difficult, bordering-on-insane boss who makes her team dance to her tunes. Atharv grapples with the mounting work and the daily pressures of an urban Indian man, as Mandira finds new ways to shatter his confidence and determination. While he battles it out with this virus of a boss and her insane ways of managing work, another virus strikes the world and enters his life.At times hilarious, at times dramatic, witness this corporate slave’s roller-coaster ride as he plans his retribution from the two viruses and Dares to LIVE!

    He has been muttering two names in his sleep: Kriti and Rohan. Ravish is an introvert associated with the technology world. Neha is an outrageously curious woman and a firm optimist.What brings them together? Who are Kriti and Rohan and what’s their story?Welcome to this tale of emotions and the fight against consequences of our desire

    Tammy, Falisha, Kim and Lisa are all back and with new issues as old relationships threaten each lady’s happiness. Tammy finds herself deeply in love with her new man Darious, but when a secret is revealed, will it destroy her now seemingly perfect world? Lisa and Ralphy, still hospitalize, are forced to evaluate what they mean to each other. Will this near death experience convince them that love can conquer all? Lamar finally got up the nerve to pop the big question to Kim, but is Falisha all the way out of his heart? Speaking of Falisha, will the news of Lamar and Kim run her back into Fox's arms?

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there.Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    It is time to rewrite the stories. We are no longer the hero’s love interest. Neither do we believe in happily ever after. We do not wish to dance to anybody else’s tunes. We choose our path. We make mistakes. We learn from them. We love. We lose. We age. We evolve. These are stories of women. Different women. For we cannot and should not stereotype women. These stories are of relationships. These stories touch upon social issues. These stories may inspire you. These stories make you feel like you are not alone. These stories may surprise you. These stories may entertain you. I hope everybody would be able to pick something they like.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

     5,000 additional words completed with sex, lies, and secrets A preview of Part 2 raw, unedited, and edge of the seat drama Follow Lakisha Johnson on social media: Instagram @KishaJohnson Twitter @_LakishaJohnson

    But no matter how hard she tries to love him, her heart yearns for another.Gade, Saphire's younger sister, married the man of her dreams. Lamonte Singletary is everything a red-blooded woman could ever want in a man. After the birth of their son, life has been picture perfect. That is, until Joe Burrels, a bittersweet memory from the past, returns with a haunting secret he is determined to reveal.Now the bond of sisterhood could be destroyed forever.http://www.amazon.com/Sister-Street-C...