Recently, tales of these "monsters" have been corroborated by an increase in sightings, and out of these legends a new science has been born: cryptozoology -- the study of hidden animals.Cryptozoology A to Z, the first encyclopedia of its kind, contains nearly two hundred entries, including cryptids (the name given to these unusual beasts), new animal finds, and the explorers and scientists who search for them. Loren Coleman, one of the world's leading cryptozoologists, teams up with Jerome Clark, editor and author of several encyclopedias, to provide these definitive descriptions and many never-before-published drawings and photographs from eyewitnesses' detailed accounts. Full of insights into the methods of these scientists, exciting tales of discovery, and the history and evolution of this field, Cryptozoology A to Z is the most complete reference ever of the newest zoological science.

    But it turns out we have only scratched the surface. Scholar David Day has spent many years down the rabbit hole of this children's classic and has emerged with a revelatory new view of its contents. What we have here, he brilliantly and persuasively argues, is a complete classical education in coded form--Carroll's gift to his "wonder child" Alice Liddell.      In two continuous commentaries, woven around the complete text of the novel for ease of cross-reference on every page, David Day reveals the many layers of teaching, concealed by manipulation of language, that are carried so lightly in the beguiling form of a fairy tale. These layers relate directly to Carroll's interest in philosophy, history, mathematics, classics, poetry, spiritualism and even to his love of music--both sacred and profane. His novel is a memory palace, given to Alice as the great gift of an education. It was delivered in coded form because in that age, it was a gift no girl would be permitted to receive in any other way.     Day also shows how a large number of the characters in the book are based on real Victorians. Wonderland, he shows, is a veritable "Who's Who" of Oxford at the height of its power and influence in the Victorian Age.     There is so much to be found behind the imaginary characters and creatures that inhabit the pages of Alice's Adventures in Wonderland. David Day's warm, witty and brilliantly insightful guide--beautifully designed and stunningly illustrated throughout in full colour--will make you marvel at the book as never before.From the Hardcover edition.

    In medieval and Renaissance Europe, it was believed that speaking a demon’s true name could summon it, compel it, and bind it. Occult scholar Michelle Belanger has compiled the most complete compendium of demonic names available anywhere, using both notorious and obscure sources from the Western grimoiric tradition. Presented alphabetically from Aariel to Zynextyur, more than 1,500 demons are introduced, explored, and cross-referenced by theme and elemental or planetary correspondence. This meticulously researched reference work features fascinating short articles on demonology and a wealth of woodcuts, etchings, and paintings depicting demons through the ages.

    I have selected a small set of common errors in reasoning and visualized them using memorable illustrations that are supplemented with lots of examples. The hope is that the reader will learn from these pages some of the most common pitfalls in arguments and be able to identify and avoid them in practice.

    They also serve as teachers or projections of our own unacknowledged qualities.Two esteemed Tarot scholars unmask the court cards with details not found in any other book. Discover your significator and your nemesis. Compare the differences among the cards in well-known decks. Match the court cards with the zodiac signs, the Myers-Briggs personality types, and the Jungian archetypes. Learn a variety of spreads that reveal childhood issues, career destiny, and a storytelling spread to spark the creative writing process.

    Campbell stresses that the borders dividing the Earth have been shattered; that myths and religions have always followed the certain basic archetypes and are no longer exclusive to a single people, region, or religion. He shows how we must recognize their common denominators and allow this knowledge to be of use in fulfilling human potential everywhere.

