But the noble and ancient family of Inverkillen, residents of Loch Down Abbey, are much more concerned with dwindling toilet roll supplies and who will look after the children now that Nanny has regretfully (and most inconveniently) departed this life.Then Lord Inverkillen, Earl and head of the family, is found dead in mysterious circumstances. The inspector declares it an accident but Mrs MacBain, the head housekeeper, isn't so convinced. As no one is allowed in or out because of the illness, the residents of the house - both upstairs and downstairs - are the only suspects. With the Earl's own family too busy doing what can only be described as nothing, she decides to do some digging - in between chores, of course - and in doing so uncovers a whole host of long-hidden secrets, lies and betrayals that will alter the dynamics of the household for ever.

    But just before she sets off for a fun-filled New York hen party weekend, she finds a letter addressed to her sister Caroline. Dated only weeks before Caroline died in a tragic accident, it contains some startling information which forces Ellie to face some truths about herself, Caroline's death - and even her forthcoming marriage. Ellie has spent the three years since Caroline's death running from the truth. But as the weekend in New York comes to a close, she makes a drastic decision. As Ellie finally lays old ghosts to rest, she realises that the truth can set you free. But will she be willing to take the risk?

    

    When her father weds her to a young Norman lord, Eustace de Breteuil, she thinks she has done well in life for the daughter of a Saxon concubine. But Eustace wants a castle he cannot have. He starts hostilities with its castellan, Ralph Harenc, egged on by the dubious Amaury de Montfort. To keep the peace, King Henry orders a hostage exchange between Eustace and Ralph. Juliane's pretty young daughters for Ralph's son. In a drunken rage, fuelled on by Amaury, Eustace breaks the truce and blinds Harenc's boy. Furious, the King allows Ralph to take his own brutal vengeance upon Henry's own granddaughters. Crazed with grief, Juliane plots revenge for the maiming of her children. The Wheel of Fate spins. The King must die, his own daughter judge, jury, executioner...

    Prince Eddy is a notorious wastrel. But when he is found in his bedroom at Sandringham with his throat cut, his father, King George V, decides that the crime must be concealed. The prince is said to have died of influenza. Lord Francis Powerscourt is secretly commissioned to find the killer, but there are so many who have reason to hate the debauched and vicious prince that the task is a hard one. It leads him across Europe, to Venice, where amidst scandal and suicide, Powerscourt finally unravels the mystery.

    Joe Coffin is on his way. And he's mad as hell.Joe Coffin is fresh out of jail, but going straight is the last thing on his mind. The sickos who murdered his wife and child are still out there, and he’s going to get revenge.The problem is, Joe Coffin is in much deeper than he realizes, and his wife might not be as dead as he believes.Violent, gory, profane and explicit, Joe Coffin is for mature readers only.Written in serial form, there are four episodes in Season One, each available individually or as a complete set at a significant price saving.

    The investigation is complicated by the Sheriff of York’s desire to use suspicion of the murders to arrest a thief and smuggler whom Cordwainer is certain is not the culprit, and it is hindered by Cordwainer’s advanced age and physical infirmities. When Cordwainer realizes that the Prioress of Clementhorpe will be the next victim and the Sheriff refuses to help, Cordwainer must call on every resource he can find to stop the killer.

    A foreign artist and war hero seeking refuge from the world has been murdered. Marie Paige, the frail, sickly wife of the village doctor, lies beside him beaten into a coma.The police arrest Marie's husband, convinced that they are looking at a crime of passion. But Dr. Paige finds himself with an unlikely champion: Fr. Gabriel, a blundering but brilliant Benedictine priest who believes in his innocence and feels compelled to search for the truth.In a country struggling to come to terms with the devastation of the Second World War, even a secluded English village has its share of secrets and broken lives. It is not long before Fr. Gabriel and his companions find themselves embarking on a dangerous journey into the victims' troubled war histories and a chapter of Europe's bloodiest conflict that is almost too terrible to be acknowledged.

    

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    Six ravens are feasting on the corpses. It is springtime in 1413 and Henry V is now on the throne of feudal England. The Peasants’ Revolt of 1381 had begun the great shift towards democracy and the country is recovering from the ravages of the Black Death. Wat Baudin is a man on the up in this brave new world and is returning from his duties as an alderman at the assizes in Maidstone. He can sit in judgement on the lower classes but the noble families of the land remain a law unto themselves. When Wat and his colleagues happen upon the unfortunate murder victims, he is only too aware of the superstition that still surrounds the macabre presence of that posse of birds. They are a sign of more death to follow. Wat is glad to get back home where his wife Rosalind in expecting their second child. But his joy is short-lived as he is suddenly summoned by the Earl of Rochester, Lord John Ridley. It appears that the earl’s nephew, young Sir Hugh Montmorency, has mysteriously disappeared and Wat is tasked to get to the bottom of the matter. It is not long before Wat finds himself heading a murder investigation. Not one murder, but two… then three. The ravens’ augury seems to be true as a knight and a member of castle staff are added to the body count. Even Wat himself comes under attack as he works his way through the suspects within the walls of Rochester Castle. What part can the earl’s doe-eyed daughter, Lady Susanna, possibly have in these evil crimes? And where might the unflappable earl’s wife, the Lady Joan Ridley, fit into the equation? Can Wat trust the earl’s steward Ralph or his chaplain Father Anthony? The Ravens’ Augury is a classic tale of intrigue and plotting at a time in England’s history when the stakes were sky-high and skulduggery the default position in their ruthless pursuit. LJ Shea resides in her native rural Australia with her two sons, where she teaches English and history. She spends her spare time studying history, reading historical fiction, and spoiling her dogs, cats and horses, whom she counts amongst her dearest friends.