His son has died in a POW camp in Korea. It is August 15, 1953, the day of a tumultuous street carnival in Elephant Park, an Italian immigrant enclave in Ohio. The man is Rocco LaGrassa, and his many years of dogged labor, paternal devotion, and steadfast Christian faith are about to come to a crashing end. He is the first of many exquisitely drawn characters we meet that day, each of whom will come to their own conclusion.The End by Salvatore Scibona follows an elderly abortionist, an enigmatic drapery seamstress, a teenage boy, a jeweler—dramatically into the heart of a crime that will twist all their lives. Against a background of immigration, broken loyalties, and racial hostility, we at last return to August 15, 1953, and see everything Rocco saw—and vastly more—through the eyes of various characters in the crowds.The End is the unforgettable debut of a singular new American novelist.

    Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

    That’s what they say every time one of Charley Winslow’s friends vanishes from The Old Cross School for Boys.It’s just a tall tale. That’s what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night.When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school’s heart, scour its abandoned passages, and pick at the scab of a family’s legacy of madness and murder.With the help of Sam Forster, the school’s gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross’ history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret—a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.

    From an award-winning and internationally acclaimed European writer, a chilling and suspenseful story set in the wake of a violent revolution, about a young girl rescued from an orphanage by an otherworldly grandmother she's never met.

    They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.        Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    Colleen and Rich Gundersen are raising their young son, Chub, on the rugged California coast. It’s 1977, and life in this Pacific Northwest logging town isn’t what it used to be. For generations, the community has lived and breathed timber; now that way of life is threatened. Colleen is an amateur midwife. Rich is a tree-topper. It’s a dangerous job that requires him to scale trees hundreds of feet tall—a job that both his father and grandfather died doing. Colleen and Rich want a better life for their son—and they take steps to assure their future. Rich secretly spends their savings on a swath of ancient Redwoods. Colleen, desperate to have a second baby, challenges the logging company’s use of herbicides that she believes are responsible for the many miscarriages in the community—including her own. Colleen and Rich find themselves on opposite sides of a budding conflict that threatens the very thing they are trying to protect: their family. Told in prose as clear as a spring-fed creek, Damnation Spring is an intimate, compassionate portrait of a family whose bonds are tested and a community clinging to a vanishing way of life. An extraordinary story of the transcendent, enduring power of love—between husband and wife, mother and child, and longtime neighbors. An essential novel for our times.

    In a churchyard, villagers gather on the night when the ghosts of those who will die in the coming year are thought to be seen. Here, where the estuary leads out to the sea, superstitions still hold sway.Standing alone is the taxidermist's daughter. At 17, Constantia Gifford lives with her father in a decaying house: it is all that is left of Gifford's once world-famous museum of taxidermy. The stuffed animals that used to grace every parlour are out of fashion, leaving Gifford a disgraced and bitter man.The bell begins to toll and all eyes are fixed on the church. No one sees the gloved hand pick up a flint. As the last notes fade into the dark, a woman lies dead.While the village braces itself against rising waters and the highest tide of the season, Connie struggles to discover who is responsible, but finds herself under suspicion. Is Constantia who she seems - is she the victim of circumstances or are more sinister forces at work? And what is the secret that lies at the heart of Gifford House, hidden among the bell jars of her father's workshop?Told over one summer, The Taxidermist's Daughter is the haunting new novel from the bestselling author of Labyrinth, Sepulchre, Citadel and The Winter Ghosts.

    Evelyn, a young woman disfigured by her dangerous work in a matchstick factory, who has nowhere to go, does not know what to make of her new position as a maid to the Elephant Man in the London Hospital. Evelyn wants to be locked away from the world, like he is, shut in from the filth and dangers of the streets. But in Joseph Merrick, the Elephant Man, she finds a gentle kindred who does not recoil from her and who understands her pain.When the murders begin, however, Joseph and Evelyn are haunted nightly by the ghosts of the Ripper’s dead, setting Evelyn on a path to facing her fears and uncovering humanity’s worst nightmares.

