This is to keep you on the edge with each turn in the alleys of the Labyrinth.Labyrinth: Short Stories is an array of fifteen tales that cover genres like adventure, romance, paranormal, fantasy, history, and many more.Summary Of The BookLabyrinth: Short Stories, published in 2012, is a collection of fifteen short stories written by various Indian authors. Each tale belongs to a different genre and era, thereby giving this book a unique and refreshing feel. Labyrinth: Short Stories starts off with The Martyr, which has been written by Mainak Dhar. It revolves around young Kemal who finds himself in the middle of a war in Afghanistan. Puppet Show, by Aditi Chincholi, explains how a doctor cannot find a way to break a spell that has been cast over the natives of a valley.Bagheera Log Huts takes readers into the heart of an Indian jungle, where the search for a wild cat turns into an unexpected adventure. Shawn Pereira’s I'll Be Back describes an out-of-body experience, which shows how things can take a downward spiral when one is caught in the wrong place, at the wrong time. Aditi Chincholi’s second story, Sym World, is set in a fantasy land which the protagonist Kyoto has willingly entered, but cannot find a way out. In Mortified, written by Jeevan Varma, readers will find themselves in a small Indian township where a mortified Sharmaji is going to be attacked. This is followed by Crashing Impacts, a tale of love and sacrifice that spans almost ten years.Rishabh Chaturvedi’s The Night Of The Wokambee describes how Revant is in a quandary when a strange creature visits his house every night. Both Mists of Time by Niharika Puri, and Russkaya Rulyetka by Shawn Pereira, illustrate how a person makes impulsive decisions when he is overcome with rage and jealousy. Candies shows readers that the pursuit of love is filled with ups and downs. Travel Through The Night, authored by Rishabh Chaturvedi, follows the protagonist into dense sugarcane plantations, where he encounters strange spirits who block his path. A Day of Battle is set during the great epic battle of the Mahabharata, and the author Abhishek Dwivedi shares stories of the bravery of some of the best warriors that this world has ever seen. The next story, Farming On Facebook by Sushant Dharwadkar, takes a huge time leap, and shows how the present generation is unaware of the real world, as their focus lies only on the screens in front of them. About The AuthorsLabyrinth: Short Stories has been written by Mainak Dhar, Richard Fernandes, Jeevan Verma, Rishabh Chaturvedi, Niharika Puri, Aditi Chincholi, Abhishek Dwivedi, Sushant Dharwadkar, Rohit Das, and Shawn Pereira. They are a part of the initiative by Litizen.com. Professionally they are accountants, chefs, media professionals, doctors, and students.

    God help the living.It's too late to run. The zombies are everywhere. They stalk through urban jungles and across the carefully manicured lawns of suburbia. They shudder to unlife on the bloodiest battlefields of the Civil War and in the deepest tunnels of interstellar mining colonies. They lurk on your street, in you company boardroom, in your own bedroom. And they hunger.

    A young adventurer succumbs to the night world of a diabolic count. A man of medicine explores his darker side only to fall prey to it. They are legendary tales that have held readers spellbound for more than a century. The titles alone -- Frankenstein, Dracula, and Dr. Jekyll and Mr. Hyde -- have become part of a universal language that serves to put a monster's face on the good-and-evil duality of our very human nature. And the authors -- Mary Shelley, Bram Stoker, and Robert Louis Stevenson -- equally mythic, are still possessed of as inventive and subversive power that can shake a reader to this day with something far more profound than fear. They gave root to the modern horror novel, and like the creatures they invented, they've achieved immortality.

    They unlock opportunities for wealth and travel, but also create incredible chaos--uprooting populations and blighting landscapes. Work on or around the rails leads to unwelcome discoveries and, in light of the Mythos, dire implications in the spread of the rail system as a whole. A certain path to uncovering unwelcome truths about the universe is to venture beyond our own "placid island of ignorance" and encounter foreign cultures. The Orient Express serves as the perfect vehicle for such excursions, designed as a bridge between West and East. Movement into mystery forms the central action for many stories in this volume. The only limitation placed upon writers for this collection was that their works somehow involve the Orient Express and the Mythos. The last warning whistle has blown, and we are getting underway. Have your tickets at the ready and settle in for a journey across unexpected landscapes to a destination that--well, we'll just let you see for yourself when you arrive. We promise this though: murder will be the least of your problems on this trip aboard the Orient Express!

