India, the spoiled younger sister, has a chip the size of Texas on her shoulder. As far as she’s concerned, anybody can get it. She does what she wants when she wants and to whom she wants. Family, loyalty, and friendship are all things that she no longer believes in. It’s India’s world and everyone better know it. Milan is the “good” sister. At twenty years old, she is in her third year at UCLA, and a model daughter to her hardworking mother. Naturally shy and quiet, Milan has become used to people walking all over her. However, when she catches the eye of Cain Wilson, the star football player, and NFL prospect, he helps her to realize her worth. With Cain’s help, Milan’s confidence soars, and she is no longer the mousy little pushover that everyone knows. Cain Wilson has the world at his fingertips. Whether he chooses the NFL, medical school, or even the family drug business, his future will be bright. Cain has one weakness, and that is women. Cain is drawn to Milan from the moment he lays eyes on her. Before he can pursue her, a conniving little birdy fills his head with lies, and he decides that Milan is not worthy of his time and effort. What’s done in the dark always comes to light, and Cain eventually uncovers the truth about Milan. Unfortunately, he finds out after India announces that she is pregnant by him, and Milan returns to an old love. In light of their circumstances, Cain and Milan must settle for friendship when they both want more. Will the two of them find a cure for their Love Jones or will they cross that line?

    Among filmmakers and film buffs, Cassavetes is revered, almost as a god. A major star of live television and a serious actor, he stumbled into making his first film, Shadows, and created a template for working outside the Hollywood system that would produce some of the most piercing and human films of the last thirty years including A Woman Under the Influence and Husbands. He became the prototypical outsider fighting the system for much of his career. Film critic Marshall Fine had unprecendented access to Cassavetes' wife, Gena Rowlands, and other members of their inner circle, as well as industry insiders who worked with Cassavetes -- some speaking publicly for the first time. Together, they tell his daring, tumultuous, and compelling story.

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    Dalloway -- a postmodern masterpiece whose minimal action takes place on a single June day in postwar London. The Hours progresses in fuguelike fashion: First we meet Clarissa Vaughan, a New York book editor dubbed "Mrs Dalloway" by her longtime friend and former lover Richard. Next, Cunningham presents Woolf herself, beginning work in 1923 on what is to become Mrs. Dalloway. And finally we are introduced to Laura Brown, a California housewife who is avidly reading Woolf's novel. Scenes from these three narratives are presented in recurrent identical succession: "Mrs. Dalloway," Mrs. Woolf, Mrs. Brown -- all bristling with connections and startling parallels. The "Mrs. Dalloway" strand is particularly rich, filled as it is with one-to-one correspondences to Woolf's novel. But the deepest and most important thing that The Hours shares with Mrs. Dalloway is "the feeling," as Woolf called it, "that it was very, very dangerous to live even one day." Cunningham's three women proceed through the day, through the hours, trying to keep themselves psychologically intact, like someone carrying a glass of water filled to the brim through a crowd and endeavoring not to spill it. They hesitate before plunging into the day because they know how hard it is to live in the world and remain identical with oneself. And they puzzle over a universal dilemma: how to bring the self into the world without its getting broken in the process. In The Hours, Michael Cunningham has explored this dilemma with an impressive and moving subtlety worthy of his great precursor. Benjamin Kunkel

    While struggling to get his feet planted deep in the dope game, he becomes attached to the little boy. Being affiliated with other hustlers and robbers eventually jeopardizes his life as well as the child's. When enough guns go off and enough bodies get laid to rest, Manus better have enough money to buy his son from the woman who threatens to separate them forever.

    Falling in love with Boss, though, is the easy part; staying in love will prove to be a much harder task. When Meesha discovers that her heart's desire is not only a well-connected gangster, but is also next in line to head the mob that controls the entire city of St. Louis, she must make the most difficult decision of her entire young life. When she decides to stand by her man, it becomes painfully clear that, even though she's the only woman in his heart, she's not the only woman in his bed...Malcolm "Boss" Clark knows better than to fall for a girl almost ten years younger than him. He's a man, and Meesha is just a girl, but there's something about her that won't let Boss walk away. Their relationship moves fast and burns hot, much like the city they call home. In the blink of an eye, they find themselves dangerously in love with two small daughters and their first son on the way. The love soon turns to hate, though, when Meesha's doctor breaks the news to her that she's HIV-positive. Certain that Boss contracted the virus from one of his numerous affairs, an emotionally distraught Meesha locks herself in a bathroom with her husband, then proceeds to point his own gun in his face and demand answers - but will the truth set her free, or just keep her bound...?

    Sitting cross-legged on a high stool, whiskey in one hand, cigarette in the other, Dave Allen's exasperated commentaries on the absurdities of modern life struck a chord with millions of fans in Britain, Ireland and Australia for over four decades. He was a compelling storyteller - able to spin shaggy dog stories out of the almost any subject, including the missing tip of his fourth finger of his left hand, for which he provided various unlikely explanations. But his gentle, laconic wit could also give way to ferocious attacks on the media, the state and, most famously, the Catholic Church. He was a unique talent - a comic who could make his audiences laugh, cry, and be shocked, all in one.This official celebration of Dave Allen's comedy has been drawn together by Graham McCann - Britain's best-loved entertainment writer. It is a treasure trove of stories, stand-up routines, sketches, interviews and photos, which takes us on a journey from the cradle to the grave. It will delight Dave Allen's million of fans, old and new alike.'Dave Allen was our greatest storyteller and nobody ever came close to his ability to spin a yarn. He was unique, right up there with the greats.' Jack Dee

    His career in film started in John Boorman's atmospheric Excalibur and to date has included such highlights as Miller's Crossing (The Coen Brothers), Gothic (Ken Russell), In the Name of the Father (Jim Sheridan) which he also produced, The Usual Suspects (Brian Singer) and most recently Smila's Feeling for Snow and the Man in the Iron Mask. The range of roles is varied but always played with a brooding intensity.

