Suddenly, no amount of cocktails can cure the stress that simultaneously unsettles their lives. Nandi’s final wedding arrangements are nearly in place so why is she feeling on edge? Zaza, the “trophy wife”, waits for the day her affair comes to light and her husband gives her a one-way ticket back to the township. Tumi has only one wish to complete her perfect life – a child. But when her wish is granted, it’s not exactly how she pictured it. And Princess? For the first time ever, she has fallen in love – with Leo, a painter who seems to press all the right buttons. But soon she discovers – like her friends already have – that life is not a bed of roses, and happiness never comes with a manual . . .

    From Dakota’s Black Hills to the gold and diamond fields of Southern Africa, Jim O’Rourke and his daughter, Kathleen step from the sailing ship Eudora and take their covered wagon deep inside a vast and ancient wilderness. The land is raw-boned and unforgiving – the men and women who search its heart for wealth, love and adventure, even more so. Smoke from a thousand fires clung to a broken landscape and towering above it, churned from a vast and open wound in the earth’s crust, were those billowing clouds of powdered Kimberlite; as yellow, ochrous fingers they reached upwards for over a thousand feet, deep inside the heart of that darksome Colesberg sky.

    After a night out with his girlfriend in one of the country's remote provinces, he wakes to find himself in a pitch-black coffin—and quickly running out of oxygen. With only his cell phone and his own wits to rely on, it's a race against time to escape the claustrophobic death trap. SIX BULLETS The end of civilization arrived in the form of a giant asteroid thirteen months ago. For Burt James, a survivalist, it was not a complete surprise. He'd spent much of his adult life prepping for such a catastrophe. Consequently, while the majority of the population scoured the post-apocalyptic landscape for water and food, regressing into primitive killers, he bunkered down in his fortified hilltop home in a small town in the middle of the Australian Outback. But now he's out of food and down to his last six bullets, and he will have to make the most difficult choice of his life. THE MAILMAN Los Angeles, 1985. Never was the motto sex, drugs, and rock n’ roll more apt than the scene on the legendary Sunset Strip with the arrival of the underground Hollywood glam bands. While Mick Freeman, a record executive with a major label, works tirelessly to sign five toxic rockers whom he believes might flip the entire music world on its head, his wife, Jade, spends her days bored and alone at home, struggling with a midlife crisis that threatens to topple their twenty-year marriage. And then she meets the new mailman. Young and handsome, he sweeps her off her feet—straight into a nightmare the likes of which she could never have imagined. RE-ROLL In the near future, breathtakingly humanoid robots called Mechs are for sale, and they're designed to fulfill whatever role you want: husband, wife, best friend, slave. Manufacturers allow new owners one free "roll" to randomly determine their Mech's three leading characteristics. But as everybody knows, scoring your ideal traits is a crapshoot, though you can always re-roll—at a price.

     A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset cliff tops only to find the building is not completely empty. . .

    From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda, Kapuscinski has crisscrossed vast distances pursuing the swift, and often violent, events that followed liberation. Kapuscinski hitchhikes with caravans, wanders the Sahara with nomads, and lives in the poverty-stricken slums of Nigeria. He wrestles a king cobra to the death and suffers through a bout of malaria. What emerges is an extraordinary depiction of Africa--not as a group of nations or geographic locations--but as a vibrant and frequently joyous montage of peoples, cultures, and encounters. Kapuscinski's trenchant observations, wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people. His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty-first century.

    In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar,” a pregnant pastor’s wife struggles with the collision of western Christianity and her mother’s traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves. In between these two ends of the spectrum there’s everything from an aspiring graphic novelist at a comic con to a murder investigation driven by statistics to a story organized by the changing hairstyles of the main character.Pulling from mystery, horror, realism, myth, and graphic novels, Nkweti showcases the complexity and vibrance of characters whose lives span Cameroonian and American cultures. A dazzling, inventive debut, Walking on Cowrie Shells announces the arrival of a superlative new voice.

    After leaving her friend's house, she decides she's going to prove to her brother that "The Lady on the Road " urban legend is just that...

    A short story on forbidden love

    The artistry of QUESTIONS FOR ADA defies words, embodying the pain, the passion, and the power of love rising from the depths of our souls.  Ijeoma Umebinyuo’s poetry is a flower that will blossom in the spirit of every reader as she shares her heart with raw candor.  From lyrical lushness to smoky sensuality to raw truths, this tome of transforming verse is the book every woman wants to write but can’t until the broken mirrors of their lives have healed.  In this gifted author’s own words—“I am too full of life to be half-loved.”  A bold celebration of womanhood.

    Released as one of a limited number of digital shorts released to celebrate the publication of Jeffrey Archer’s magnificent seventh short-story collection, Tell Tale. Taken from And Thereby Hangs a Tale, Jeffrey Archer's magnificent sixth collection of short stories, The Luck of the Irish is a captivating, witty and entertaining short read. Liam Casey is an enterprising young estate agent from Cork and while on holiday in Majorca he meets a fellow Irishman, Patrick O’Donovan, who offers him the opportunity to join him permanently on the island as a partner in his real estate business. Liam hastily accepts, but it is only when Patrick meets his untimely demise does the business take-off. Liam has one last project to complete; a deal that will make him rich beyond his wildest dreams, so long as everything goes to plan . . .

    He is famous not only for his love of the hills, but for imbuing the countryside with life and vibrancy through moving descriptions. The simple people who inhabit his stories evoke sympathy and laughter in equal measure. This wonderful collection of seventy stories, including classics like ‘A Face in Dark’, ‘The Kitemaker’, ‘The Tunnel’, ‘The Room of Many Colours’, ‘Dust on the Mountain’ and ‘Times Stops at Shamli’, is a must-have for any bookshelf.

    Gabriel Kane goes from a struggling architect to one of the most powerful men in the world; Armonía Solorsano -- a young Hispanic girl who grew up in a dilapidated suburban McMansion-turned-tenement -- invents one of the most important and influential pieces of technology in history; a non-profit organization goes from a charity to a decentralized domestic terrorist group; and the greatest democracy in the world finds itself falling into the ever-tightening grip of a dictator.As five people come together with the shared goal of changing the world, they discover that their approaches are fundamentally and irreconcilably at odds. Their partnership becomes a bitter political and high-tech rivalry from which only one of them can emerge.This novella by Christian Cantrell (about 16,000 words) portrays an intersection of politics and technology which is both extremely relevant, and frighteningly feasible.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.

    It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.