    Using an innovative method of writing from a character’s point of view within a tale, James’ intellectual works explore issues related to consciousness and perception, producing his own inimitable ‘impressionist’ style. Delphi Classics is proud to present the complete works of this important master for the first time in publishing history, providing every novel, tale, non-fiction work and a wealth of bonus material.Product Description:* concise introductions to the novels and other texts* all 23 novels – even the rare work THE OTHER HOUSE, often missed out of collections* the unfinished novels THE IVORY TOWER and THE SENSE OF THE PAST* the first rare novel WATCH AND WARD, which James chose to later ignore* the novel THE WHOLE FAMILY, which James collaborated on with 11 other authors* All 112 of the novellas and short stories with BOTH chronological and alphabetical contents tables* includes James’ rare plays* EVEN includes the very RARE play GUY DOMVILLE – available nowhere else as a digital book. This is the famous play that James was booed at – now you can read it yourself and judge whether he was harshly criticised!* the complete Travel Writing* special contents tables for each novel and literary collection – you won’t get lost in this eBook!* rare Non-Fiction collections and essays* features James’ three autobiographies, available nowhere else – explore the Great Master’s literary life!* special BONUS texts of criticism – discover how writers such as Conrad, Woolf and Stevenson viewed James’ works* many images relating to James and his work* UPDATED with improved texts, additional images and many corrections* UPDATED with rare James’ biography on his sculptor friend: WILLIAM WETMORE STORY AND HIS FRIENDS* scholarly ordering of texts into chronological order and literary genresThe NovelsWATCH AND WARDRODERICK HUDSONTHE AMERICANTHE EUROPEANSCONFIDENCEWASHINGTON SQUARETHE PORTRAIT OF A LADYTHE BOSTONIANSTHE PRINCESS CASAMASSIMATHE REVERBERATORTHE TRAGIC MUSETHE OTHER HOUSETHE SPOILS OF POYNTONWHAT MAISIE KNEWTHE AWKWARD AGETHE SACRED FOUNTTHE WINGS OF THE DOVETHE AMBASSADORSTHE GOLDEN BOWLTHE OUTCRYTHE WHOLE FAMILYThe Unfinished NovelsTHE IVORY TOWERTHE SENSE OF THE PASTThe TalesLIST OF TALES IN CHRONOLOGICAL ORDERLIST OF TALES IN ALPHABETICAL ORDERThe PlaysPYRAMUS AND THISBESTILL WATERSA CHANGE OF HEARTDAISY MILLERTENANTSDISENGAGEDTHE ALBUMTHE REPROBATEGUY DOMVILLESUMMERSOFTTHE HIGH BIDTHE OUTCRYThe Travel WritingTRANSATLANTIC SKETCHESA LITTLE TOUR IN FRANCEENGLISH HOURSTHE AMERICAN SCENEITALIAN HOURSThe Non-FictionFRENCH NOVELISTS AND POETSHAWTHORNEPORTRAITS OF PLACESPARTIAL PORTRAITSESSAYS IN LONDON AND ELSEWHEREPICTURE AND TEXTWILLIAM WETMORE STORY AND HIS FRIENDSVIEWS AND REVIEWSNOTES ON NOVELISTSWITHIN THE RIM AND OTHER ESSAYSNOTES AND REVIEWSTHE ART OF THE NOVEL&lt

     The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them withliterature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Seven essays offer a comprehensive survey of the legends in all of their manifestations, from theirorigins in medieval literature to their adaptation in modern literature, arts, film, and popular culture. It also demonstrates the tremendous continuity of the legends by examining the ways that they have been reinterpreted over the years. The indispensable reference on the subject, it also containsencyclopedic entries, bibliographies, and a comprehensive index. The extensive chapter-by-chapter bibliographies, which are subdivided by topic, augment the general bibliography of Arthurian resources. Comprehensive in its analysis and hypertextual in its approach, the Oxford Guide to Arthurian Literature and Legend is an essential reference book for Arthurian scholars, medievalists, and for those interested in cultural studies of myth and legend.

    Color & b&w photos & illus.

     This book is a study of the symbolism of precious stones, and how they have been used as magical objects through the ages, both intrinsically, and as a vehicle for symbolic engravings. The Pavitts cover Hindu, Jewish, Chinese, Egyptian, Roman, Gnostic, and Christian lore of gems. The final section discusses the astrological connections of key gems, sign by sign. This work also includes quite a bit of history of important (and often 'cursed') stones such as the Hope diamond, and practical advice about purchasing gems.

    

    He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

    He examines what really makes a caricature successful, what to look for in a face, and how to draw it. Readers also learn how to apply this skill, whether it's drawing live, theme-park-style caricatures, or creating caricature for publication work. Loaded with everything from basic theories and drawing instruction to professional tips and tricks, this book contains something for novices and experts alike. The Mad Art of Caricature! is the most comprehensive and complete how-to guide on the art of caricature ever published. With over 500 illustrations, it's the definitive guide to the art of caricature.

    350 full-color photos, paintings & illustrations.