    Josef Mengele gathers a group of former colleagues for a horrifying project—the creation of the Fourth Reich. Barry Kohler, a young investigative journalist, gets wind of the project and informs famed Nazi hunter Ezra Lieberman, but before he can relay the evidence, Kohler is killed. Thus Ira Levin opens one of the strangest and most masterful novels of his career. Why has Mengele marked a number of harmless aging men for murder? What is the hidden link that binds them? What interest can they possibly hold for their killers: six former SS men dispatched from South America by the most wanted Nazi still alive, the notorious "Angel of Death"? One man alone must answer these questions and stop the killings—Lieberman, himself aging and thought by some to be losing his grip on reality. At the heart of The Boys from Brazil lies a frightening contemporary nightmare, chilling and all too possible.

    They are Nell Stone, fascinating, magnetic and famous for her controversial work studying South Pacific tribes, her intelligent and aggressive husband Fen, and Andrew Bankson, who stumbles into the lives of this strange couple and becomes totally enthralled. Within months the trio are producing their best ever work, but soon a firestorm of fierce love and jealousy begins to burn out of control, threatening their bonds, their careers, and, ultimately, their lives...

    Their encounter seems fated: Eleanor, a teacher and recent Vassar graduate, needs a job. Patricia’s difficult thirteen-year-old daughter Margaux, recovering from polio, needs a private tutor.Though she feels out of place in the Bellamys’ rarefied and elegant Park Avenue milieu, Eleanor forms an instant bond with Margaux. Soon the idealistic young woman is filling the bright young girl’s mind with Shakespeare and Latin. Though her mother, a hat maker with a little shop on Second Avenue, disapproves, Eleanor takes pride in her work, even if she must use the name “Moss” to enter the Bellamys’ restricted doorman building each morning, and feels that Patricia’s husband, Wynn, may have a problem with her being Jewish.Invited to keep Margaux company at the Bellamys’ country home in a small town in Connecticut, Eleanor meets Patricia’s unreliable, bohemian brother, Tom, recently returned from Europe. The spark between Eleanor and Tom is instant and intense. Flushed with new romance and increasingly attached to her young pupil, Eleanor begins to feel more comfortable with Patricia and much of the world she inhabits. As the summer wears on, the two women’s friendship grows—until one hot summer evening, a line is crossed, and both Eleanor and Patricia will have to make important decisions—choices that will reverberate through their lives.Gripping and vividly told, Not Our Kind illuminates the lives of two women on the cusp of change—and asks how much our pasts can and should define our futures.

    Mimi Miller tells about her life with intimacy and honesty. As Mimi eavesdrops on her parents and quietly observes the people around her, she discovers more and more about the toxicity of family secrets, the dangers of gossip, the flaws of marriage, the inequalities of friendship and the risks of passion, loyalty, and love. Home, as Mimi begins to realize, can be “a place where it’s just as easy to feel lost as it is to feel content.” Miller’s Valley is a masterly study of family, memory, loss, and, ultimately, discovery, of finding true identity and a new vision of home. As Mimi says, “No one ever leaves the town where they grew up, even if they go.” Miller’s Valley reminds us that the place where you grew up can disappear, and the people in it too, but all will live on in your heart forever.'

    In the intervening half century, The Caine Mutiny has become a perennial favorite of readers young and old, has sold millions of copies throughout the world, and has achieved the status of a modern classic.

    Nobody remembers when it started; rain on the western seaboard is a condition of living. But now – just as Father Coffey proclaims the coming of the electricity – the rain clouds are lifting. Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world. Harking back to a simpler time, This Is Happiness is a tender portrait of a community – its idiosyncrasies and traditions, its paradoxes and kindnesses, its failures and triumphs – and a coming-of-age tale like no other. Luminous and lyrical, yet anchored by roots running deep into the earthy and everyday, it is about the power of stories: their invisible currents that run through all we do, writing and rewriting us, and the transforming light that they throw onto our world.