How Stoker became the creator of the mysterious, seductive count from a castle (and coffin) in Transylvania was a story in and of itself. Over the past century, Dracula has never been out of print and has become its own cultural phenomena, starting with Bela Lugosi’s famed rendition in 1931, to Mel Brooks, Francis Ford Coppola, Christopher Lee, Buffy, Anne Rice’s Vampire Chronicles and the hugely popular Twilight series. This generously illustrated documentary collection explores in full the scope of the Dracula phenomenon, from the folkloric origins of the vampire legend to its unending legacy as a vital influence on the literary and performing arts, not to mention the Romanian tourist industry. Nor does it overlook Bram Stoker himself, and includes his working notes and exceptional primary documents.

    It makes you wonder what is REALLY out there?" -- Reader, Beverly (on Campfire 4) *Each of the first four books in the Campfire series has reached #1 Best Seller status on the Kindle Supernatural rankings on Amazon. FREE Audio Download with Purchase On this special audio Campfire, Jim replays his 5 favorite stories as told by the actual experiencers! Get the exclusive link with your purchase of True Ghost Stories: Campfire 5!

    K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

    Rowling (the HARRY POTTER series), Darren Shan (CIRQUE DU FREAK), R.L. Stine (the GOOSEBUMPS series), and Stephen King (IT)! Volume Three in the PETER AND THE MONSTERS series! Follow the adventures started in PETER AND THE VAMPIRES (Volume One) and PETER AND THE WEREWOLVES (Volume Two)!Tragedy has struck Peter’s best friend Dill. In his effort to help, Grandfather might have actually made things worse. But help is on the way in the form of a new ally, and important information surfaces that might explain the Curse now haunting Peter and his family. In this volume, Peter battles more supernatural mayhem, including:A scientist who pieces together a family of monstrous creations…A pack of small creatures that kill the local baker, and plan to make Peter their next victim…Peter’s own dark side, which rears its ugly head in a violent rampage…A mysterious ‘snow demon’ out of Native American legend that menaces Peter on a ski trip…And a couple of ‘walking dead’ who try to put Peter in the morgue during a visit to the hospital. The PETER AND THE VAMPIRES series is for teens and adults who, when they were kids, were looking for stories that kicked butt. The protagonist might be young, but the stories are dark, funny, and edge-of-your-seat suspenseful.PETER AND THE FRANKENSTEIN is the third in an ongoing series that includes PETER AND THE VAMPIRES (Volume 1) and PETER AND THE WEREWOLVES (Volume 2). This book is 150,000 words (450+ pages) and contains some mild language, violence, and scary situations.

    It was Halloween and Samantha`s contractions were unbearable so her husband rushed his pregnant wife to the hospital to deliver their new bundle of joy. Mike told the doctor and nurse to take great care of his wife. The doctor and nurse reassured Mike they would take very good care of her and not to worry. Mike waited patiently in the waiting room as the doctor and nurse delivered their beautiful baby. After a few hours the baby finally arrived and the doctor entered the waiting room and told Mike to come in the room and see his new baby. Mike entered and his wife was all smiles and said "Honey, it`s a boy!" "I think he looks like a Johnny. What do you think?" asked his wife. "Johnny sounds fine to me," replied Mike. Mike was so excited and held his baby boy in his arms as tears rolled down his cheeks and said "Darling, I think he likes me." Mike stayed the night in his wife's room with their new baby, but as they were both sleeping, an unforeseen force came in their room that was about to change their lives forever, when they both woke in the morning. Morning came, and Samantha was discharged from the hospital, and time for their new baby to be raised in their new home. It wasn't until after little Johnny turned 6 years of age that things around the Delany Estate turned deadly. The first sign that Johnny had the mark of the beast was June 6. It was the 6th month, 6th day, and Johnny was 6. All the numbers represented 666.

    'The Fall of the House of Usher' describes the final hours of a family tormented by tragedy and the legacy of the past. In 'Tell-Tale Heart', a murderer's insane delusions threaten to betray him, while stories such as 'The Pit and the Pendulum' and 'The Cask of Amontillado' explore extreme states of decadence, fear and hate. These works display Poe's startling ability to build suspense with almost nightmarish intensity.David Galloway's introduction re-examines the myths surrounding Poe's life and reputation. This edition includes a new chronology and suggestions for further reading.PREVIOUSLY PUBLISHED AS SELECTED WRITINGSChronologyIntroductionFurther ReadingA Note on the TextPOEMSStanzasSonnet — To ScienceA/ AaraafRomanceTO HelenIsrafelThe City in the SeaThe SleeperLenoreThe Valley of UnrestThe RavenUlalumeFor AnnieA ValentineAnnabel LeeThe BellsEldoradoTALESMS. Found in a BottleLigeiaThe Man that was Used UpThe Fall of the House of UsherWilliam WilsonThe Man of the CrowdThe Murders in the Rue MorgueA Descent into the MaelströmEleonoraThe Oval PortraitThe Masque of the Red DeathThe Pit and the PendulumThe Tell-Tale HeartThe Gold-BugThe Black CatThe Purloined LetterThe Facts in the Case of M. ValdemarThe Cask of AmontilladoHop-FrogESSÄYS AND REVIEWSLetter to B—Georgia ScenesThe Drake—Halleck Review (excerpts)Watkins TottleThe Philosophy of FurnitureWyandottéMusicTime and SpaceTwice-Told TalesThe American Drama (excerpts)HazlittThe Philosophy of CompositionSong-WritingOn ImaginationThe Veil of the SoulThe Poetic Principle (excerpts)Notes

    Includes A Watcher by the Dead by Ambrose Bierce; The Body Snatchers by Robert Louis Stevenson; The Adventure of the German Student by Washington Irving; Dickon the Devil by J. Sheridan Le Fanu; The Fall of the House of Usher by Edgar Allan Poe; and The Open Window by Saki.

    I could not refrain from starting when I heard him utter the name of Clarimonde, and this news of her death, in addition to the pain it caused me by reason of its coincidence with the nocturnal scenes I had witnessed, filled me with an agony and terror which my face betrayed.A terrifying tale by Gautier written in first person. It narrates the story of a young priest, Romuald, who falls in love with a mysterious woman called Clarimonde. He goes through strange experiences after meeting her and she haunts him in his dreams. The author has captured the desires, emotions and feelings of the priest brilliantly. Spine-chilling!

    Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"-a chapter omitted from his landmark novel.Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    After many years of experiencing a strange and recurring dream, of an unseen, unidentified terror lurking in a room at the top of a mysterious house, our narrator is disturbed to find that his nightmare appears to be crossing over into real life...

    He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits.His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen.Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.