Both of Louisa's husbands died suddenly. The Crown was convinced that Louisa poisoned them with arsenic and, to the horror of many in the legal community, put her on trial an extraordinary four times in order to get a conviction. Louisa protested her innocence until the end. Now, in Last Woman Hanged, writer and journalist Caroline Overington delves into the archives to re-examine the original, forensic reports, court documents, judges notebooks, witness statements and police and gaol (jail) records, in an effort to discover the truth.

    What are your fictions?Tara Moss has worn many labels in her time, including 'author', 'model', 'gold-digger', 'commentator', 'inspiration', 'dumb blonde', 'feminist' and 'mother', among many others. Now, in her first work of non-fiction, she blends memoir and social analysis to examine the common fictions about women. She traces key moments in her life - from small-town tomboy in Canada, to international fashion model in the 90s, to bestselling author taking a polygraph test in 2002 to prove she writes her own work - and weaves her own experiences into a broader look at everyday sexism and issues surrounding the underrepresentation of women, modern motherhood, body image and the portrayal of women in politics, entertainment, advertising and the media. Deeply personal and revealing, this is more than just Tara Moss's own story. At once insightful, challenging and entertaining, she asks how we can change the old fictions, one woman at a time.'This book, part memoir, part manifesto, catapults [Tara] into the frontline as a public commentator who demands serious attention. She is a welcome addition to any conversation about social justice, public ethics and the objectification of women, about which she knows a great deal.' Caroline Baum'a nimbly argued, statistic-laden exploration of the various labels we give women and the impact this has on their lives' Catherine Keenan, ABC The Drum'This is a book which needs to be read by men and women. Well written, clearly argued, informative, powerful and thought provoking. Forget everything you thought you knew about Tara Moss, with The Fictional Woman, Tara sets the record straight and takes her place as one of our generations great commentators.' John Purcell, Booktopia

    What he lacked in experience and expertise, he made up for in enthusiasm. Or so he hoped.When the family arrived on a lonely hill in northern New South Wales, they had no electricity, no running water, no telephone and no choice but to make that tangle of bush their home. From Angela Wales, eldest of the five kids, comes this extraordinarily vivid and evocative account of the next ten years as they tried to tame six thousand acres and navigate the challenges of country life.Filled with drama and hilarity, joy and back-breaking toil, Barefoot in the Bindis portrays a childhood spent in the bush, and is a sensational picture of Australia past.

    A traumatic, violent upbringing saw to that. But after serving a short sentence for theft as a teenager, she worked hard to break the cycle. Thirteen years later Angela was studying, teaching, providing a stable home for her son, and finally feeling like she'd got her life together. Then she got hit by a postie bike. Police realised that Angela still had ten months to go on the prison sentence she'd thought was in her distant past. However, Angela was a different prisoner the second time around: no longer a scared, damaged nineteen-year-old, she knew how to speak up for herself and her fellow prisoners against a system of power, privilege and cruelty that controls the lives of Australia's most vulnerable women and offers little hope for redemption. With unwavering courage, intelligence and humour, SNAKES AND LADDERS reveals an astonishing true story of falling through the cracks, and what it takes to climb back out again.

    Sahara is the story of Paula's struggle to overcome her innermost demons and take control of her journey, her camels, and the men she hires to guide her through one of planet's most extreme regions. Illness, landmines, and political red tape stand between Paula and the realization of a life's dream. Though the wheels have fallen off her marriage on the course of her journey and her funds are quickly drying up, she is determined to complete the walk through the romantic Big Empty of Northern Africa to Cairo. Both a thrilling adventure and a story of joy, heartache, inspiration, and despair, Sahara is—above all—a celebration of the greatness of human spirit in all its guises.

