Parker, and it is a stunner. Weighing in at over 500 pages, this generous volume gathers together thirteen highly distinctive stories, essays, and novellas, including the recent World Fantasy Award-Winner, “Let Maps to Others”. The result is a significant publishing event, a book that belongs on the shelf of every serious reader of imaginative fiction.The collection opens with the World Fantasy Award-winning “A Small Price to Pay for Birdsong”, a story of music and murder set against a complex mentor/pupil relationship, and closes with the superb novella “Blue & Gold”, which features what may be the most beguiling opening lines in recent memory. In between, Parker has assembled a treasure house of narrative pleasures. In “A Rich, Full Week”, an itinerant “wizard” undergoes a transformative encounter with a member of the “restless dead.” “Purple & Black”, the longest story in the book, is an epistolary tale about a man who inherits the most hazardous position imaginable: Emperor. “Amor Vincit Omnia” recounts a confrontation with a mass murderer who may have mastered an impossible form of magic.Rounding out the volume — and enriching it enormously — are three fascinating and illuminating essays that bear direct relevance to Parker’s unique brand of fiction: “On Sieges”, “Cutting Edge Technology”, and “Rich Men’s Skins”.Taken singly, each of these thirteen pieces is a lovingly crafted gem. Together, they constitute a major and enduring achievement. Rich, varied, and constantly absorbing, Academic Exercises is, without a doubt, the fantasy collection of the year.Contents:- A Small Price to Pay for Birdsong (2011)- A Rich, Full Week (2010)- Amor Vincit Omnia (2010)- On Sieges (2009)- Let Maps to Others (2012)- A Room with a View (2011)- Cutting Edge Technology (2011)- Illuminated (2012)- Purple and Black (2009)- Rich Men’s Skins; A Social History of Armour (2013)- The Sun and I (2013)- One Little Room an Everywhere (2012)- Blue and Gold (2010)Cover illustration by Vincent Chong

    Berlin Stories collects his alternately celebratory, droll, and satirical observations on every aspect of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Originally appearing in literary magazines as well as the feuilleton sections of newspapers, the early stories are characterized by a joyous urgency and the generosity of an unconventional guide. Later pieces take the form of more personal reflections on the writing process, memories, and character studies. All are full of counter-intuitive images and vignettes of startling clarity, showcasing a unique talent for whom no detail was trivial, at grips with a city diving headlong into modernity.

    The first collection of fifteen short stories by the popular tri-media personality.

     Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly.Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

    Our stories take place under the sun: bright, clear, unafraid.This is not a book of those stories.These are the stories of people who live at night; under neon and starlight, and never the light of day.These are the stories of poets and police; writers and waiters; gamers and goddesses; tourists and traders; the hidden and the forbidden; the lonely and the lovers.These are their lives. These are their stories. And this is their time:The Outcast Hours.Including stories by Marina Warner, China Miéville, Frances Hardinge, Will Hill, Sally Partridge, Jesse Bullington, Jeffrey Alan Love, Kuzhali Manickavel, Amira Salah-Ahmed, Cecilia Ekbäck, Celeste Baker, Karen Onojaife, Daniel Polansky, Genevieve Valentine, Indrapramit Das, Leah Moore, Sam Beckbessinger, Sami Shah, Lauren Beukes, Dale Halvorsen, Yukimi Ogawa, Lavie Tidhar, Silvia Moreno Garcia, Genevieve Valentine, Maha Khan Phillips, William Boyle, S.L. Grey, M. Suddain, and Omar Robert Hamilton..

    

    It's not a nice place to visit, and an even worse place to live. Evil dwells in the mountains and lakes surrounding the town. Creatures more ancient than the Appalachian Mountains themselves lurk in the shadows and prey on the unsuspecting.Consisting of three short stories and a novella, The Grass Monkey and Other Dark Tales takes the reader on a terrifying tour of Shallow Springs:A family moves to the Springs from the city, only to discover that their new, peaceful surroundings are nothing but a deception...A telephone lineman, out in a bitter winter storm, must fight demons--both his own, and the ones stalking him in the snowy woods...A group of loggers set out to harass a tree-hugging environmentalist and instead find an ancient horror...A paranormal "handler" returns home to Shallow Springs to help a woman who is being stalked by a creature as intelligent as it is evil...Welcome to Shallow Springs. Sit back. Stay a while. But you might want to be on your way before the sun sets.

