Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    . .Some crimes are too unspeakable to solve . . . In the sleepy rural town of Painters Mill, Ohio, the Amish and "English" residents have lived side by side for two centuries. But sixteen years ago, a series of brutal murders shattered the peaceful farming community. In the aftermath of the violence, the town was left with a sense of fragility, a loss of innocence. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish. Now, a wealth of experience later, Kate has been asked to return to Painters Mill as Chief of Police. Her Amish roots and big city law enforcement background make her the perfect candidate. She's certain she's come to terms with her past--until the first body is discovered in a snowy field. Kate vows to stop the killer before he strikes again. But to do so, she must betray both her family and her Amish past--and expose a dark secret that could destroy her.

    Fans of Paula Hawkins’ The Girl on the Train will love this modern reimagining of Patricia Highsmith’s classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart—which the Washington Post said “should be a contender for crime fiction’s best first novel of 2014.”On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

    And if sometimes the boundaries between duty and desire blur… well, she's only human. But when Alex oversteps a line with Jonathan, one of her patients, she knows she's gone too far. Jonathan is obsessive, and to get what he wants he will tear Alex's world apart - threatening not only her career but her marriage and family too. Soon Alex finds she's capable of doing almost anything to keep hold of her perfect life, as it begins to spin dangerously out of her control…

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    Steve’s nightmare goes from bad to worse when he learns that the mysterious death was no accident but the act of a sociopath.  A sociopath he knows and who has information that could destroy Steve’s career and marriage.  A sociopath for whom killing is more than a means to an end: it’s a game.  Because he is under a cloud of suspicion and has no evidence, he knows that any accusations he makes won’t be believed. So he must struggle to turn the tables, even as the killer skillfully blocks his every move. Detailing the politics of hospitals, the hierarchy among doctors and the life and death decisions that are made by flawed human beings, Doing Harm marks the debut of a major fiction career.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    The tragedy left her family with a fractured life—a mother out to numb the pain, a father losing a battle with his own private demons, and a sister desperate for closure. But now another teenage girl has gone missing. It’s ripping open old wounds for the Willards, dragging them back into a painful past, and leaving them unprepared for where it will take them next.Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer’s identity. That means breaking down the walls of the Willards’ long-guarded secrets and getting to a truth that is darker than he bargained for. Now, to rescue one missing girl, he must first solve the riddles that disappeared with another: Kelsey Willard herself. Dead or alive, she is his last hope.

    A man was convicted. Case closed?Body of Proof, a true crime podcast, examines the many unanswered questions surrounding the disappearance and death of Suzanne Pilley in Edinburgh in 2010 and the subsequent conviction of David Gilroy. Journalists and TV producers Darrell Brown and Sophie Ellis spent two years investigating the case and spoke exclusively to David Gilroy, who was convicted of murdering Suzanne Pilley and disposing of her body. Sentenced to life in a Scottish prison, Gilroy maintains his innocence. Although police believe they have the right man, key components of the prosecution’s case are missing: there is no body of the victim, no witnesses to the crime, and no physical evidence (no DNA, CCTV video, or murder weapon).In this gripping, step-by-step investigation, Darrell Brown and Sophie Ellis uncover startling information not heard in court that might have changed the minds of the jurors. And they shine a light on aspects of the Scottish criminal justice system that might be keeping an innocent man behind bars.A What’s the Story Films production for Audible.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    But Joe's snug, happy world is crumbling. Recently diagnosed with Parkinson's disease, he's dreading the inevitable and all too palpable deterioration of his body and mind. Then, when the police ask for his help in solving the brutal murder of a woman they assume is a prostitute, he's horrified to recognize the victim as a nurse he once worked with, and with whom he had a bit of a past. As Joe begins to suspect that one of his patients may be responsible, the police zero in on him.Michael Robotham possesses the rare ability to create fully believable characters, fashion terrific dialogue, and generate nonstop suspense. Suspect is a powerhouse first novel, intricately crafted and chillingly authentic.

    Soon after, it simply drops off the radar, and its wreckage is later uncovered in the Alps. Among the disappeared is Matthew Werner, a banking insider at Swiss United, a powerful offshore bank. His young widow, Annabel, is left grappling with the secrets he left behind, including an encrypted laptop and a shady client list. As she begins a desperate search for answers, she determines that Matthew's death was no accident, and that she is now in the crosshairs of his powerful enemies. Meanwhile, ambitious society journalist Marina Tourneau has finally landed at the top. Now that she's engaged to Grant Ellis, she will stop writing about powerful families and finally be a part of one. Her entry into the upper echelons of New York's social scene is more appealing than any article could ever be, but, after the death of her mentor, she agrees to dig into one more story. While looking into Swiss United, Marina uncovers information that implicates some of the most powerful men in the financial world, including a few who are too close to home. The story could also be the answer to Annabel's heartbreaking search--if Marina chooses to publish it.

    . .Dr. Sheila Tao is a professor of psychology. An expert in human behavior. And when she began an affair with sexy, charming graduate student Ethan Wolfe, she knew she was playing with fire. Consumed by lust when they were together, riddled with guilt when they weren’t, she knows the three-month fling with her teaching assistant has to end. After all, she’s finally engaged to a kind and loving investment banker who adores her, and she’s taking control of her life. But when she attempts to end the affair, Ethan Wolfe won’t let her walk away.. . . no one else can.Ethan has plans for Sheila, plans that involve posting a sex video that would surely get her fired and destroy her prestigious career. Plans to make her pay for rejecting him. And as she attempts to counter his every threatening move without her colleagues or her fiancé discovering her most intimate secrets, a shattering crime rocks Puget Sound State University: a female student, a star athlete, is found stabbed to death. Someone is raising the stakes of violence, sex, and blackmail . . . and before she knows it, Sheila is caught in a terrifying cat-and-mouse game with the lover she couldn’t resist—who is now the monster who won’t let her go.

    Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

    In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Temperance detects an alarming pattern and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her, her best friend and her own daughter, in mortal danger...