    Having Ali taught me about unconditional love, she gave me the reason to continue living ...The dreaded day arrived ... 'Helen Barnacle to the front gate.' The sound pierced my ears and my heart. I held Ali in my arms tightly and walked towards the prison gates…'Don't cry', I kept repeating to myself. Don't Let Her See Me Cry. Don't upset her. I can't let her see me cry,' I chanted this mantra over and over and over ...I passed Ali through the prison gates to my brother, Ron ...'Bye-bye, Mum,' Ali said. 'I love you.' And with her little hand waving over Ron's shoulder, they turned and walked away.Don't Let Her See Me Cry is the sort of bestseller that comes along only once in a lifetime. It is the gutsy, moving and inspiring true story of one woman's remarkable journey from a hopeless young heroin addict facing a 15-year prison sentence with a newborn baby to a successful psychologist, drug counseller, prison reform campaigner, and mother and best friend to Ali - the daughter who gave her the courage and determination to survive.Sentenced to the longest drug-related prison term ever meted out to a woman in Victoria, the discovery that she was to become a mother was far from welcome news to Helen Barnacle. The irony was that this tiny helpless being gave her a new lease on life - and a reason to hope. Helen's love and devotion for baby Ali led to her winning an historic battle. In a landmark decision she became the first woman allowed to keep her baby in prison beyond her first birthday. But three years later Helen had to face every mother's worst nightmare and give up her daughter. While she knew the time had come for Ali to leave the prison for her own good, this did not make the decision any easier. Ali had become her reason for living. Handing her daughter over at the gates of the prison almost destroyed her. In utter despair she resumed her love affair with heroin and was on a hopeless path of destruction until she was caught using in prison. Her brother Ron, the only person who had stood by her, gave her an ultimatum-if she really loved Ali she had to stop thinking of herself and find the courage to live.Helen had first to overcome her lifelong addiction with heroin, a crutch she had relied in since her youth to overcome her feelings of worthlessness. Thanks to the support of staff at Fairlea's Education Centre the former musican began to rediscover her love of music and study classical music, as well as writing and performing her own work for the Fairlea Drama Group, which evolved into the highly acclaimed SOMEBODY'S DAUGHTER Theatre group. Helen also began a Bachelor of Arts degree, majoring in psychology. After leaving prison 12 years ago, she completed her post-graduate studies in psychology and after two years supervision was employed as a psychologist specialising in drug and alcohol problems at TaskForce Community Agency in Prahran. Over the next six years she ran workshops for judges and magistrates, counselled both drug workers and addicts, presented papers for national and international seminars, wrote the drug education booklet 'Tentative Steps', and rose to position of Drug Program Director. She also established a pilot project in the Juvenile Justice System using drama and the arts as therapy with young offenders. Don't Let Her See Me Cry is the story of the power of the bond between a mother and daughter, a brother and sister, of finding love in the most unexpected places, and of the strength of the human spirit. The story of Barnacle's life 'inside', how she fought to keep her daughter with her and how she remade herself makes an inspiring, confronting tale.

    On the run, he was pursued by bikers and a neo-Nazi gang blood-thirsty for revenge, while a homicide detective launched a nationwide manhunt.As the mist from his smoking gun fades, readers are left with an unexpected portrait of a stoic philosopher with a wealth of charm, a glorious turn of phrase and a fanatical devotion to his daughter.

     There is no big league pitcher who is more respected for his skill than David Cone. In his stellar career Cone has won multiple championships andcountless professional accolades. Along the way, the perennial all-star has had to adjust to five different ballclubs, recover from a career-threatening arm aneurysm, cope with the lofty expectations that are standard for the games highest paid players, and overcome a humbling three-month, eight-game losing streak in the summer of 2000. Cone granted exclusive and unlimited access to baseballs most respected writer Roger Angell of the New Yorker. The result is just what baseball fans everywhere would expect from Angell: an extraordinary inside account of a superstar.

    Without radio play and virtually unnoticed by the press, the Dead forged a vast underground following whose loyalty survives to the present day. National Book Critics Circle Award-winning author Carol Brightman returns to the band's roots—to Ken Kesey and the Merry Pranksters, the acid tests and the heady days of Haight-Ashbury, the free concerts in Golden Gate Park and the formative shows of New York's Fillmore East—to uncover the secrets of the band's longevity. Drawing on exclusive interviews With band members, staff and crew, Deadheads, other musicians, journalists—and her own experience as a '60s activist—Brightman shows us how, amid the turbulent Free Speech Movement and antiwar rallies, the Grateful Dead's abandonment to music, drugs, and dance offered the faithful a shelter in the storm. Her riveting, in-depth portrait of Jerry Garcia, the "nonleader leader" who held to a vision of the Grateful Dead's destiny even as he recoiled from the juggernaut it became, shows us how it was that a Dead concert become something halfway between a revival meeting and a family reunion. An absorbing and exhilarating exploration, Sweet Chaos offers, at last, a complete understanding of the Dead phenomenon and its place in American culture.