    Included are: Introduction (The Second Cthulhu Mythos Megapack) • essay by Shawn Garrett Dreams of Yith • (1934) • poem by Duane W. Rimel and H. P. Lovecraft Out of the Aeons • short fiction by Hazel Heald and H. P. Lovecraft (variant of Out of the Eons 1935) Fishhead • (1913) • short story by Irvin S. Cobb When Chaugnar Wakes • (1932) • poem by Frank Belknap Long The Mound • (1940) • novella by H. P. Lovecraft and Zealia Bishop The Thing on the Roof • (1932) • short story by Robert E. Howard The Isle of Dark Magic • (1934) • novelette by Hugh B. Cave The Secret in the Tomb • (1935) • short story by Robert Bloch The Horror from the Hills • (1931) • novella by Frank Belknap Long The Terrible Parchment • (1937) • short story by Manly Wade Wellman The Shambler from the Stars • (1935) • short story by Robert Bloch The Diary of Alonzo Typer • (1938) • short story by H. P. Lovecraft and William Lumley Hydra• (1939) • short story by Henry Kuttner The Suicide in the Study • (1935) • short story by Robert Bloch Marmok • (1940) • poem by Emil Petaja The Intruder • (1940) • short story by Emil Petaja Out of the Jar • (1941) • short story by Charles R. Tanner [as by Charles A. Tanner] Skydrift • (1949) • short story by Emil Petaja Anonymous • (1951) • short story by George T. Wetzel Why Abdul Alhazred Went Mad • (1950) • short story by D. R. Smith (variant of Why Abdul Al Hazred Went Mad) Caer Sidhi • (1954) • short story by George T. Wetzel Dead of Night • (1988) • short story by Lin Carter Death of a Damned Good Man • (1991) • short story by Avram Davidson Medusa's Coil • short fiction by Zealia Bishop and H. P. Lovecraft [as by Howard Phillips Lovecraft and Zealia Bishop] Perchance to Dream • (1988) • short story by Lin Carter The Winfield Heritence • short fiction by Lin Carter (variant of The Winfield Heritance 1981) The Challenge from Beyond • (1935) • short story by C. L. Moore and A. Merritt and H. P. Lovecraft and Robert E. Howard and Frank Belknap Long The Last Horror Out of Arkham • (1977) • short story by Darrell Schweitzer If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

    "Fallmerayer the Stationmaster" and "The Bust of the Emperor" are Roth's most acclaimed works of shorter fiction.

     Within these pages, you’ll find a treasure trove of myths, legends, folktales, urban legends, historical accounts, and stories about horrors, both ancient and modern, that have been hidden, ignored, or forgotten entirely. “The Monsters We Forgot” is a massive anthology of horror stories by an international team of authors ranging from award-winners and bestsellers to visionary newcomers. These stories draw inspiration from the folklore traditions of countries including Russia, Brazil, Mexico, Japan, Taiwan, Australia, Ireland, Wales, England, Norway, Nigeria, Greece, Poland, the Caribbean, the Middle East, Canada, and the United States, the tales in this three-volume collection range from original folktales and chilling myths to information-age monsters and modern urban legends, and everything in between. Turn on the lights, check the locks, and settle in. You’re about to remember The Monsters We Forgot.

    Tortured by the ghost of a fallen Marine, he is faced with the truth, it may be too late for the ones he loves. Hell is cold, and Death stands at the end of his road, the Korean Road.

    of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).

    Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    . . A man reading a mystery finds out too late that he is the murderer's victim . . . In the fifteen stories collected here—including "Blow-Up," which was the basis for Michelangelo Antonioni's film of the same name—Julio Cortazar explores the boundary where the everyday meets the mysterious, perhaps even the terrible.Axolotl House taken over Distances Idol of the Cyclades Letter to a young lady in Paris Yellow flower Continuity of parks Night face up Bestiary Gates of heaven Blow-up End of the game At your service Pursuer Secret weapons.

