These were the women who left for war looking for adventure and romance, but were soon confronted with challenges for which their civilian lives could never have prepared them. Their strength and dignity were remarkable. Using diaries and letters Peter Rees takes us into the hospital camps and the wards and the tent surgeries on the edge of some of the most horrific battlefronts of human history. But he also allows the friendships and love of these courageous and compassionate women to enrich their experiences, and ours. Profoundly moving, this is a story of extraordinary courage and humanity shown by a group of woman whose contribution to the Anzac legend has barely been recognized in our history. Peter Rees has changed that understanding forever.

    The fire created its own weather, including hurricane-strength winds, bubbles of plasma-like glowing gas, and 200-foot-tall flames. As temperatures reached 1,600 degrees Fahrenheit, the firestorm knocked down buildings and carried flaming debris high into the sky. Two trains-one with every single car on fire-became the only means of escape. In all, more than four hundred people would die, leading to a revolution in forestry management and the birth of federal agencies that monitor and fight wildfires. A spellbinding account of danger, devastation, and courage, Under a Flaming Sky reveals the dramatic, minute-by-minute story of the tragedy and brings into focus the ordinary citizens whose lives it irrevocably marked.

    Over four nights Paul Kelly performed, in alphabetical order, one hundred of his songs from the previous three decades. In between songs he told stories about them, and from those little tales grew How to Make Gravy, a memoir like no other. Each of its hundred chapters, also in alphabetical order by song title, consists of lyrics followed by a story, the nature of the latter taking its cue from the former. Some pieces are confessional, some tell Kelly's personal and family history, some take you on a road tour with the band, some form an idiosyncratic history of popular music, some are like small essays, some stand as a kind of how-to of the songwriter's art – from the point of inspiration to writing, honing, collaborating, performing, recording and reworking.Paul Kelly is a born storyteller. Give him two verses with a chorus or 550 pages, but he won't waste a word. How to Make Gravy is a long volume that's as tight as a three-piece band. There isn't a topic this man can't turn his pen to – contemporary music and the people who play it, football, cricket, literature, opera, social issues, love, loss, poetry, the land and the history of Australia … there are even quizzes. The writing is insightful, funny, honest, compassionate, intelligent, playful, erudite, warm, thought-provoking. Paul Kelly is a star with zero pretensions, an everyman who is also a renaissance man. He thinks and loves and travels and reads widely, and his musical memoir is destined to become a classic – it doesn't have a bum note on it.

    This is the reverbative document which inspired novelist Peter Carey's highly praised reinvention of the Kelly tale, True History of the Kelly Gang.

    The Batavia expedition: Australian divers uncover a grim tale of shipwreck, mutiny and massacre.

    Nobody knew. The intention was clear: this was the No Advantage policy. Take them to a distant island, lock them away, punish them, forget about them. Criminals were given a sentence to serve; these men were not even given that. Lost hope ebbed out of the men in uncontrollable sobs and tears. Queue jumper, boat person, illegals. Asylum seekers are contentious front-page news but obtaining information about Australia’s regional processing centres is increasingly difficult. We learn only what the government wants us to know.Mark Isaacs worked for the Salvation Army inside the Nauru Detention Centre soon after it re-opened in 2012. He provided humanitarian aid to the men interned in the camp. What he saw there moved him to speak out.The Undesirables chronicles his time on Nauru detailing daily life and the stories of the men held there; the self-harm, suicide attempts, and riots; the rare moments of joy; the moments of deep despair.Mark's eyewitness account humanises a political debate usually ruled by misleading rhetoric.About the authorMark Isaacs became impassioned by the asylum seeker debate after a visit to Villawood Detention Centre while writing for Oxfam. Months later, in October 2012, Mark was employed by the Salvation Army to work at the regional processing centre in Nauru. While there, Mark established the Recreations program and Oceans program for asylum seekers. He eventually resigned from the Salvation Army in June 2013 and spoke out publicly against the government's No Advantage policy.

    Five very different women come together in the Northern Territory of the 1970s by an exceptional new Australian author.In 1978 the Northern Territory has begun to self-govern. Cyclone Tracy is a recent memory and telephones not yet a fixture on the cattle stations dominating the rugged outback. Life is hard and people are isolated. But they find ways to connect.Sybil is the matriarch of Fairvale Station, run by her husband, Joe. Their eldest son, Lachlan, was Joe's designated successor but he has left the Territory - for good. It is up to their second son, Ben, to take his brother's place. But that doesn't stop Sybil grieving the absence of her child. With her oldest friend, Rita, now living in Alice Springs and working for the Royal Flying Doctor Service, and Ben's English wife, Kate, finding it difficult to adjust to life at Fairvale, Sybil comes up with a way to give them all companionship and purpose: they all love to read, and she forms a book club.Mother-of-three Sallyanne is invited to join them. Sallyanne dreams of a life far removed from the dusty town of Katherine where she lives with her difficult husband, Mick. Completing the group is Della, who left Texas for Australia looking for adventure and work on the land.If you loved The Guernsey Literary And Potato Peel Pie Society, The Little Coffee Shop Of Kabul and The Thorn Birds you will devour this story of five different women united by one need: to overcome the vast distances of Australia's Top End with friendship, tears, laughter, books and love.

