Annie’s husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also has a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco’s most exclusive clairvoyants, and one of Madam Sibyl’s clients, Matthew Voss, has died. The police believe his death was suicide brought upon by bankruptcy, but Annie believes Voss has been murdered and that his assets have been stolen. Nate Dawson has a problem. As the Voss family lawyer, he would love to believe that Matthew Voss didn't leave his grieving family destitute. But that would mean working with Annie Fuller, a woman who alternatively attracts and infuriates him as she shatters every notion he ever had of proper ladylike behavior. Sparks fly as Anne and Nate pursue the truth about the murder of Matthew Voss in this light-hearted, cozy historical mystery set in the foggy gas-lit world of Victorian San Francisco. Maids of Misfortune is the first book in M. Louisa Locke’s historical mystery series, see also, Uneasy Spirits, and Bloody Lessons, as well as the two short stories based on the characters from the novels, Dandy Detects, and The Misses Moffet Mend a Marriage.

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

    When a weekend party at Farthering Place is ruined by murder and the police seem flummoxed, Drew decides to look into the crime himself. With the help of his best friend, Nick Dennison, an avid mystery reader, and Madeline Parker, a beautiful and whip-smart American debutante staying as a guest, the three try to solve the mystery as a lark, using the methods from their favorite novels.Soon, financial irregularities at Drew’s stepfather’s company come to light and it’s clear that all who remain at Farthering Place could be in danger. Trying hard to remain one step ahead of the killer–and trying harder to impress Madeline–Drew must decide how far to take this game

    Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    Descending into undercover operations, Kate is able to infiltrate the seedy side of the city in ways her fellow detectives can't. She's a seductress, an exotic foreign medium, a rich train passenger-all depending on the day and the robber, thief, or murderer she's been assigned to nab.But is the woman she's becoming-capable of lies, swapping identities like dresses-the true Kate? Or has the real disguise been the good girl she always thought she was? As the tensions between the north and south escalate, Kate takes on a job in which the stakes have never been higher. The nation's future is at risk, even as the lines between disguise and reality begin to blur.

    It's 1920 and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox must go to Melrose Court, home to his uncle, Lord Melrose, to uncover the mystery. But then the murders start and it snows and suddenly everything becomes very complicated...

    But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London. When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear the family name. She’ll have help from friends new and old—a kind-hearted widow, a police inspector, and a man who has long loved her.But in the end, it will be up to Charlotte, under the assumed name Sherlock Holmes, to challenge society’s expectations and match wits against an unseen mastermind.

    . .Miracle Springs, North Carolina, is a place of healing. Strangers flock here hoping the natural hot springs, five-star cuisine, and renowned spa can cure their ills. If none of that works, they often find their way to Miracle Books, where, over a fresh-baked “comfort” scone from the Gingerbread House bakery, they exchange their stories with owner Nora Pennington in return for a carefully chosen book. That’s Nora’s special talent—prescribing the perfect novel to ease a person’s deepest pain and lighten their heaviest burden.When a visiting businessman reaches out to Nora for guidance, she knows exactly which novels will help. But before he can keep their appointment at Miracle Books, he’s found dead on the train tracks.Stunned, Nora forms the Secret, Book, and Scone Society, a group of damaged souls yearning to gain trust and earn redemption by helping others. To join the society, members must divulge their darkest secret—the terrible truth that brought each of them to Miracle Springs in the first place.Determined to uncover the truth behind the businessman’s demise, the women meet in Nora’s cramped and cozy bookstore to share stories and trade support. And as they untangle a web of corruption, they also discover their own courage, purpose, and a sisterhood that will carry them through every challenge—proving it’s never too late to turn the page and start over . . .

    Genevieve Summerford is used to forging her own path. But when one of her patients is arrested for murder-a murder Genevieve fears she may have unwittingly provoked-she is forced to seek help from an old acquaintance.Desperate to clear her patient's name and relieve her own guilty conscience, Genevieve finds herself breaking all the rules she's tried so hard to live by. In her search for answers, Genevieve uncovers an astonishing secret that, should she reveal it, could spell disaster for those she cares about most. But if she lets her discovery remain hidden, she will almost certainly condemn her patient to the electric chair.

    Nowadays twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago.   It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table, dressed in a suit as if for his own funeral, a pair of hot pink barber scissors protruding from his chest.   With the local garda suspecting the O’Sullivans, and their business in danger of being shunned—murder tends to spoil the appetite—it’s up to feisty redheaded Siobhán to solve the crime and save her beloved brood.

    As it turns out, all she inherits from Alfie is a big pile of debt. Pretty soon, Lola and her stalwart Swedish cook, Berta, are reduced to hiding out in the secret love nest Alfie kept in New York City. But when rent comes due, Lola and Berta have no choice but to accept an offer made by one of Alfie’s girls-on-the-side at his funeral: in exchange for a handsome sum of money, the girl wants Lola to retrieve a mysterious reel of film for her. It sounds like an easy enough way to earn the rent money. But Lola and Berta realize they’re in way over their heads when, before they can retrieve it, the man currently in possession of the film reel is murdered, and the reel disappears. On a quest to retrieve the reel and solve the murder before the killer comes after them next, Lola and Berta find themselves navigating one wacky situation after another in high style and low company.Charming, witty, often laugh-out-loud funny, Maia Chance's Come Hell or Highball introduces a sparkling new voice in crime fiction.

    Charles turns to Miss Silver to uncover the strange truth behind Margaret's complicity, and the identity of the terrifying and mysterious individual behind the grey mask.

    Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.

    He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door.March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all...Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

    When she finds herself happily settled into a sleepy hamlet nestled in the idyllic interior of British Columbia surrounded by a suitably eclectic cast of small-town characters she feels like she may finally be able to put her past to rest.But then a body is discovered, the victim of murder, and although she works alongside the town’s inspectors Darling and Ames to discover who might have possibly have motivation to kill, she unknowingly casts doubt on herself. As the investigation reveals facts that she has desperately tried to keep a secret, it threatens to pull her into a vortex of even greater losses than the ones she has already endured.A clever postwar mystery that will appeal to fan of historical mysteries with women sleuths like the Maisie Dobbs series by Jacqueline Winspear or the Bess Crawford series by Charles Todd.