On November 18th, 1967, Private First Class Davis’s artillery unit was hit by a massive enemy offensive. At twenty-one years old, he resolved to face the onslaught and prepared to die. Soon he would have a perforated kidney, crushed ribs, a broken vertebra, his flesh ripped by beehive darts, a bullet in his thigh, and burns all over his body.   Ignoring his injuries, he manned a two-ton Howitzer by himself, crossed a canal under heavy fire to rescue three wounded American soldiers, and kept fighting until the enemy retreated. His heroism that day earned him a Congressional Medal of Honor—the ceremony footage of which ended up being used in the movie Forrest Gump.   You Don’t Lose ’Til You Quit Trying chronicles how his childhood in the American Heartland prepared him for the worst night of his life—and how that night set off a lifetime battling against debilitating injuries, the effects of Agent Orange and an America that was turning on its veterans.   But he also battled for his fellow veterans, speaking on their behalf for forty years to help heal the wounds and memorialize the brotherhood that war could forge. Here, readers will learn of Sammy Davis’s extraordinary life—the courage, the pain, and the triumph.

    Defining folly as the pursuit by governments of policies contrary to their own interests, despite the availability of feasible alternatives, Tuchman details four decisive turning points in history that illustrate the very heights of folly in government: the Trojan War, the breakup of the Holy See provoked by Renaissance Popes, the loss of the American colonies by Britain's George III & the USA's persistent folly in Vietnam. THE MARCH OF FOLLY brings the people, places & events of history alive for today's reader.

    Shay examines the psychological devastation of war by comparing the soldiers of Homer's Iliad with Vietnam veterans suffering from post-traumatic stress disorder. Although the Iliad was written twenty-seven centuries ago it has much to teach about combat trauma, as do the more recent, compelling voices and experiences of Vietnam vets.

    The authors expose phony heroes who have become the object of award winning documentaries on national television, liars and fabricators who have become best selling authors, and others who have based their careers on non-existent Vietnam service.

    Though they are separated by almost 100 years, the similarities in their experiences are striking.When Derrick Wolf left the U.S. for Vietnam in 1970 on January 6th, the day of Epiphany, little did he realize what a prophetic day it would turn out to be for him. Boys for Men is a journal of his tour of duty. Wolf tells of the grim daily routine of a tank crew near the De-militarized Zone just south of North Vietnam. From the near constant rain during monsoon to the unbearable high temperatures and humidity of the dry season, life becomes a series of long periods of boredom and hardship interrupted abruptly by deadly situations.Combined with Wolf’s stories are excerpts of the previously unpublished 1876 journal of Sylvester Waltz, an infantryman during the Great Sioux War. Waltz was a member of the Yellowstone Expedition, which culminated in the Battle of the Little Bighorn where General George Armstrong Custer was killed and his forces defeated.

    President Kennedy later explained to his close friend Paul "Red" Fay that the reason the United States made the fateful decision to get rid of the Ngos was in no small part because of South Vietnam’s first lady, Madame Nhu. "That goddamn bitch," Fay remembers President Kennedy saying, "She’s responsible ... that bitch stuck her nose in and boiled up the whole situation down there."The coup marked the collapse of the Diem government and became the US entry point for a decade-long conflict in Vietnam. Kennedy’s death and the atrocities of the ensuing war eclipsed the memory of Madame Nhu—with her daunting mixture of fierceness and beauty. But at the time, to David Halberstam, she was "the beautiful but diabolic sex dictatress, and Malcolm Browne called her "the most dangerous enemy a man can have."By 1987, the once-glamorous celebrity had retreated into exile and seclusion, and remained there until young American Monique Demery tracked her down in Paris thirty years later. Finding the Dragon Lady is Demery’s story of her improbable relationship with Madame Nhu, and—having ultimately been entrusted with Madame Nhu’s unpublished memoirs and her diary from the years leading up to the coup—the first full history of the Dragon Lady herself, a woman who was feared and fantasized over in her time, and who singlehandedly frustrated the government of one of the world’s superpowers.

    Two of the enemy soldiers, which we often referred to as gooks, quickly came after me. As I quickly mowed them down with my automatic rifle, I crawled backwards away from the enemy gunfire, using my helmet to push sand in front of me as I went, which made it possible to look behind me. But as I looked back, I realized that my safety net was no longer safe. I saw my entire company falling like dominoes. Medics were running left and right, risking their lives to help others with bravery that even the most amazing soldier couldn’t hope to match. Some of the events I witnessed during that moment were beyond comprehension. I watched a young, courageous black medic take an 81-millimeter round to his head, and his whole body instantly turned to smoke. Young nineteen and twenty year old kids were crying like children, but fighting like someone had raped their sisters. So many things were going through my head at that moment, and in one single heartbeat I was overwhelmed with a flashback of my entire life. This is my story, from point A to B, of my life and times in the midst of hell on Earth.”