    By contrast, back in Australia Hugh knew that all too many children struggled with depression, social anxieties and mental illness. His own little sister had been ravaged by anorexia nervosa.How was it that young people he knew at home, who had food, shelter, friends and a loving family, struggled with their mental health, while these kids seemed so contented and resilient? He set about finding the answer and in time came to recognise the key traits and behaviours these children possessed were gratitude, empathy and mindfulness.In the ensuing years Hugh threw himself into studying and sharing this revelation with the world through The Resilience Project, with his playful and unorthodox presentations which both entertain and inform. Now, with the same blend of humour, poignancy and clear-eyed insight that The Resilience Project has become renowned for, Hugh explains how we can all get the tools we need to live a happier and more fulfilling life.

    It's a riveting account of a horrible disaster."-- Chere Coen, Lafayette Advertiser“I simply could not put the book down. It is a riveting story, made all the more so because it is fully factual. Further, it could happen to Southwest Florida and our own barrier islands. …[T]he potential for this is very real.”-- Lisa Fasulo, Naples Daily News“[T]he book unwinds compelling narrative about life in mid-1800s Louisiana, the storm itself, all while integrating an important public policy message about the vulnerability of living on unprotected coastlines. [A] finely written narrative, I highly recommend the book…”-- Eric Berger, Houston Chronicle, SciGuy Blog“[F]or those who like a good read about historical events, the prose [of Island in a Storm] is elegant and fast-moving. Abby Sallenger tells a more than 150 year old story brilliantly. Not only does he spin a good historical tale, he inspires some deep thinking about the future of our fragile coastline.”-- Diane Moore, A Word’s Worth blog"Throughout Island in a Storm, Sallenger maintains a degree of narrative suspense, and he effectively captures multiple points of view. With his focus on factual details, human reactions to the storm and ... sense of empathy, the author achieves a gripping synthesis of storytelling and history."-- Thomas Uskali, Louisiana Cultural Vistas Magazine“One of the best parts of this book was the connection I felt to the characters. Knowing that they were real people, and that they had LIVED through this hurricane, made the pages turn even faster. I could hardly put it down, and took it with me everywhere until I finished it (within a DAY! YES, it is that good). One thing that good writing possesses is the ability to draw the reader in. This book has it in spades.”-- Dr. Jessie Voigts, Wandering Educators, Book Reviews“Rarely does a book combine fascinating story-telling, regional history, and a science lesson in one compelling package. Island in a Storm does just that. The tale is more than 150 years old, but there are real lessons to be learned for coastal communities on today’s vulnerable barrier islands.”-- Robert S. Young PhD, director, Program for the Study of Developed Shorelines, Western Carolina University, co-author of The Rising Sea“Island in a Storm tells the riveting story of one of America's greatest hurricane disasters… Sallenger's first-class story-telling of the remarkable tales of survival … make this a book well worth reading.”-- Jeff Masters, PhD, Director of Meteorology, Weather Underground, Wunder Blog[A]n absorbing book that reads more like fiction than fact. The book is a great read for geo-novices, fans of science history and anyone who likes a good adventure tale… Sallenger’s… discussions on a range of scientific topics … are explained in such plain language that nonscientists may not even realize they are learning the basics of coastal geology.-- Erin R. Wayman, Earth Magazine“Few authors have been able to convey with such clarity and power the complex geologic processes of coastal waters under storm conditions, particularly the chaotic commingling of ocean waves, tidal currents, storm surges, sand erosion, and elevated sea level that can at times cause wholesale destruction of such fragile, low-lying landforms of sand.”-- P.R. Pinet, Choice: Current Reviews for Academic Libraries“Abby Sallenger expertly combines the history of a hurricane and its disastrous impact with the fascinating science of hurricanes and coastal geology. He illustrates the dangers that a rising sea, a subsiding coast, and hurricanes pose to populated shores, and with a loud wake up call, he warns policymakers and home owners who insist on building or rebuilding on barrier islands.”-- Ellen Prager, PhD, chief scientist, Aquarius Reef Base and author of Chasing Science at Sea“This is a wonderful book, a must-read for anyone interested in our future, which shows how historic tragedies can be lessons, especially as climate change speeds along its merry way.”-- Ivor van Heerden, PhD, author of The Storm: What Went Wrong and Why During Hurricane Katrina—the Inside Story from One Louisiana Scientist“A masterful page-turner juxtaposing the remarkable parallel tales of the survival by a 19th century Creole maiden of a catastrophic hurricane with the staggering geological perils confronting the residents of the fragile Gulf coastline today.”-- Bethany Ewald Bultman, author of Reflections of the South, Compass New Orleans, and Compass Gulf South, and the descendent of thirteen victims of the 1856 Isle Dernier Hurricane“By weaving the stories of the people on Last Island with facts on history, erosion, sea levels, weather patterns and how hurricanes form, Sallenger penned a book that is both interesting and educational.”-- Pam Bordelon, Baton Rouge Advocate"In ISLAND IN A STORM one of America's top oceanographers—Abby Sallenger—documents the perils of coastal erosion. Using Isle Derniere as case-study, Sallenger brilliantly explains what happens when the sea rises and land disappears. A very important book!"-- Douglas Brinkley, Professor of History, Rice University and author of The Great Deluge: Hurricane Katrina, New Orleans, and the Mississippi Gulf Coast“Sallenger goes into wonderful detail about the geography of the Last Island, how and when it formed and what happened to it in the storm... “[R]eally good book… "-- Greg Langley, Baton Rouge Advocate