    The Gonzo Way. [Golden]: Fulcrum, [2007]. First edition, first printing. Twelvemo. 112 pages. Anita Thompson pays tribute to her late husband as a writer and as a citizen, through her own words and those of who knew him best. With elegant prose and entertaining anecdotes, she reveals a Hunter Thompson who was much more than a mere embodiment of sex, drugs, and rock and roll.

     From her exploits at Miss Sheila's Fancy-pants School of Dance and her efforts to secure a solo at the end-of-year performance, to embracing the spotlight as an Australian Idol contestant and her deep and abiding love for John Farnham, Em Rusciano is a self-confessed hobbit with a taste for glitter. And behind the stage makeup Em is an overachiever of epic proportions – an elite athlete, the hardest working mum you’ll ever meet, and the best friend The Gays could ever have. She also has a heart bigger than Phar Lap’s, tells the best dirty jokes, and loves those closest to her ferociously. When the chips are down, you definitely want her on your side. This all-singing, all-dancing, all-emoting, leopard-print clad warrior is fierce, fabulous and pants-wettingly funny. Try Hard is her story. Because she is. And she does.

    Picardie's unprecedented research illuminates Chanel’s path from little-known seamstress to the aristocracy of style in this stunning look at the fashion icon, illustrated with more than sixty color and black-and-white images.

    Jesse walked out of prison a free man and disappeared, never to be heard from again. Never, that is, until 1949 when he came out of hiding after almost 60 years to claim his inheritance. In the course of proving his identity to a court Jesse told some amazing stories of his time when he was an outlaw but his biggest revelation of all was that his good friend Billy the Kid was still alive. Jesse led a young lawyer to an old man named not William H. Bonney but William H. Roberts who after some consideration finally agreed to come forward and reveal himself as Billy the Kid only if he would help him obtain a pardon from the Governor before his death so he could die a free man. You see, Billy the Kid was still wanted for murder and was condemned to hang. To come forward and reveal himself was to risk being arrested and put to death. This was a risk that William H. Roberts was willing to take. He sat down with the young lawyer and told his story. That story is the one true autobiography of Billy the Kid and told only one time, to one man. This is his story.

    A problem those around me wanted to fix.’‘We have all felt that uncanny sensation that someone is watching us.’‘The diagnosis helped but it didn’t fix everything.’‘Don’t fear the labels.’One in five Australians have a disability. And disability presents itself in many ways. Yet disabled people are still underrepresented in the media and in literature.Growing Up Disabled in Australia is the fifth book in the highly acclaimed, bestselling Growing Up series. It includes interviews with prominent Australians such as Senator Jordon Steele-John and Paralympian Isis Holt, poetry and graphic art, as well as more than 40 original pieces by writers with a disability or chronic illness.Contributors include Dion Beasley, Astrid Edwards, Jessica Walton, Carly-Jay Metcalfe, Gayle Kennedy and El Gibbs.

    There are dramatic accounts of fighting for lives on death rows, freeing dissidents and taking on tyrants, armed only with a unique mind and a passion for justice - on display whenever he boomeranged back to Australia to conduct Geoffrey Robertson's Hypotheticals.His is an amazing life story of David and Goliath battles - riveting, laugh-out-loud tales filled with romance and danger, featuring a cast of characters ranging from General Pinochet to Pee-Wee Herman; from Malcolm Turnbull to Mike Tyson; from Nigella Lawson to Kathy Lette and Julian Assange. Throughout his exploits - recounted here with irreverent humour and dashes of true wisdom - Geoffrey Robertson has remained determinedly independent and his own man. He has also, in respect of human rights, changed the way we think.