    Letters home are always cheerful and vague - no sense in worrying the family. Then upon returning home, these young soldiers do not want to talk about their experiences. Family and friends allege they are now distant, changed, and not the same person they remember from several months earlier. What causes this? Although the backdrop for this novel is the Vietnam War, "Cherries" exist in every war. They are the young "Newbie" soldiers, who are trained for war. However, most are not ready to absorb the harsh physical, mental and emotional stress of war. Once they come under fire and witness death firsthand, a life-changing transition begins. This eye-opening account offers readers an in-depth look into the everyday struggles of these young infantry soldiers. You'll feel their fear, awe, drama, and sorrow, witness the bravery and sometimes laugh at their humor. No two war experiences are the same, but after finishing "Cherries - A Vietnam War Novel", readers will have a much better understanding as to why these changes occur and why our military heroes are different upon their return home. Veterans will relate!Parental Rating:This book contains content that may not be suitable for young readers 17 and under.Author's statement:While Cherries is largely a work of fiction, many of the events and anecdotes described in the novel were based on the actual experiences of the author. The places and units mentioned were real and did exist. All characters portrayed are fictional, and any resemblance to actual persons, living or dead, organizations, events, and locales, are entirely coincidental.Award:Finalist in Sixth International Literary Awards at Washington State College, 1986 (titled The Ingenuous Soldier).

    How does the spectacle of the sufferings of others (via television or newspapers) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.Features an analysis of our numbed response to images of horror. This title alters our thinking about the uses and meanings of images, and about the nature of war, the limits of sympathy, and the obligations of conscience.

    Then, if he makes it, life doesn’t get easier—he gets tougher. He may get to do the toughest job around: combat infantry. And in 1966, he will almost certainly end up in Vietnam. Frank Evans is a Navy sailor willing to do whatever is necessary to become a Marine. He’s tough enough—and he has a General interested in his success. But success is measured in many ways. Frank finds out combat and the Marine Corps’ definition of success change a man. Some of the changes are a matter of pride. Others—well, you learn to live with them.

    Provides an accessible, concise narrative history of the Vietnam conflict A new final chapter examines Vietnam through the lens of Oliver Stone's films and opens up a discussion of the War in popular culture A chronology, a glossary, and a bibliography all serve as helpful reference points for students

    Offers students with the tools necessary to do ethical research in psychology and to understand the research they learn about in psychology courses and in the media.

    He arrived in Vietnam in 1964 and volunteered to join the worlds first attack helicopter company. The Utility Tactical Transport Helicopter Company (UTT) had deployed to Vietnam in 1962. It came equipped with the U.S. Armys brand new UH-1 Huey, a helicopter originally designed as an aerial ambulance. The crews, not happy with a passive combat role, began experimenting with ways to strap guns on their aircraft and attack the enemy. Through a deadly process of trial and error the pilots pushed their machines to the edge. Mistakes were made, crews were lost and lessons were learned. These lessons evolved into combat tactics and became fondly known as the 12 Cardinal Rules of Attack Helicopter Combat. Upon joining the unit the author learned about the rules. He studied them and on his first day in combat, developed his own 13th rule. Over his ensuing three years in Vietnam, the rules, especially the 13th, helped him survive over one thousand combat missions. This book provides the reader with a cockpit level view of dozens of those missions and describes several additional near disaster situations encountered by the author during over 25 years flying Army Aircraft. The author is successful in striking a balance between the grim realities of combat and the often humorous aspects of life among a group of high spirited aviators who fly into the jaws of death daily without a parachute on their back. He suggests that the 13 rules, although developed during a different war and at a different time, are applicable to armed helicopter combat operations in the 21st Century. The book contains about 200 pages and is nicely illustrated with 50 photographs.

    This is the story of the men who fought with them -- and the 304 who didn't return.

    I can sanitize my manuscript and give the reader a false sense of how war reduces the humanity of an individual. Not only that, but sanitizing the past distorts history and lulls a person into a nonchalant manner of behavior in determining courses of action. The end result is that I would defeat the purpose that compelled me to write my book in the first place. So what is the point? I hope that you understand what I am trying to achieve. As I put this book together over the years, I constantly questioned my ability and skill to compose my manuscript in a cohesive manner and even my right to do it, but here it is. I think the main problems were that I couldn't look at it objectively and that I tried to write it as an 18-19 year-old. I wanted to present the naiveté and immaturity, which had awesome power and control over life and death. At the same time, naiveté and immaturity could strangle you. The title, The Mailman Went UA, came from our little song and dance routine that we performed when we didn't receive any mail. It reflected the utter desolation of aloneness and heartbreak that extended beyond the lack of mail to who you were as a human being, and that impact is impossible to shake. The mail was our only touch with any degree of normalcy. It was more than a connection with the "World." It was the essential element in preserving our sanity. We were surrounded by death and destruction and became unfazed by them, but we were always hit hard when we didn't receive any mail.