    Part magic realism, part science fiction, part theater of the absurd, and part over-the-top, unrepentant spoof, this novel packs more into its few short pages than do most epic trilogies. Graziano has fabricated the rare kind of tale that the reader can honestly say ends much too quickly. Perfectly woven, self-enclosed, multifaceted . . . Kosinski’s Being There sprinkled with a strong dose of Frankenstein . . . the kind of simplicity that speaks volumes.”—Michael Mirolla, author of The Formal Logic of Emotion“An amalgam of fairy tale, satire, science fiction, medical thriller, and soap opera. . . . It is difficult to fathom that a novel so brief can be so epic in scope. Inventive and deftly crafted, The Love Song of Monkey is a tale no reader will soon forget.”—Eric Linder, Yellow Umbrella Books, Chatham, MassachusettsIn a surreal exile on the floor of the Atlantic, a young man faces his own death and his wife’s infidelity. The Love Song of Monkey is a meditation on the simple, inexplicable, and lasting power of love, cast in the metaphor of a journey to the depths of the ocean floor. Precise and beautifully crafted, this modern fable is rich with humor and deep thought.Michael S. A. Graziano, professor of neuroscience at Princeton University, is the author of the novella Hiding Places (New England Review), The Seclusion Zone (2007 fi nalist in the William Faulkner–William Wisdom Creative Writing Competition), and The Intelligent Movement Machine (2008, Oxford University Press).

    G. Wells) are linked by their imposing central character, the pugnaciously adventurous and outrageous Professor Challenger. The Lost World (forebear of Jurassic Park) vividly depicts a perilous region in which the explorers confront creatures from the prehistoric era. 'The Poison Belt' presents an eerie doomsday scenario, while ‘The Disintegration Machine’ satirically comments on scientific cynicism.In ‘When the World Screamed’, the planet responds violently to an experimental incursion. The strangest item is 'The Land of Mist', which seeks to reconcile science with spiritualism. This memorable collection provides imaginative entertainment, entrancing escapism and bold provocation.

     "PAPERCLIP" by Kenneth Hite. "A Spider With Barbed-Wire Legs" by Davide Mana. "Le Pain Maudit" by Jeff C. Carter. "Cracks in the Door" by Jason Mical. "Ganzfeld Gate" by Cody Goodfellow. "Utopia" by David Farnell. "The Perplexing Demise of Stooge Wilson" by David J. Fielding. "Dark" by Daniel Harms."Morning in America" by James Lowder. "Boxes Inside Boxes" and "The Mirror Maze" by Dennis Detwiller. "A Question of Memory" by Greg Stolze. "Pluperfect" by Ray Winninger. "Friendly Advice" by Gareth Ryder-Hanrahan. "Passing the Torch" by Adam Scott Glancy. "The Lucky Ones" by John Scott Tynes. "Syndemic" and an introduction by Shane Ivey. These stories are recommended for mature readers. Excerpted from the introduction: We know a program called Delta Green really existed. You can find a couple of references to it in documents uncovered by Freedom of Information Act requests. Delta Green was a psychological operations unit in World War II, created to take advantage of the bizarre occult beliefs of Axis leaders. The public documents, which may have been released with the name unredacted by mistake, don’t say whether it had any success. The OSS was shut down after the war. Many of its people helped launch the CIA in 1947. We can only speculate whether the OSS’s lessons from Delta Green informed the CIA’s notorious psychological operations in the coming decades.  Conspiracy theorists have done more than speculate. Delta Green came back as a secret project to track down Nazis after the war, they say. Delta Green brought federal agents, spies, and special forces together for missions too secret even for the CIA. Delta Green was the precursor and rival to Majestic-12, the U.S. government conspiracy that allied itself with aliens after Roswell. Delta Green fights otherworldly monsters and evil sorcerers under the cover of the Global War on Terror. Once you climb into the rabbit hole, the fall never ends. In this book we turn up tales from the rabbit hole: Delta Green case histories rendered as short stories. They begin in the Dust Bowl, with a Naval intelligence unit supposedly called “P4” and memories of the abandoned New England town of Innsmouth (another bottomless well of conspiracy theories). They look at the days after World War II when secret agents pursued Nazis all over Europe, the early CIA attempted its first infamous schemes, and anticommunist witch-hunts seized on American terrors back home. They bring us through the Cold War desperation of the Seventies and Eighties, when America was shocked by its own crimes and Delta Green allegedly went underground again. And they come to the present day, and a Delta Green divided after it rebuilt itself in the secret government—but many old outlaws refused to trust the new order.

    . . A bored London housewife discovers a secret erotic club . . . A shy, bookish girl develops an unlikely friendship with the schoolyard bully and her wild, horsey family . . . After fighting with her boyfriend, a woman goes for a night walk on a remote tropical beach with dark, unexpected consequences.Sarah Hall has been hailed as "one of the most significant and exciting of Britain's young novelists" (The Guardian). Now, in this collection of seven pieces of short fiction, published in England to phenomenal praise, she is at her best: seven pieces of uniquely talented prose telling stories as wholly absorbing as they are ambitious and accessible.