The toast of London, lauded by Europeans as diverse as Voltaire and Gibbon, Wheatley was for a time the most famous black woman in the West. Though Benjamin Franklin received her and George Washington thanked her for poems she dedicated to him, Thomas Jefferson refused to acknowledge her gifts. "Religion, indeed, has produced a Phillis Wheatley," he wrote, "but it could not produce a poet." In other words, slaves have misery in their lives, and they have souls, but they lack the intellectual and aesthetic endowments required to create literature.In this book based on his 2002 Jefferson Lecture in the Humanities at the Library of Congress, Henry Louis Gates, Jr., explores the pivotal roles that Wheatley and Jefferson have played in shaping the black literary tradition. He brings to life the characters and debates that fermented around Wheatley in her day and illustrates the peculiar history that resulted in Thomas Jefferson's being lauded as a father of the black freedom struggle and Phillis Wheatley's vilification as something of an Uncle Tom. It is a story told with all the lyricism and critical skill that have placed Gates at the forefront of American letters.

    Lilly Ann read everything she could get her hands on, and through newspapers, she learned of places in the North where slavery had been abolished. She longed to have that freedom too.As Lilly Ann's reading and writing skills improved, she shared her knowledge with others by starting a school. After toiling for their masters all day, Lilly Ann's students would slip nervously into the night to attend her "midnight" school. Every noise reminded them of the painful punishment they faced if they were found out. But the students were willing to risk any danger for the chance at an education. Over the years, hundreds of enslaved men and women learned to read and write under their teacher's patient guidance.

    From Billy Lee, valet to George Washington, to Alfred Jackson, faithful servant of Andrew Jackson, these dramatic narratives explore our country’s great tragedy—that a nation “conceived in liberty” was also born in shackles.These stories help us know the real people who were essential to the birth of this nation but traditionally have been left out of the history books. Their stories are true—and they should be heard.This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum.

    Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians’ mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer’s day. Francis Vallejo’s vibrant, detailed, and wonderfully expressive paintings do loving justice to the larger-than-life quality of jazz musicians of the era. Includes bios of several of the fifty-seven musicians, an author’s note, sources, a bibliography, and a foldout of Art Kane’s famous photograph.

    Dave was taught how to turn pots and jars on a pottery wheel by one of his first owners. As Dave's talent flourished, he created pieces of great beauty and often massive size. He also somehow learned to read and write, in spite of South Carolina's strongly-held fear of slave literacy. And then Dave did something even more incredible--he began to sign his jars and carve many of them with sayings and poems that reflected his daily life and experiences. He spoke out against slavery not by protesting or revolting, but by daring to write at all. Andrea Cheng has crafted a biography in verse as beautiful as one of Dave's jars. In simple, powerful words, including some of Dave's original writings, we learn his extraordinary story of courage, creative inspiration, and triumph.

    The lighter-skinned children have been promised a chance to escape into white society, but what does this mean for the children who look more like their mother? As each child grows up, their questions about slavery and freedom become tougher, calling into question the real meaning of "life, liberty, and the pursuit of happiness."Told in three parts from the points of view of three of Jefferson's slaves - Beverly, Madison, and a third boy close to the Hemings family - these engaging and poignant voices shed light on what life was like as one of Jefferson's invisible offspring.

    Historian Scott Nelson brings John Henry alive for young readers in his personal quest for the true story of the man behind the myth. Nelson presents the famous folk song as a mystery to be unraveled, identifying the embedded clues within the lyrics, which he examines to uncover many surprising truths. He investigates the legend and reveals the real John Henry in this beautifully illustrated book. Nelson’s narrative is multilayered, interweaving the story of the building of the railroads, the period of Reconstruction, folk tales, American mythology, and an exploration of the tradition of work songs and their evolution into blues and rock and roll. This is also the story of the author’s search for the flesh-and-blood man who became an American folk hero; Nelson gives a first-person account of how the historian works, showing history as a process of discovery. Readers rediscover an African-American folk hero. We meet John Henry, the man who worked for the railroad, driving steel spikes. When the railroad threatens to replace workers with a steam-powered hammer, John Henry bets that he can drive the beams into the ground faster than the machine. He wins the contest, but dies in the effort. Nelson’s vibrant text, combined with archival images, brings a new perspective and focus to the life and times of this American legend.