    As an undergraduate at Columbia, he organized the school's first film society. Later, he even tried his own hand at filmmaking. But it was not until his ascent as a major essayist that Lopate found his truest and most lasting contribution to the medium. And, over the past twenty-five years, tackling subjects ranging from Visconti to Jerry Lewis, from the first New York Film Festival to the thirty-second, Phillip Lopate has made film his most cherished subject. Here, in one place, are the very best of these essays, a joy for anyone who loves movies.

    A. Bayona (The Impossible), based on the acclaimed novel by Patrick Ness.A Monster Calls tells the story of Conor O’Malley (Lewis MacDougall), a young boy whose world has been turned upside down by his mother’s (Felicity Jones) terminal illness. Conor’s life is thrown further into disarray when he is visited by a gigantic monster, formed from the bark of a tree in a nearby churchyard. The monster vows to tell Conor three stories over several visits and demands that Conor must then tell his own story. As his mother’s health worsens and Conor struggles to deal with everyday life and the visits of the monster, he must confront his worst fears to survive. Also featuring the voice of Liam Neeson as the monster, plus an exceptional performance by Sigourney Weaver as Conor’s grandmother, A Monster Calls is an emotionally gripping tale delivered with style and panache by director J. A. Bayona, whose next film is the much-anticipated Jurassic World 2. This book tells the full story of the creation of A Monster Calls through revealing interviews with the cast and crew—including Bayona, MacDougall, Jones, Neeson, and Weaver—and stunning behind-the-scenes visuals, such as concept art and on-set stills. The Art of A Monster Calls also delves into the electrifying special effects that bring the titular behemoth to life and the creation of the unique animated segments that accompany the monster’s stories in the film. The ultimate companion to one of the most exceptional films of 2016, The Art of A Monster Calls is a must-have for film fans.

    Told with disarming honesty, the book propels the reader into the mind of an addict and shows us the depths of degradation one man sunk to before finding the inner strength to save himself.Terry Donaldson met with success early in life but his struggle with addiction soon became an all-out war. His Jekyll and Hyde lifestyle – TV presenter by day, whilst he scoured the streets of London in search of drugs and prostitutes by night – caused him to lose everything.Facing financial ruin, he agreed to smuggle drugs from Barbados, but was caught and sent to one of the world’s worst prisons, where he remained for over 3 years. Honest and disturbing, Hell in Barbados is the true story of how Donaldson witnessed stabbings, beatings, shootings and a full scale riot as the prison went up in flames.
In this extraordinary book, he describes the true horror of prison life in the Caribbean, the depravity that brought him there, and the years of brutality he was forced to endure.

    In a passionate and witty behind-the-scenes expose, the author of 'All About All About Eve' takes on the classic 1959 Douglas Sirk film, Born To Be Hurt, starring Lana Turner.

    Book annotation not available for this title...Title: .The Location Sound Bible..Author: .Viers, Ric..Publisher: .Ingram Pub Services..Publication Date: .2012/09/01..Number of Pages: .354..Binding Type: .PAPERBACK..Library of Congress: .2012016109

    It contains never-before-published photos, never-before-produced comedy sketches, details on Graham's very unconventional life, thoughts on Monty Python, and tales of mad adventure with the Dangerous Sports Club and pals like The Who's Keith Moon, Ringo Starr, Mick Jagger, and much, much more.You'll learn who really wrote the "Dead Parrot Sketch", where the Ministry of Silly Walks came from, and many other factoids that will do you absolutely no good whatsoever. Graham Crackers includes a foreword by John Cleese, a backward by Eric Idle, and a sideways by Terry Jones, living Pythons all.

    Someone has abducted television star Kelly Rogers, and the police and the FBI both believe that it was him. And Jake Stelton can't really blame them, after all, he's done it before, Ten months earlier, their meteoric love affair ended with Jake taking Kelly hostage and threatening to kill anyone who dared try to separate them. When the chaos of that day ended, there were five innocent people dead, and Jake Stelton was in jail awaiting trial for murder. His lawyer assured him that his record as a war hero would gain him little favor in the wake of five dead bodies, and that an emotionally shattered Kelly Rogers would gladly testify against him, and had in fact, already told the police about his increasingly bizarre behavior in the days leading up to the killings. Things looked dim for Jake, that is, until they discovered the tumor. A leading brain surgeon testified that the tumor found growing inside Jake's skull, was the culprit that propelled him to such violent and paranoid behavior, and it was this testimony that set him free. His freedom meant little, because Kelly wanted nothing to do with him, her love for him could not overcome her fear of him, and so Jake retired to his farm, to live out his life alone. But someone has taken Kelly Rogers, someone has taken the woman he loves and put her life on the line, and Jake Stelton has made a vow to find her, to save her, and possibly, to even find redemption.