So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right.But Emira herself is aimless, broke, and wary of Alix's desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix's past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other.With empathy and piercing social commentary, Such a Fun Age explores the stickiness of transactional relationships, what it means to make someone family, and the complicated reality of being a grown up. It is a searing debut for our times.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    Now that Lauren is seventeen herself, Tracey is pleased to see that her daughter has taken her advice to heart: Lauren wants to wait instead of having sex with Aaron, a college student and her first real boyfriend. But Lauren’s decision causes a chain reaction that no one could have anticipated. In a few chance encounters, sparks fly between thirtysomething Tracey and twentysomething Aaron. Coming off yet another disappointing relationship with a cheating bachelor her own age, Tracey is surprised to find that her daughter’s boyfriend is mature and understanding beyond his years, and Aaron discovers that his girlfriend’s mom is smart, womanly, and, well, very sexy. Eventually, what begins as a harmless flirtation turns into something much, much hotter. And that’s when things really get complicated . . .Told in the alternating voices of the three lovers, My Daughter’s Boyfriend is the spicy tale of an impossibly tricky love triangle, full of sharp, lively observations about mothers and daughters, black men and women, and the truth about love and lust. Audacious and compelling, it’s the book everyone will be talking about.

    Suffering at the hands of abuse from her father and her older, controlling, boyfriend Khalil, Heaven yearns and dreams of the day of her escape. Her prayers are answered when she is introduced to Khalil's boss, Street King turned businessman, Gavin Lucas, known in every hood in Jersey, as the infamous G. G becomes Heaven's knight in shining armor, sweeping her off of her feet into a whirlwind of passion, exotic getaways, and designer labels. But can Heaven keep up, or will the lifestyle of the rich and shameless swallow her whole? Heavens Hell explores the world of brutal life and fantasy, and leaves us all desperate to find out... do fairytales come true?

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    It begins with a secret."All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

    Bonnie Wilder has lived here, on Blackberry Corner, all her life, and would be content but for her deep desire to have a child. She and her husband Naz cannot conceive, and he refuses to adopt. Even the support of her outrageous best friend Thora--to whom Bonnie tells everything--can't help fill the emptiness inside her. Then Naz finds a blanketed infant on the banks of Canaan Creek, and suddenly Bonnie's life is transformed. She has found her calling. Together with Thora and the rest of the hilarious, tough, and all-too-human women from her church group, Bonnie creates an underground railroad for unwanted babies. But one of these precious gifts will come back to haunt her: a deception begun in good faith comes full circle, ultimately forcing Bonnie to find the courage to confront a difficult truth at the center of her own life. Filled with compassion, humor, and tenacity in the face of almost insurmountable odds, here is a rich, inspiring tale of friendship and family, sisterhood and mother love...and of finding grace where you least expect it.

    It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"—Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

    With enough backstabbing, finger-pointing, and disrespect to go around, this trio sticks to their motto of "What she can do, I can do better; and whatever she has, I want a piece of it too." Much competition is thrown in the mix, and jealousy is so thick that there will be no place for anyone to run when the mess hits the fan. Only then will they attempt to put their many differences aside, but when severe damage is already done, it may be possible to forgive, but certainly not to forget.

    The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

    It is where he was born and grew up; it's where he lives with his Ma as they learn and read and eat and sleep and play. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits. Room is home to Jack, but to Ma, it is the prison where Old Nick has held her captive for seven years. Through determination, ingenuity, and fierce motherly love, Ma has created a life for Jack. But she knows it's not enough ... not for her or for him. She devises a bold escape plan, one that relies on her young son's bravery and a lot of luck. What she does not realize is just how unprepared she is for the plan to actually work. Told entirely in the language of the energetic, pragmatic five-year-old Jack, Room is a celebration of resilience and the limitless bond between parent and child, a brilliantly executed novel about what it means to journey from one world to another.

    Then she is assigned to work with Connie, a wife and mother accused of a despicable crime. Connie is suffering from dissociative amnesia—or at least seems to be.Now it is up to Emma to decide whether Connie can stand trial for her sins. But there is something about Connie that inexorably pulls Emma into her orbit. Perhaps it is the way she seems to see right through Emma, speaking to Emma’s deepest insecurities about her life, marriage, and her own tragic past. And soon Emma begins to understand how Connie’s complicated marriage and toxic relationship with her beautiful best friend Ness could have driven Connie to snap—or maybe, she is simply getting too close to a woman who is unforgivable…Alternating between the two women’s points of view, before and after Connie’s breakdown, Too Close is a masterfully written page turner about the powerful—yet dangerous—closeness between women.

    I can honestly say it’s one of the best books I’ve ever read - it is without shadow of a doubt, EASILY up there with Girl On a Train and Eleanor Oliphant.' - Ruth JonesSamuel, the day we met I knew I’d finally found what I’ve been waiting for.You.Happiness, at last.Then you left me.And now I am alone.Everyone I love leaves in the end.But not this time.I’m not giving up on us.I’m not giving up on you.When you love someone, you never let them go.That’s why for me, this is just beginning.

    But for the first time in years, he wishes he could step out from behind the façade. The reason: Eddy Carmichael, the young woman he rescued in the desert. Outspoken, defiant, and beautiful, Eddy tempts Rhine in ways that could cost him everything . . . and the price seems worth paying.Eddy owes her life to Rhine, but she won't risk her heart for him. As soon as she's saved enough money from her cooking, she'll leave this Nevada town and move to California. No matter how handsome he is, no matter how fiery the heat between them, Rhine will never be hers. Giving in for just one night might quench this longing. Or it might ignite an affair as reckless and irresistible as it is forbidden . . .

    Gorgeous doting husband Massimo, sweet little son Sandro and the perfect home. Lara knows something about Massimo. Something she can’t tell anyone else or everything Massimo has worked so hard for will be destroyed: his job, their reputation, their son. This secret is keeping Lara a prisoner in her marriage. Maggie is married to Massimo’s brother Nico and lives with him and her troubled step-daughter. She knows all of Nico’s darkest secrets – or so she thinks. Then one day she discovers a letter in the attic which reveals a shocking secret about Nico’s first wife Caitlin. Will Maggie set the record straight or keep silent to protect those she loves? For a family held together by lies, the truth will come at a devastating price. A heart-wrenching, emotionally gripping read for fans of Amanda Prowse, Liane Moriarty, and Diane Chamberlain.