    In his signature “shaped speech” style, he creates a narrative of moments and joyous music, from the drums of the ancestors, the red dirt of the plantations, the current of the mighty Mississippi, and the shackles, blood, and tears of slavery. Each chop of the ax is a beat, each lash of the whip fashions another line on the musical staff. But each sound also creates the chords and harmonies that preserve the ancestors and their stories, and sustain life, faith, and hope into our own times.

    Eighty percent of the city flooded, in some places under twenty feet of water. Property damages across the Gulf Coast topped $100 billion. One thousand eight hundred and thirty-three people lost their lives. The riveting tale of this historic storm and the drowning of an American city is one of selflessness, heroism, and courage—and also of incompetence, racism, and criminality. Don Brown’s kinetic art and as-it-happens narrative capture both the tragedy and triumph of one of the worst natural disasters in American history. A portion of the proceeds from this book has been donated to Habitat for Humanity New Orleans.

    Her daughter, Rose, thought those stories might make a good book, and the two created the beloved Little House series.Sara Breedlove, the daughter of former slaves, wanted everything to be different for her own daughter, A'Lelia. Together they built a million-dollar beauty empire for women of color. Marie Curie became the first person in history to win two Nobel prizes in science. Inspired by her mother, Irène too became a scientist and Nobel prize winner.Borrowed Names is the story of these extraordinary mothers and daughters. Borrowed Names is a 2011 Bank Street - Best Children's Book of the Year.

    A hunterman and a crocodile take turns being captive and captor in a humorous folktale that teaches the importance of living in harmony with nature and is illustrated with ceramic-tile paintings.

    But she was just a little girl for a while--and this is her story. Minty, short for Araminta, was a feisty and headstrong young slave, whose rebellious spirit often got her into trouble. She told stories to her doll, released animals from traps, and, above all, dreamed of running away. And when her father began to teach her the skills necessary for escape, she listened carefully, and learned. . . .*Rich with melodrama, suspense, pathos, and, of course, a powerful vision of freedom. This exquisitely crafted book resonates well beyond its few pages.--Kirkus Reviews, starred reviewWinner of the Coretta Scott King AwardAn ALA Notable Book

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    She believes her mother loves her, but she can’t shake the feeling that her mother doesn’t want her. Church helps those worries fade, if only for a little while. The singing, the preaching, the speeches from guest activists like Paul Robeson and Thurgood Marshall stir African Americans in her community to stand up for their rights. Betty quickly finds confidence and purpose in volunteering for the Housewives League, an organization that supports black-owned businesses. Soon, the American civil rights icon we now know as Dr. Betty Shabazz is born.Collaborating with novelist Renée Watson, Ilyasah Shabazz illuminates four poignant years in her mother’s childhood, painting a beautiful and inspiring portrait of a girl overcoming the challenges of self-acceptance and belonging that will resonate with young readers today.

    Fifty of the foremost diverse children's authors and illustrators--including Jason Reynolds, Jacqueline Woodson, and Kwame Alexander--share answers to the question, "In this divisive world, what shall we tell our children?" in this beautiful, full-color keepsake collection, published in partnership with Just Us Books.What do we tell our children when the world seems bleak, and prejudice and racism run rampant? With 96 lavishly designed pages of original art and prose, fifty diverse creators lend voice to young activists.Featuring poems, letters, personal essays, art, and other works from such industry leaders as Jacqueline Woodson (Brown Girl Dreaming), Jason Reynolds (All American Boys), Kwame Alexander (The Crossover), Andrea Pippins (I Love My Hair), Sharon Draper (Out of My Mind), Rita Williams-Garcia (One Crazy Summer), Ellen Oh (cofounder of We Need Diverse Books), and artists Ekua Holmes, Rafael Lopez, James Ransome, Javaka Steptoe, and more, this anthology empowers the nation's youth to listen, learn, and build a better tomorrow.