Until Jorden Keller appears. Jorden, a member of the Israeli secret police, is working with a journalist to uncover an international banking scandal dating back to Hitler's Germany. Krista is stunned to find that her family in Switzerland may have been involved in such a scandal, and she suddenly finds herself entangled in a frightening, unforeseen series of events.When a tragic accident unexpectedly changes Krista's life as she searches for the truth, she learns that her true source of happiness lies not in her fair face, but in her faith in God. And she finds the kind of love she has always prayed for -- a love that goes beyond outward beauty and reaches to her very heart and soul.Monday's child is fair of face,Tuesday's child is full of grace,Wednesday's child is full of woe,Thursday's child has far to go,Friday's child is loving and giving,Saturday's child works hard for a living,But the child that is horn on the Sabbath dayIs bonny and blithe, and good and gay.

    Her father slowly slips into alcoholism and his business suffers during the Great Depression. As her mother tries to come to grips with their situation and her sisters seem to remain blissfully oblivious to it, it is Kate who must shoulder the emotional load. Who could imagine that a dirty, abandoned little girl named Lorena Birdsong would be just what the Merritts need? In this richly textured novel, award-winning author Ann H. Gabhart reveals the power of true love, the freedom of forgiveness, and the strength to persevere through troubled times. Multidimensional characters face real and trenchant problems while maintaining their family bonds, all against the backdrop of a sultry Kentucky summer. Readers will be drawn into the story and find themselves lingering there long after they've finished the book.

    Scott Fitzgerald's romantic and witty first novel, was written when the author was only twenty-three years old. This semi-autobiographical story of the handsome, indulged, and idealistic Princeton student Amory Blaine received critical raves and catapulted Fitzgerald to instant fame. Now, readers can enjoy the newly edited, authorized version of this early classic of the Jazz Age, based on Fitzgerald's original manuscript. In this definitive text, This Side of Paradise captures the rhythms and romance of Fitzgerald's youth and offers a poignant portrait of the "Lost Generation."

    Worse, she is told by his bankers that he gambled away their fortune. Now, the family's hope rests on The Larkspur, an old abandoned coaching inn in the quaint village of Gresham.Driven by dread and her desire to provide for her children, Julia decides to turn the dilapidated inn into a lodging house. But can she--who was accustomed to servants attending to every need--do what needs to be done and cope when boarders begin arriving? And then an eligible new vicar moves into town...

    Yet Charlotte chooses a life of service over privilege, just as her childhood friend had done when he became a military doctor. She soon discovers that she’s combating more than just the rebellion by becoming a nurse.Will the two men who love her simply stand by and watch as she fights her own battles? Or will their desire for her wage war on her desire to serve God?Wedded to War is a work of fiction, but the story is inspired by the true life of Civil War nurse Georgeanna Woolsey. Woolsey’s letters and journals, written over 150 years ago, offer a thorough look at what pioneering nurses endured. This is the first in the series Heroines Behind the Lines: Civil War, a collection of novels that highlights the crucial contributions made by women during times of war.

    A haunted young man. A forbidden instrument. Can the love of music bring them together . . . or will it tear them apart?Bath, England—1810At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician.In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument . . . with the help of the dark, brooding Lord Dommick.Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . .

    It was a time when English landlords held power over Irish tenant farmers and seeds of bitterness were sown that would last for generations.In an endeavor to eliminate all influences of Irish heritage, the English forced an intellectual and spiritual bondage on Ireland as well as a bitter physical bondage of servitude. Freedom had become so rare that the Irish coined a saying, "In Ireland only the rivers run free." Yet one poor, befuddled old woman speaks of freedom, truth, and hope. Mad Molly Fahey promises the priest and villages that a miracle is on its way.

    When her husband died two years ago, her pleas for further investigation into his suspicious death fell on deaf ears. In desperate need of a fresh start, Kaine purchases an old house sight unseen in her grandfather's Wisconsin hometown. But one look at the eerie, abandoned house immediately leaves her questioning her rash decision. And when the house's dark history comes back with a vengeance, Kaine is forced to face the terrifying realization she has nowhere left to hide. A century earlier, the house on Foster Hill holds nothing but painful memories for Ivy Thorpe. When an unidentified woman is found dead on the property, Ivy is compelled to discover her identity. Ivy's search leads her into dangerous waters and, even as she works together with a man from her past, can she unravel the mystery before any other lives—including her own—are lost?