So one more death shouldn't be a surprise. But then a body turns up with bizarre injuries, and Sherlock Holmes' former sidekick Dr John Watson - unable to fight for his country due to injury but able to serve it through his medical expertise - finds his suspicions raised. The face has a blue-ish tinge, the jaw is clamped shut in a terrible rictus and the eyes are almost popping out of his head, as if the man had seen unimaginable horror. Something is terribly wrong.But this is just the beginning. Soon more bodies appear, and Watson must discover who is the killer in the trenches. Who can he trust? Who is the enemy? And can he find the perpetrator before he kills again?Surrounded by unimaginable carnage, amidst a conflict that's ripping the world apart, Watson must for once step out of the shadows and into the limelight if he's to solve the mystery behind the inexplicable deaths.

    It would end officially almost five years later. Unofficially, it has never ended: the horrors we live with today were born in the First World War.It left millions-civilians and soldiers-maimed or dead. And it left us with new technologies of death: tanks, planes, and submarines; reliable rapid-fire machine guns and field artillery; poison gas and chemical warfare. It introduced us to U-boat packs and strategic bombing, to unrestricted war on civilians and mistreatment of prisoners. Most of all, it changed our world. In its wake, empires toppled, monarchies fell, whole populations lost their national identities as political systems, and geographic boundaries were realigned. Instabilities were institutionalized, enmities enshrined. And the social order shifted seismically. Manners, mores, codes of behavior; literature and the arts; education and class distinctions-all underwent a vast sea change. And in all these ways, the twentieth century can be said to have been born on the morning of June 28, 1914.

    Multilingual and knowledgeable about many European countries, he was dispatched by the Secret Service to Lucerne - under the guise of completing a play. An assignment whose danger and drama appealed both to his sense of romance and of the ridiculous. A collection of stories rooted in Maugham's own experiences as an agent, reflecting the ruthlessness and brutality of espionage, its intrigue and treachery, as well as its absurdity.

    At last the time has come when secrets can be shared and explanations begin... Their journey starts with an unscheduled stop at the imposing Thiepval Memorial to the dead of the Battle of the Somme near Amiens. Amongst those commemorated is Leonora's father. The date of his death is recorded as 30th April, 1916. But Leonora wasn't born until 14th March 1917. Penelope at once supposes a simple wartime illegitimacy as the clue to her mother's unhappy childhood and the family's sundered connections with her aristocratic heritage, about which she has always known so little. But nothing could have prepared her, or the reader, for the extraordinary story that is about to unfold.

    The story of the Great War, told by the soldiers themselves.

    The hero is George Winterbourne. Leaving the Edwardian gloom of his embattled parents behind him, George escapes to Soho, which buzzes, on the eve of war, with talk of politics, pacifism and free love. He paints, he marries, he takes a mistress: the perfect hero of his time, whose destiny -- like all those of that lost generation -- is the bloody nightmare of the trenches.

    This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy’s narratives address issues such as abortion and poverty, and what she called “the sex war” is an abiding theme throughout. Stories and Essays of Mina Loy also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy’s early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events and religion complete this beguiling collection, cementing Mina Loy’s place as one of the great writers of the twentieth century.

    Yet it soon becomes clear that all is not as it seems, for the day after they arrive in England, Danny hastily sweeps the girls onto a huge ocean liner heading to New York, leaving no forwarding address.When their father vanishes mid-way across the Atlantic, the grieving sisters prepare themselves for a new life in the big city, far from home, friends and family. For whatever their father was running from has every chance of catching up with the girls, unless they can do their best to build new lives in New York . . .

    Mussolini fought in these trenches, as did most of his collaborators. But so did many of the greatest modernist writers in Italian and German - Ungaretti, Gadda, Musil.

    Soldiers were often unceremoniously dumped in a mass grave; officers shipped home for burial.The great cemeteries of WWI came about as a result of the efforts of one inspired visionary. In 1914, Fabian Ware joined the Red Cross, working on the frontline in France. Horrified by the hasty burials, he recorded the identity and position of the graves. His work was officially recognised, with a Graves Registration Commission being set up. As reports of their work became public, the Commission was flooded with letters from grieving relatives around the world.Critically acclaimed author David Crane gives a profoundly moving account of the creation of the great citadels to the dead, which involved leading figures of the day, including Rudyard Kipling. It is the story of cynical politicking, as governments sought to justify the sacrifice, as well as the grief of nations, following the ‘war to end all wars’.

    Hitler's triumphant Third Reich has crushed all Europe--except Britain. As Hitler launches a massive aerial assault, only the heavily outnumbered British RAF and the iron will of Winston Churchill can stop him. The fate of Western civilization teeters in the balance.Johnnie Shaux, a Spitfire fighter pilot, knows that the average life expectancy of a pilot is a mere five hours of operational flying time. Sooner or later, his luck will run out. Yet he must constantly summon up the fortitude to fly into conditions in which death is all but inevitable and continue to do so until the inevitable occurs...Meanwhile, Eleanor Rand, a WAAF staff officer in RAF headquarters, is struggling to find her role in a man's world and to make a contribution to the battle. She studies the control room maps that track the ebb and flow of conflict, the aerial thrust and parry, and begins to see the glimmerings of a radical strategic breakthrough...Breaking Point is based on the actual events of six days in the historic Battle of Britain. The story alternates between Johnnie, face to face with the implacable enemy; and Eleanor, in 11 Group headquarters, using 'zero-sum' game theory to evolve a strategic model of the battle.

    Photographs.

    Looking out from her window towards the dramatic rise of the Skelligs across the water, she reflects on the loss of Brendan, her husband and charming curator, his death stirring unresolved heartache from years gone by. Alone on the windswept headland, surrounded by miles of cold sea, the past closes in.As the days unfold, Martha searches for a way forward beyond grief, but finds herself drawn into a standoff between the entrepreneur Eugene Riordan and local hill farmer Paddy O'Connell. While the tension between them builds to a crisis that leaves Paddy in hospital, Martha encounters Colm, a talented but much younger musician and poet. Caught between its history and its future, the Celtic Tiger reels with change, and Martha faces redemptive choices that will change her life forever.

    It also left a residue of disruption and disillusion that spawned an even more ruinous conflict scarcely a generation later.Over Here is the single-most comprehensive discussion of the impact of World War I on American society. This 25th anniversary edition includes a new afterword from Pulitzer Prize-winning author David M. Kennedy, that explains his reasons for writing the original edition as well as his opinions onthe legacy of Wilsonian idealism, most recently reflected in President George W. Bush's national security strategy. More than a chronicle of the war years, Over Here uses the record of America's experience in the Great War as a prism through which to view early twentieth century American society.The ways in which America mobilized for the war, chose to fight it, and then went about the business of enshrining it in memory all indicate important aspects of enduring American character. An American history classic, Over Here reflects on a society's struggle with the pains of war, and offerstrenchant insights into the birth of modern America.

    The total gain - a few thousand yards of indefensible slough - cost about a million Allied lives.