    Wilkins' "The Lost Ghost," Robert Louis Stevenson's "The Body-Snatchers," "Mrs. Zant and the Ghost," by Wilkie Collins, and other gripping works by Charles Dickens, Henry James, J. S. LeFanu, Ralph Cram, Mrs. Henry Wood, Amelia Edwards, Fitz-James O’Brien, and M. R. James.

    Years later, the writer’s stepson reflects upon his stepmother and the strange stories she used to tell him. Meanwhile, a surgeon’s lover vows to kill him if he does not leave his wife. Before she can follow-through on her crime of passion, though, the surgeon will cross paths with another remarkable woman, a cabaret singer whose heart beats delicately outside of her body. But when the surgeon promises to repair her condition, he sparks the jealousy of another man who would like to preserve the heart in a custom tailored bag. Murderers and mourners, mothers and children, lovers and innocent bystanders—their fates converge in a darkly beautiful web that they are each powerless to escape.Macabre, fiendishly clever, and with a touch of the supernatural, Yoko Ogawa’s Revenge creates a haunting tapestry of death—and the afterlife of the living.

    Perhaps no figure better embodies the transition from the Gothic tradition to modern horror than Arthur Machen. In the final decade of the nineteenth century, the Welsh writer produced a seminal body of tales of occult horror, spiritual and physical corruption, and malignant survivals from the primeval past which horrified and scandalized late-Victorian readers. Machen's "weird fiction" has influenced generations of storytellers, from H. P. Lovecraft to Guillermo Del Toro - and it remains no less unsettling today. This new collection, which includes the complete novel The Three Impostors as well as such celebrated tales as The Great God Pan and The White People, constitutes the most comprehensive critical edition of Machen yet to appear. In addition to the core late-Victorian horror classics, a selection of lesser-known prose poems and later tales helps to present a fuller picture of the development of Machen's weird vision. The edition's introduction and notes contextualize the life and work of this foundational figure in the history of horror.

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

    For the first time ever, a monster collection of 26 new original Kolchak short fiction stories by noted authors from comics, horror fiction, and film! With the advent of the new Kolchak ABC TV show, Moonstone proudly announces new contemporary prose adventures of the original Kolchak, TV's first and foremost paranormal investigator! Plus all kinds of other cool stuff, like tales from Kolchak's untold past, monster huntings, noir thrillers, and even horror stories of more cerebral type!

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.

    In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    All the foreign-language stories in this book appear here in English for the first time, while the English-language entries from countries like the Philippines are appearing in print in the U.S. for the first time.The book includes stories by some of the world's preeminent horror authors, many of them not yet known in the English-speaking world:Pilar Pedraza, 'Mater Tenebrarum' (Spain)Flavius Ardelean, 'Down, in Their World' (Romania)Anders Fager, 'Backstairs' (Sweden)Tanya Tynjälä, 'The Collector' (Peru)Frithjof Spalder, 'The White Cormorant' (Norway)Jose María Latorre, 'Snapshots' (Spain)Luigi Musolino, 'Uironda' (Italy)Martin Steyn, 'Kira' (South Africa)Attila Veres, 'The Time Remaining' (Hungary)Lars Ahn, 'Donation' (Denmark)Bernardo Esquinca, 'Señor Ligotti' (Mexico)Cristina Fernández Cubas, 'The Angle of Horror' (Spain)Christien Boomsma, 'The Bones in Her Eyes' (Netherlands)Elisenda Solsona, 'Mechanisms' (Catalonia)Michael Roch, 'The Illogical Investigations of Inspector André Despérine' (Martinique)Solange Rodríguez Pappe, 'Tiny Women' (Ecuador)Bathie Ngoye Thiam, 'The House of Leuk Dawour' (Senegal)Marko Hautala, 'Pale Toes' (Finland)Yvette Tan, 'All the Birds' (Philippines)Ariane Gélinas, 'Twin Shadows' (Québec)Flore Hazoumé, 'Menopause' (Ivory Coast)