    WORSE THINGS HAPPEN AT SEA does the same for family life in 2000s; written by William and Sarah in a way that many Australians can relate to and enjoy. This book celebrates the wonderful, messy, haphazard things in life - bringing home babies from hospital, being a friend, a parent, son or daughter, and dog obedience classes. It's about living for twenty years in the family home, raising children there, chasing angry rabbits around the backyard, renovations that never end. It is also about understanding that sometimes you have to say goodbye; that is part of life too. Illustrated throughout with Sarah Watt's photographs of family life and beautiful but everyday objects.

    As the weather wreaked havoc on land, the freezing Atlantic became a wind-whipped zone of peril.In the early hours of Monday, February 18, while the storm raged, two oil tankers, the Pendleton and the Fort Mercer, found themselves in the same horrifying predicament. Built with "dirty steel," and not prepared to withstand such ferocious seas, both tankers split in two, leaving the dozens of men on board utterly at the Atlantic's mercy.The Finest Hours is the gripping, true story of the valiant attempt to rescue the souls huddling inside the broken halves of the two ships. Coast Guard cutters raced to the aid of those on the Fort Mercer, and when it became apparent that the halves of the Pendleton were in danger of capsizing, the Guard sent out two thirty-six-foot lifeboats as well. These wooden boats, manned by only four seamen, were dwarfed by the enormous seventy-foot seas. As the tiny rescue vessels set out from the coast of Cape Cod, the men aboard were all fully aware that they were embarking on what could easily become a suicide mission.The spellbinding tale is overflowing with breathtaking scenes that sear themselves into the mind's eye, as boats capsize, bows and sterns crash into one another, and men hurl themselves into the raging sea in their terrifying battle for survival.Not all of the eighty-four men caught at sea in the midst of that brutal storm survived, but considering the odds, it's a miracle--and a testament to their bravery--that any came home to tell their tales at all.

    And what followed was people taking back the conversation from the politicians.On Reckoning is a searing account of Amy's personal and professional rage, taking you inside the parliament - and out - during one of the most confronting and uncomfortable conversations in recent memory.

    During the week, I write about Australia’s booze-soaked culture. At the weekends, I write myself off.’Booze had dominated Jill Stark’s social life ever since she had her first sip of beer, at 13. She thought nothing could curb her love of big nights. And then came the hangover that changed everything. In the shadow of her 35th year, Jill made a decision: she would give up alcohol. But what would it mean to stop drinking in a world awash with booze?This lively memoir charts Jill’s tumultuous year on the wagon, as she copes with the stress of the newsroom sober, tackles the dating scene on soda water, learns to watch the footy minus beer, and deals with censure from friends and colleagues, who tell her that a year without booze is ‘a year with no mates’.In re-examining her habits, Jill also explores Australia’s love affair with alcohol, meeting alcopop-swigging teens who drink to fit in, beer-swilling blokes in a sporting culture backed by booze, and marketing bigwigs blamed for turning binge drinking into a way of life. And she tracks the history of this national obsession: from the idea that Australia’s new colonies were drowning in drink to the Anzac ethos that a beer builds mateship, and from the six o’clock swill that encouraged bingeing to the tangled weave of advertising, social pressure, and tradition that confronts drinkers today.Will Jill make it through the year without booze? And if she does, will she go back to her old habits, or has she called last drinks? This is a funny, moving, and insightful exploration of why we drink, how we got here, and what happens when we turn off the tap.

    Presenting the one and only Mr Paul Keating – at his straight-shooting, scumbag-calling, merciless best.Paul lets rip – on John Howard: “The little desiccated coconut is under pressure and he is attacking anything he can get his hands on.”On Peter Costello: “The thing about poor old Costello is he is all tip and no iceberg.”On John Hewson: “[His performance] is like being flogged with a warm lettuce.”On Andrew Peacock: “...what we have here is an intellectual rust bucket.”On Wilson Tuckey: “...you stupid foul-mouthed grub.”On Tony Abbott: “If Tony Abbott ends up the prime minister of Australia, you’ve got to say, God help us.”And that’s just a taste.