Sophie's dad holds the platter so Sophie can push the elevator button for the tenth floor. But on the way up, the elevator stops to let the Santucci brothers get on. Then on the next floor, Vicky, Babs and their dog, Norman, get in. And as the elevator ascends, it keeps stopping, and more neighbors squeeze in to the crowded space: the Habibs, the Flores family, Mr. Kwan, Vi Tweedle with her Chihuahua, Minx. Everyone is going to the party!Playfully combining the excitement and anticipation of a party with children's universal love of riding in elevators, Sherry J. Lee's picture book story is ultimately about community and a sense of belonging. With characters from many cultural backgrounds, it showcases the everyday diversity that many urban children experience. Charlene Chua's illustrations provide loads of funny details and visual narratives that aren't in the text, making for a multilayered reading experience. The book's tall, narrow trim size adds to the effect of the rising elevator.

    He has lived in a lot of houses, but he still hasn't found his home. When he moves in with Maggie, she shows him respect, offers him kindness, and makes him see things in himself that he's never noticed before. Maybe this isn't just another house, maybe this is a place Calvin can call home, for a while.

    But when family secrets spill out and racism at school ramps up, she must decide what she believes in and take a stand.Fifteen-year-old Liliana is fine, thank you very much. It’s fine that her best friend, Jade, is all caught up in her new boyfriend lately. It’s fine that her inner-city high school is disorganized and underfunded. It’s fine that her father took off again—okay, maybe that isn’t fine, but what is Liliana supposed to do? She’s fifteen! Being left with her increasingly crazy mom? Fine. Her heathen little brothers? Fine, fine, fine. But it turns out Dad did leave one thing behind besides her crazy family. Before he left, he signed Liliana up for a school desegregation program called METCO. And she’s been accepted. Being accepted into METCO, however, isn’t the same as being accepted at her new school. In her old school, Liliana—half-Guatemalan and half-Salvadorian—was part of the majority where almost everyone was a person of color. But now at Westburg, where almost everyone is white, the struggles of being a minority are unavoidable. It becomes clear that the only way to survive is to lighten up—whiten up. And if Dad signed her up for this program, he wouldn’t have just wanted Liliana to survive, he would have wanted her to thrive. So what if Liliana is now going by Lili? So what if she’s acting like she thinks she’s better than her old friends? It’s not a big deal. It’s fine. But then she discovers the gutting truth about her father: He’s not on one of his side trips. And it isn’t that he doesn’t want to come home…he can’t. He’s undocumented and he’s been deported back to Guatemala. Soon, nothing is fine, and Lili has to make a choice: She’s done trying to make her white classmates and teachers feel more comfortable. Done changing who she is, denying her culture and where she came from. They want to know where she’s from, what she’s about? Liliana is ready to tell them.

    Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world.

    Along the way, they experience the sights and sounds of the streets--neighbors talking, musicians performing, and beautiful, colorful cars putt-putting and bumpety-bumping along. In the end, though, it's their old car, Cara Cara, that the boy loves best.

    Higgins smiles too, and decides to send a care package of cookies to her grandson Lionel in Mexico. The cookies give Lionel an idea, and his idea inspires a student, who in turn inspires a ballet troupe in England! And so the good feelings that started with Amelia’s smile make their way around the world, from a goodwill recital in Israel, to an impromptu rumba concert in Paris, to a long-awaited marriage proposal in Italy, to a knitted scarf for a beloved niece back in New York. Putting a unique spin on "what goes around comes around," David Ezra Stein’s charmingly illustrated story reminds us that adding even a small dose of kindness into the world is sure to spur more and more kindness, which could eventually make its way back to you!

    No one can help him. When he asks his abuela where Bongo is, she answers, Yo no se. "I don't know." Mom and Dad haven't seen Bongo either. Gato just says "Meow," and runs away. When Bongo finally turns up behind Dad's drum, the problem of Bongo's whereabouts is resolved . . . but it doesn't answer how Bongo got there! The boy decides to set a trap to catch the Bongo thief. Rich illustrations help tell the story of a mystery cleverly solved.

    Hers was a school of faraway places. So when Lola's teacher asks the students to draw a picture of where their families immigrated from, all the kids are excited. Except Lola. She can't remember The Island—she left when she was just a baby. But with the help of her family and friends, and their memories—joyous, fantastical, heartbreaking, and frightening—Lola's imagination takes her on an extraordinary journey back to The Island. As she draws closer to the heart of her family's story, Lola comes to understand the truth of her abuela's words: “Just because you don't remember a place doesn't mean it's not in you.”

    A boy and his father take a walk through the city, sharing memories, and discovering all the ways in which they are perfectly designed for each other and to be themselves.

    Cora is still grappling with the death of her beloved sister in a school shooting, and Quinn is carrying the guilt of what her brother did.On the day of Cora’s twelfth birthday, Quinn leaves a box on her doorstep with a note. She has decided that the only way to fix things is to go back in time to the moment before her brother changed all their lives forever—and stop him.In spite of herself, Cora wants to believe. And so the two former friends begin working together to open a wormhole in the fabric of the universe. But as they attempt to unravel the mysteries of time travel to save their siblings, they learn that the magic of their friendship may actually be the key to saving themselves.

    To pass the time, he studies the faces around him and makes pictures of their lives. There's the whiskered man with the crossword puzzle; Milo imagines him playing solitaire in a cluttered apartment full of pets. There's the wedding-dressed woman with a little dog peeking out of her handbag; Milo imagines her in a grand cathedral ceremony. And then there's the boy in the suit with the bright white sneakers; Milo imagines him arriving home to a castle with a drawbridge and a butler. But when the boy in the suit gets off on the same stop as Milo--walking the same path, going to the exact same place--Milo realizes that you can't really know anyone just by looking at them.

    It's all they've heard since a schoolmate of theirs drowned a year ago. Pao is embarrassed to admit that she has been told to stay away for even longer than that, because her mother is constantly warning her about La Llorona, the wailing ghost woman who wanders the banks of the Gila at night, looking for young people to drag into its murky depths.Hating her mother's humiliating superstitions and knowing that she and her friends would never venture into the water, Pao organizes a meet-up to test out her new telescope near the Gila, since it's the best stargazing spot. But when Emma never arrives and Pao sees a shadowy figure in the reeds, it seems like maybe her mom was right. . . .Pao has always relied on hard science to make sense of the world, but to find her friend she will have to enter the world of her nightmares, which includes unnatural mist, mind-bending monsters, and relentless spirits controlled by a terrifying force that defies both logic and legend.

    One boy asks another boy about having two mommies. A young girl listening in asks some questions too. True to a child’s curiosity, practical questions follow. “Which mom is there when you want to go fishing? / Which mom helps out when Kitty goes missing?” To which he answers: “Mommy helps when I want to go fishing. / Both Mommies help when Kitty goes missing.” A Tale of Two Mommies is intended for 4-8 year olds. This book lets us look inside one non-traditional family, a same sex couple and their son. As the children talk, it’s clear this boy lives in a nurturing environment where the biggest issues are the everyday challenges of growing up.

    Along the way she also rediscovers the compassion of the human spirit, the resilience of her community, and everlasting hope in the most unexpected places.

    She can't wait to dance in the baraat ceremony! But not everyone is happy that Ritu is marrying her girlfriend Chandni. Some have even vowed to stop the celebrations. Will Ayesha be able to save her cousin's big day?This vibrant book sets the story of a same-sex couple struggling to gain acceptance against the colorful backdrop of an Indian wedding.